Bullet to the Head

PLOT (spoiler alert!!!):

In New Orleans, hitman Jimmy Bobo (Sylvester Stallone) and his partner Louis Blanchard (Jon Seda) kill a corrupt policeman, Hank Greely (Holt McCallany), although Bobo leaves a prostitute, Lola, alive. Later, at a bar, Blanchard is murdered by Keegan (Jason Momoa), who also attempts to kill Bobo, but fails.

Washington D.C. Detective Taylor Kwon (Sung Kang) arrives in New Orleans to investigate Greely’s death and meets Lieutenant Lebreton, who informs him Lola confirmed Greely was assassinated. Kwon goes to the morgue, and, after seeing Blanchard’s body and finding out who he is, he deduces that Blanchard and Bobo killed Greely. Meanwhile, Keegan meets with his employer, Robert Morel (Adewale Akinnuoye-Agbaje), and Morel’s lawyer Marcus Baptiste (Christian Slater). Baptiste reveals that Greely tried to blackmail Morel, and provided local mobster Baby Jack (Douglas M. Griffin) with a file detailing Morel’s illegal operations. Keegan later kills Baby Jack and his men and retrieves the file.

Kwon meets Bobo in a bar and informs him that he knows Bobo and Blanchard killed Greely. Bobo leaves, and when Kwon tries to follow him, he is attacked by corrupt cops who were ordered by Morel to prevent Kwon from further investigating about Greely. Bobo rescues Kwon and takes him to a tattoo parlor, where Bobo’s daughter, Lisa (Sarah Shahi), treats Kwon’s wounds. They later go to a massage parlor where Bobo interrogates Ronnie Earl (Brian Van Holt), the middleman who hired Bobo and Blanchard on Morel’s behalf. Ronnie Earl tries to kill Bobo, but Bobo manages to kill him, although his gun jams. Bobo later confronts Kwon, who admits to having tampered with Bobo’s gun, nearly causing his death. Bobo and Kwon agree to work together.

Bobo and Kwon kidnap Baptiste and take him to Bobo’s house, where he is forced to give them a flash drive detailing Morel’s plans to acquire housing projects and demolish them to build office buildings and reveals Keegan is an ex-mercenary hired to be Morel’s enforcer. Afterwards, Bobo shoots him in the head. Keegan and his men trace Baptiste’s cellphone to Bobo’s house, but Bobo and Kwon are able to escape and detonate a bomb, killing Keegan’s men. Keegan then becomes obsessed with killing Bobo.

Kwon meets with Lieutenant Lebreton to ask for his help, but Lebreton tries to kill him, as he is also on Morel’s payroll, but Bobo kills him and saves Kwon. Meanwhile, Keegan learns about Lisa and kidnaps her. Morel then calls Bobo and offers to trade Lisa for the flash drive. Bobo agrees, and meets with Morel in an abandoned warehouse, where he delivers the flash drive to him and rescues Lisa, while Kwon infiltrates the building to arrest Morel. Keegan becomes furious when Bobo is allowed to leave and kills Morel and his men before going after Bobo.

Keegan confronts Bobo and they have an axe fight, which ends with Bobo slashing Keegan’s throat with Blanchard’s knife, followed by Kwon shooting Keegan in the head. Kwon retrieves the flash drive and Bobo shoots him in the shoulder to make it appear as if Kwon failed to capture him. Lisa decides to stay with Kwon, with whom she initiates a romantic relationship, and Bobo leaves. He later meets Kwon at a bar, where Kwon tells him he did not mention Bobo’s existence to the police this time, but if Bobo continues in the business, Kwon will take him down. Bobo welcomes him to try and drives off into the night.

REVIEW:

The two biggest action stars of the 80s are now trying to capture a new generation of audiences with new action flicks. Arnold Schwarzenegger had The Last Stand and now Stallone brings us Bullet to the Head. I’ll try not to compare the two, because it is like apples and oranges, but one has to wonder which is the better film.

What is this about?

Justice and revenge go hand in hand in this thriller, which follows a young New York cop and an experienced hit man as they team up to track down and take out an enemy they have in common — the person responsible for slaying their partners.

What did I like?

Throwback. This films takes us back to the gritty buddy cops genre that was prevalent in the 70s as well as just straight up actin films from the 80s. For me, as someone who grew up watching the action from the 80s, I was eating this stuff up. As far as the cop stuff, I wasn’t hating it, as it was nice temporary respite between action scenes. I realize there are folks out there who would have preferred more character development and such, but seriously, if you’re coming into a film like this look for some deep meaning, then you really need to have your head examined!

Sleek sly. It is kind of funny that this is set in New Orleans because obviously, Stallone has been doing some kind of voodoo to have a body like that as his age (no comment about is face). Perhaps that is what happens when you’re not governor of California. I should also mention that his character has a very, very, VERY hot semi-estranged daughter. I wonder if she’ll be doing the taking up the family voodoo practice.

Conan. There are some actors that are just meant to do one thing and one thing alone. Jason Momoa is one of those guys. Aside from being a remake, one of the things that I couldn’t really get into in Conan the Barbarian (2011) was his acting. This director was smart enough to give him very few lines. All the guy has to do is stand there and look intimidating and spout off a few cliché’ lines until it is time for him to actually do something. I’d say that was good use of the guy, wouldn’t you?

What didn’t I like?

Narration. I think we have all been spoiled by the golden voiced narrations of Morgan Freeman, Patrick Stewart, James Earl Jones, and more recently Bill Nighy, Jeff Bridges and John Corbett. The thing about all these guys is that they have clear enunciation. In a bad narrating decision that rivals having Blake Lively do the narrating in Savages, someone had the brilliant idea for Sylvester Stallone to narrate this. Correct me if I’m wrong, but should narration fill you in on what is going on with clear and precise thoughts, not mumblings?

Evil plot? Mayhaps I missed something or got confused, but what exactly is the evil plot here? Best I can tell is that is has something to do with real estate, but I’m not sure. I’m also not real clear on why this led to the murders and double-crossing and how Christian Slater’s character factors into everything. Could they not have thrown the audience a bone with all this?

Punk. As is often the case when we see differing generations team up, the more youthful has no respect for is elder, has a smart mouth, and seems like they’ll die if they don’t have their electronic device. This detective that was brought in fits that bill to a ‘T’. Did I mention they cast him instead of Thomas Jane to make the cast more “ethnic”? So, he’s brought in to fill a quota, if you will, and is just an unlikable guy.

If I don’t say anything else about Bullet to the Head, I really should mention that 99.9% of the people who are shot in this film, and there are quite a few, all get bullets through their skulls. So, at least this film isn’t guilty of false advertising, but is it worth watching? Well, there’s blood, violence, gratuitous nudity early on, and an axe fight between Stallone and Momoa…hmm…sure! This is one of those films that is fast paced and fun from start to finish and I say you should most definitely check it out!

4 out of 5 stars

 

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One Response to “Bullet to the Head”

  1. Mystery Man Says:

    Reblogged this on Mr Movie Fiend's Movie Blog.

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