Archive for the Action/Adventure Category

Spider-Man: Homecoming

Posted in Action/Adventure, Movie Reviews, Superhero Films with tags , , , , , , , , , , , , , , , , , , , , , on August 4, 2017 by Mystery Man

PLOT (spoiler alert!!!):

Following the Battle of New York, Adrian Toomes and his salvage company are contracted to clean up the city, but their operation is taken over by the Department of Damage Control (D.O.D.C.), a partnership between Tony Stark and the U.S. government. Enraged at being driven out of business, Toomes persuades his employees to keep the Chitauri technology they have already scavenged and use it to create and sell advanced weapons. Eight years later, Peter Parker is drafted into the Avengers by Stark to help with an internal dispute, but resumes his studies at the Midtown School of Science and Technology when Stark tells him he is not yet ready to become a full Avenger.

Parker quits his school’s academic decathlon team to spend more time focusing on his crime-fighting activities as Spider-Man. One night, after preventing criminals from robbing an ATM with their advanced weapons from Toomes, Parker returns to his Queens apartment where his best friend Ned discovers his secret identity. On another night, Parker comes across Toomes’ associates Jackson Brice / Shocker and Herman Schultz selling weapons to local criminal Aaron Davis. Parker nearly drowns intervening, and is rescued by Stark, who is monitoring the Spider-Man suit he gave Parker and warns him against involvement with the dangerous criminals. Toomes accidentally kills Brice with one of their weapons, and Schultz becomes the new Shocker.

Parker and Ned study a weapon left behind by Brice, removing its power core. When a tracking device on Schultz leads to Maryland, Parker rejoins the decathlon team and accompanies them to Washington, D.C. for their national tournament. Ned and Parker disable the tracker Stark implanted in the Spider-Man suit, and unlock its advanced features. Parker tries to stop Toomes from stealing weapons from a D.O.D.C. truck, but is overpowered and trapped inside the truck, causing him to miss the decathlon tournament. When he discovers that the power core is an unstable Chitauri grenade, Parker races to the Washington Monument where the core explodes and traps Ned and their friends in an elevator. Evading local authorities, Parker saves his friends, including his fellow classmate and crush Liz. Returning to New York City, Parker persuades Davis to reveal Toomes’ whereabouts. Aboard the Staten Island Ferry, Parker captures Toomes’ new buyer Mac Gargan, but Toomes escapes and a malfunctioning weapon tears the ferry in half. Stark helps Parker save the passengers before admonishing him for his recklessness and taking away his suit.

Parker returns to his high school life, and eventually asks Liz to go to the homecoming dance with him. On the night of the dance, Parker learns that Liz is Toomes’ daughter. Deducing Parker’s secret identity, Toomes threatens retaliation if he interferes with his plans. During the dance, Parker realizes Toomes is planning to hijack a D.O.D.C. plane transporting weapons from Avengers Tower to the team’s new headquarters. He dons his old homemade Spider-Man suit and races to Toomes’ lair. He is first ambushed by Schultz, but defeats him with the help of Ned. At the lair, Toomes destroys the building’s support beams and leaves Parker to die. Parker is able to escape the rubble and intercepts the plane, steering it to crash on the beach near Coney Island. He and Toomes engage in an open confrontation that ends with Parker saving Toomes’ life from his own unstable equipment, and leaving him for the police along with the plane’s cargo. After her father’s arrest, Liz moves away, and Parker declines an invitation from Stark to join the Avengers full time. Stark returns Parker’s suit, which he puts on at his apartment just as his Aunt May walks in.

In a mid-credits scene, an incarcerated Gargan approaches Toomes in prison. Gargan has heard that Toomes knows Spider-Man’s real identity, but Toomes denies this.

REVIEW:

With all the success Marvel has had with the MCU (Marvel Cinematic Universe), they could not say they truly were a success story until there was a Spider-Man film under their wing. With Sony holding the rights to the character (not to mention the Fantastic Four) hostage, many were wondering if we would ever see the day when Spidey would grace the big screen in the MCU…then we saw Captain America: Civil War. Now, Spider-Man: Homecoming aims to take that character introduction and flesh out a third cinematic version of Peter Parker. Hey, at least this one is age-appropriate, right?

What is this about?

Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May, under the watchful eye of his new mentor Tony Stark, Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture emerges as a new villain, everything that Peter holds most important will be threatened.

What did I like?

Fun. Audiences and critics have been noticing something in superhero films (and TV shows). A lack of fun! Think about how bright and vibrant Superman is and now think about what we were forced to sit through with Man of Steel. Somewhere along the way, our superheroes stopped being beacons of hope, and turned into examples of how to brood. Spider-Man has not been exempt from this curse. Toby Maguire’s version started out pretty good, but couldn’t keep it up. I never cared for Andrew Garfield or his take on the character, so I won’t waste time on him. Tom Holland brings a fresh take to Spider-Man in that we haven’t seen him as a high schooler, at least not an age appropriate high schooler. With that, the fun and innocence that Stan Lee intended for the character is front and center, as are the awkward moments of being a teenager. Again, this is what Stan Lee envision when he first created him, not some attitude having, puffy haired, British string bean who ruins the character of Peter Parker.

We know the story. Look, if you don’t know the origin of Spider-Man by now, either through comics, cartoons, Watchmojo.com, Wikipedia, or whatever, then chances are you either don’t care or just haven’t bothered to learn yourself something. With that said, I join the billions of fans who saw this and noticed the absence of Uncle Ben’s murder. As a matter of fact, it isn’t even mentioned! We are more than aware than Ben gets shot and its Peter’s fault, but in the last 5 Spider-Man movies, we have either seen this happen or been privy to a bevy of flashbacks so that we can relive the scene ad naseum. Thank goodness the 6th time they got it right and didn’t include anything about the murder…though I do hope in future films we get something on what happened. I’m mostly curious as to who they’ll cast as Uncle Ben to pair with Marisa Tomei’s Aunt May

Cap must’ve needed the money. One of the best cameos in the picture is Captain America doing PSAs. While I was laughing when Cap showed up in these videos, I couldn’t help but wonder why he was doing them. Did the government make him? Is he just being a good guy and attempting to help the youth? Just some thoughts that popped in my head. I’m sure that I am just overanalyzing and  these were nothing more than a funny thing to include in the film.

What didn’t I like?

Homage or ripoff? About halfway through the picture, there is a scene where Spider-Man has to use all of his strength to hold two halves of a dissected boat together. As I was sitting there watching him strain, I couldn’t help but recall the train sequence in Spider-Man 2 when Toby Maguire is called on to use all of his strength to stop the train. Many people have noticed this comparison and now I must ask…is this an homage or a ripoff? I see it more as an homage, personally. The scene in question is from what is arguably the best Spider-Man film to date, so why wouldn’t you bring something from that great film into this new version? Also, if it was a ripoff, I think we’d have a seen something involving the subway, I’m sure.

What a shock! Shocker is one of my favorite in Spider-Man’s rogues gallery. I can’t tell you why, but I have this affinity for him. Maybe it’s the Texas connection?!? At any rate, I was over the hills with excitement when I heard the announcement he was going to be in this film. Then I saw him and my jaw dropped. This is not Shocker. He doesn’t even really don the costume, save for the sleeves on his jacket. How is it we can get nearly every detail right with superheroes, but for the villains they just seem to wear similar colors to their comic counterparts. I wonder why that is!

A change will do you good. My first introduction to the Vulture was as an elderly gentlemen who was running part of the criminal organizations in NYC. Obviously, there are some differences between that idea and the one we see on the screen. Most importantly, the family man version of the character remained intact. So, why would I not like the change in history? Well, just this week, some promotional photos were released for Deadpool 2, specifically images of the mutant, Domino. I bring this up because she’s quite the curvy wonder in the pics, it is the sudden realization that she is now to be played by an actress of color…complete with afro and some weird face that causes her to look like a dog. What is the reason for this change? No real reason, they just wanted someone of ethnicity to play a character who has plae white skin.

Final verdict on Spider-Man:Homecoming? This is the superhero film we’ve all been clamoring for. It has action, humor, sci-fi, crime, and even a love story. What is there to not like? While Marvel and Sony are sure to fight over who gets credit here, really it is the fans and moviegoers that win. Do  I recommend  this? Emphatically yes! The cons are few and the pros are many. Go check it out!

5 out of 5 stars

 

The Accountant

Posted in Action/Adventure, Movie Reviews, Thrillers/Mystery with tags , , , , , , , , , , on August 2, 2017 by Mystery Man

PLOT:

Christian Wolff (Ben Affleck) is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King (J.K. Simmons), starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk (Anna Kendrick) has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.

What people are saying:

“It’s transparent in its attempt both to pimp a future franchise and give autistic kids their own superhero. There’s a genuine sweetness to the latter that converts me on the former. Headshots, math problems, and pained social interactions? Sign me up. Of the two movies Ben Affleck has been in so far this year, The Accountant and Batman V Superman, The Accountant has by far the most franchise potential” 4 stars

“The Accountant should be a straight-ahead thriller, but the film keeps tripping over its own incompetent feet. Maybe it was made for adults, but it sure doesn’t feel like it was made by them.” 3 stars

“It’s not that often a great story gets translated into a classy script and then benefits from top level acting. Thankfully this film manages to do all that and more. The unique story line combined with some excellent acting and action scenes is a triumph and is not just for those who crave some realistic looking action. Ben Affleck does a great job and makes the unusually talented and afflicted ‘Accountant’ believable. After this performance Ben Affleck must surely be at the top of the list to play ‘007’.” 5 stars

“This movie was sooooooo predictable and terrible. It rips off elements from “Jack Reacher”, “Rain Man” and “Grosse Point Blank”. All three of those movies are way better than this piece of turd. I think the PC crowd want to portray this movie as “inspiring” and about “family” or some other B.S. The movie has a message that autistic people have can live a productive life in a manner of a “normal” person. Meaning, we (the non-autistic people) just mis-understand the very special autistic folks. It’s the same formula as you have seen a hundred times. The Accountant is killing the bad folks for the greater good, but he is not an official law enforcement agent. He has to do things secretly, but with the covert help of a couple of legitimate treasury agents. Sound familiar? Kind of like Batman and Commissioner Gordon. (I did that on purpose btw.) Believe me, I “get” this movie. Wooden acting, (exception: J.K. Simmons) stupid, predictable story, and very slow pace. It’s pure garbage. I just read they are going to make “The Accountant 2″ as well. I guess it’s true, you can’t fix stupid” 1 star

“I thought the film did an excellent job of developing and explaining Ben Afflecks character. I also enjoyed the duplicity of his autism and the fighting skills that his father imbued in him and later how he learned to cope with these abilities / disabilities in adult life (quite the paradox). From personal experience: I know that autistic people have a skill sets, its finding it and making it useful too themselves and society that’s difficult. Too many times these people are written off because they are different than normal expectations and thats kinda of the bottom line of this movie. The previous reviewer is a good example of the herd mentality of people that just don’t get it and never will. (Small people with even smaller minds). I also enjoyed his marksmanship skills with a 50BMG Barret rifle, the one mile shots at cantaloupes and how he took out a pickup truck with it by shooting a hole in the engine block, no doubt also inspired by his Army father. In summary this movie is imperfect by design so that only enlightened people will appreciate and get it.” 5 stars

Transformers: The Last Knight

Posted in Action/Adventure, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 30, 2017 by Mystery Man

PLOT (spoiler alert!!!):

In 484 AD, King Arthur’s wizard Merlin forges an alliance with the Knights of Iacon, a group of twelve Transformers who have hidden on Earth. The knights give Merlin an alien staff, and combine into a dragon to help Arthur triumph over the Saxons.

In the present day, most of the governments on Earth have declared Transformers illegal, and the multinational Transformer Reaction Force (TRF) has been formed to eliminate the alien robots. Despite the absence of Optimus Prime (who left the planet to search for his creator), new Transformers continue to arrive regularly; the newest ship to arrive crash-lands in Chicago, where it is found by a group of children. When a TRF mecha confronts the kids, they are saved by Izabella, a survivor of the Battle of Chicago, and her Transformer companions Sqweeks and Canopy, but Canopy is killed by the TRF in the process. Bumblebee and Cade Yeager arrive and help them escape, but Yeager is unable to save the Transformer, Steelbane, in the ship. Before he dies, Steelbane attaches a metallic talisman to Yeager’s body—an act observed by Decepticon Barricade, who reports to his leader Megatron.

On the far reaches of the Solar System, Optimus Prime discovers that the Transformers’ home world, Cybertron, now disassembled into pieces, is heading directly for Earth. Optimus finds the being in control of Cybertron’s movement, a sorceress named Quintessa, who professes to be the maker he is searching for. The staff which the knights gave to Merlin was stolen from Quintessa, and using her powers, she places Optimus under her control, dubs him “Nemesis Prime,” and charges him with recovering it. Earth, she reveals, is actually Cybertron’s “ancient enemy” Unicron, and she intends to drain his life force so that Cybertron can be restored.

TRF member and former Autobot ally William Lennox brokers a deal between the TRF and Megatron, releasing from their custody a squad of Decepticons who will help Megatron recover the talisman from Yeager. The Decepticons hunt Yeager to his junkyard hideout in South Dakota, where he and many of the surviving Transformers are holed up. During the chaos of the ensuing battle, Yeager is approached by Cogman, the Transformer envoy of British Lord Sir Edmund Burton, who takes him and Bumblebee to England to meet his master. There, Yeager also meets Viviane Wembly, an Oxford professor, who Burton has had the Autobot Hot Rod kidnap. Burton explains that he is the last living member of the “Witwiccan” order, an ancient brotherhood dedicated to guarding the secret history of Transformers on Earth. He also reveals that Viviane is the last descendant of Merlin, and must find and use his staff to prevent the impending destruction of Earth by Cybertron.

Fleeing the TRF, Yeager and Wembly follow clues left by the latter’s father that lead them, Bumblebee, and Cogman to take the submarine HMS Alliance into the sea to find the Cybertronian Knights’ sunken ship, in which they discover the tomb of Merlin and the staff. Wembly activates the staff, and the ship rises to the surface; the TRF arrives to confront the group, but several knights awaken and attack them. The attack is cut short by the arrival of the mind-controlled Optimus, but fortunately, when the normally-mute Bumblebee is finally able to speak, the sound of his voice is enough to break Prime free of Quintessa’s control. A moment later, Megatron arrives to steal the staff; he too has been working for Quintessa all along. As Megatron flees with his prize, the knights attack Optimus for his betrayal, but Yeager, whose talisman becomes the sword Excalibur, stops the fight. Realizing he is the last knight, the knights yield to Yeager, who urges Optimus to protect the Earth once more.

Megatron delivers the staff to Quintessa, who begins draining the life force of Earth/Unicron via Stonehenge. When the military intervenes, Megatron shoots Burton, who dies with Cogman at his side. Using a ship procured by the Autobot Daytrader, the Autobots arrive to join the fight, landing on Cybertron and battling against the Decepticons and Quintessa’s Infernocons. Optimus and his Autobots, backed up by the knights in their dragon form, vanquish their many foes. Optimus defeats Megatron while Bumblebee appears to slay Quintessa. Wembly removes the staff, stopping Cybertron’s destruction of Earth, but leaving the two planets connected. Optimus declares that humans and Transformers must work together to rebuild their worlds, and sends a message calling any surviving Autobots to come home.

In a mid-credits scene, scientists inspect one of the horns of Unicron, which is extending out of the desert. Quintessa, who has survived and is disguised as a human, arrives and offers them a way to destroy Unicron.

REVIEW:

Can you believe it has been 10 yrs since the first Transformers was released? 5 years later, this franchise is still going, though there is some debate about whether it should or not. With this 5th film, Transformers: The Last Knight, the trailers promise something darker and more character driven. Did they tell the truth? Let’s find out!

What is this about?

Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager, Bumblebee, an English Lord, and an Oxford Professor.

What did I like?

Continuity. In the first few films, outside of Optimus Prime, Bumblebee, Megatron, Starscream and a couple of others, we had a new lineup of Transformers in every picture. Starting with the last picture, Transformers: Age of Extinction, we seem to be keeping with a steady lineup, only bringing in one or two others…at least on the Autobot side. The Decepticons were all new, except for a returning Barricade, who was last seen running away from the climactic battle in the first film.

Tone. The trailers and all the talk leading up to this film led us to believe that this was going to be the darkest, most serious film in the franchise. In the opening scenes, it seems as if that were going to be the case until we meet Merlin. This iteration of history’s greatest wizard sets the tone for the whole film, a tone filled with comedic action, rather than dark drama. Personally, I prefer it this way. For goodness sakes, this is a film about giant robots that transform into cars and jets. Why on Earth would we want it to be serious?

Welcome back. Barricade isn’t the only returnee. Josh Duhamel makes his return, after last being seen in Transformers: Dark of the Moon. His character seems a bit more battle hardened and conflicted this time out, as he is having to work with the TRF, a group that exists to eradicate all the Transformers. The military seems to still be on their side but working with them out of necessity. Tyrese Gibson was also set to return, but there was a schedule conflict with filming The Fate of the Furious.

What didn’t I like?

History lesson. There seems to be a trend lately of putting fantasy characters into historical events. Wonder Woman showed us that she was in World War I, X- Men Origins: Wolverine (as well as The Wolverine) placed Logan in every war in history. Now, it appears as if the Transformers, who we saw arrive in 2007, have been here since the Middle Ages, if not before (according to this film…we won’t go into the convoluted history of the previous films). My question is why? There was no need to put them there, other than to make it convenient for the plot. I mean, seriously, what did they have to do with Frederick Douglass?!?

Human element. I know I said this about the first film, and maybe some of the others, but there is just too much emphasis placed on the humans in a movie called TRANSFORMERS!!! This is no more apparent than in the amount of time spent trying to develop our new female characters, one of which I suspect was chosen based solely on her resemblance to Megan Fox. Also, the final battle should have been an epic confrontation of clashing, twisted metal, but instead, we get humans jumping out of airplanes and trying to get a date. One more thing, when “Nemesis” Prime comes and Bumblebee takes him on, there is no reason for Mark Wahlberg to get involved in the battle. Seriously, what can a human do against one as powerful as Optimus Prime?

Who are you? The only new Autobot introduced is Hot Rod who, though he’s living in England, somehow has a French accent. He has this cool ability to stop time, but we never really get to know him outside of that. He’s not the only one we don’t get to become acquainted with. Megatron has a crew that he asks to be released in exchange for helping the TRF (no clue how it is that these guys are in “jail” and Megatron is just running free). These guys aren’t given anything to do and most are killed in the next 10 minutes! So, instead of giving us a cool new Autobot to get to know and some interesting Decepticons, this time is spent with the schizophrenic C3PO rip-off, Cogman. There is some comedy there, but not worth the trade off. Actually, he reminds me of Alan Tudyk’s character from a previous film, I forgot which one, Dutch.

Final verdict on Transformers: The Last Knight? It makes a valiant attempt to keep this franchise relevant, but truth be told, other than die-hard Transformers fans, no in the US is clamoring for these films. Most people seems to hate them for whatever reason. Personally, I think a new director would do wonders for this franchise. Props to Michael Bay for bringing them to big screen a decade ago, something never thought possible, but now it is time for someone else to take over, preferably a fan of the original cartoon. With that said, this is actually probably the 2nd or 3rd best film in the franchise in my book. Do I recommend it? Yes, I do, but I wouldn’t get in a rush to see it. The theater I was in this afternoon was mostly empty, so I’m sure there will be plenty of seats for you.

4 out of 5 stars

Sharknado: The 4th Awakens

Posted in Action/Adventure, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , on June 20, 2017 by Mystery Man

PLOT:

Five years have passed since the East Coast felt the deadly fury of sharknadoes, and America has become complacent about the possibility of another assault. But they’re back — and badder than ever — and Fin Shepard must again take them on.

What people are saying:

Sharknado: The 4th Awakens loses the ridiculous charm of its predecessors, leaving only clumsy social commentary and monotonous schtick that’s lost its bite” 1 1/2 stars

“With little to no comedic value whatsoever but the amount of cameos by not just out of work actors but politicians and other controversial figures, and abundance of easy-grab pop culture references make this the worst ‘Nado yet.” 1 star

“Sure the others are bad but in a good cheesey sci-fi way this was too much sure it was ok -maybe a little good i did laugh a little but it was like a bad parody movie that used to many parodies, and what was with the ending it was honestly the cheesiest and possibly worst part of this movie of course i know some people will like it anyway this is just my opinion and honestly that;s what a review is for, so if you loved sharknado and bad parodies with to many cheesy references in it then this movie is for you, i equate this with scary movie 5 to far but you know there will probably be more” 3 stars

“The 4th Awakens gives off the impression that the Sharknado franchise has locked into groove where it can give its fans more to talk about on social media while staying true to its B-movie creature feature/disaster film roots.” 4 stars

“By no means the best of the franchise it is still a fun ride. I didn’t recognize most of the cameos so that could be why I didn’t enjoy it as much as the first three. The story however was entertaining enough if you enjoy the Sharknado movies. More worked then didn’t and the cheesy entertainment and bad punchlines are all still abundant so I would be more then happy to see a fifth Sharknado movie. This is pure camp and cheese. Don’t expect anything else and you will enjoy yourself” 3 stars

Alice Through the Looking Glass

Posted in Action/Adventure, Family, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , on June 14, 2017 by Mystery Man

PLOT:

In this trippy sequel to the 2010 blockbuster “Alice in Wonderland,” young Alice returns from several years at sea and again passes through to the magical landscape, where she ends up journeying into the past to try to save the Mad Hatter.

What people are saying:

“A solid kids’ movie in the old style. One with something to say about something real – family and time- and a willingness to admit consequences, even as it serves up goofy humor, mild thrills, and slippy-slidey accents from slumming stars.” 2 stars

“It deviated from the actual book, but that doesn’t mean it was not entertaining. It had good messages about positive attitudes for women not to be victims of circumstance. A much needed improvement from much of the stuff many kids are watching now. ” 5 stars

“The charm found in the first Alice in Wonderland is definitely missing in the sequel. The story is a mix match of going in the past future time etc. The plot that is way too confusing for most children even some adults. The acting isn’t anything great most of the actors you can tell look like they’re in front of a green screen. Some of the special effects were nice and there’s some creativity to be found in this movie but in the end it just didn’t come together very well.” 2 stars

“I never read the Alice in Wonderland books, but I doubt this is one of them. Yes, it has that zany twisted quality you expect in Wonderland, but there is a theme running through the movie that gives it a scifi depth, “Why can’t I go back in time and change the past?” Most of the characters from the first movie are back and Cohen’s Time fits in Wonderfully. ” 5 stars

“the most offensive kind of film…one that spends an enormous amount of money yet seems to have nothing on its mind but money. You give it, they take it. And you get nothing in return but assurances that you’re seeing magic and wonder. The movie keeps repeating it in your ear, and flashing it onscreen in big block letters: MAGIC AND WONDER. MAGIC AND WONDER. But there is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive characters and landscapes and ‘action scenes’, with blockbuster ‘journey movie’ tropes affixed to every set-piece as blatantly as Post-It Notes” 1 star

Batman vs. Robin

Posted in Action/Adventure, Animation, Movie Reviews, Superhero Films with tags , , , , , , , , , , , on June 7, 2017 by Mystery Man

PLOT:

When Batman finds himself under attack by his own son, Damian (Robin), he at first suspects the hand of Ra’s Al Ghul behind the treachery, but then comes to see that the boy may be controlled by a mysterious and murderous society known as the Court of Owls.

What people are saying:

“More a mash-up of two of the most highly regarded Batman stories in the last 20 years than its title implies it stands alongside the best efforts of Warner Bros. Animated.” 4 1/2 stars

“This could of been the next red hood movie, if they would of stuck to just one story, but instead they shove all these storys all together instead of focusing on batman and the owls. Court of owls /night of the owls was a great stoty and would of been fine on its own, but they just shoved all these other plots in and it just didn’t work. They even took some of the best scenes from the book and cheapened them, like making that intense amazing maze part of the story and turning into a quick drugged dream thing.” 1 star

“The story itself was good, not the best but not the worst I’ve seen. The kid was just annoying at first, but it got better as the story progressed. I do think it could have been a lot better, the storyline they used had more potential but it wasn’t bad. As far as content. Definitely not for kids, I wouldn’t even say 13 and up, i’d say older. Lots of blood, violence, even a straight up massacre. Some of the language and the sexual content was unnecessary so be aware of that if you are looking at this for children. ” 3 stars

“The anticipation of the eventual fight between Batman and Robin is palpable. With all the talented voice actors bringing in realism of the character’s conflicts, it’s hard not to enjoy.” 4 stars

“Not good, this is actually a terrible adaptation of the court of owls comic storyline. The way they reworked it with Damian Wayne was just terrible, and the story line goes out of its way to make batman seem incompetent. It would have been better if they had just straight up done a court of owls animated movie and skipped out the son of batman stuff for two reasons. The first being the aforementioned batman incompetence like batman sending a ten year old boy into the wilderness on his own, stupid, or robin solving the doll maker crime before batman, lame. Then of course the second being that Damien is the most annoyingly pig headed, and truly unsavory robins ever created, plainly put he’s just unlikable and really petulant through the whole film. Spent the hour and twenty minutes on count down waiting for the torture to end.” 1 star

Wonder Woman (2017)

Posted in Action/Adventure, Movie Reviews, Superhero Films with tags , , , , , , , , , , , , , , , , , , , on June 2, 2017 by Mystery Man

PLOT (spoiler alert!!!):

In present day Paris, Diana Prince receives a World War I-era photograph at the Louvre and recalls her childhood. Raised on the island of Themyscira, the land of the Amazons, the child Diana dreams of becoming an Amazonian warrior but her mother Queen Hippolyta forbids it, telling her the story of how Ares the god of war corrupted mankind and killed all the other gods except Zeus. With the last of his strength, Zeus left the Amazons a weapon capable of destroying Ares if he ever returned. Diana nevertheless disobeys her mother and is secretly trained by her aunt Antiope.

As a young woman, Diana rescues pilot Steve Trevor after his plane crashes off the coast of Themyscira. The Amazons engage and kill the German soldiers in pursuit of him, but Antiope dies protecting Diana. Interrogated with the Lasso of Truth, Steve reveals that he is an Allied spy in World War I and has stolen information from a weapons facility in the Ottoman Empire run by German general Erich Ludendorff, whose scientist Doctor Maru is producing a new, deadlier form of mustard gas. Certain that Ares must be responsible for the “war to end all wars,” Diana defies her mother’s orders and leaves Themyscira in search of him with Steve.

In London, Steve delivers Maru’s notes to his superiors at the Imperial War Cabinet, including Sir Patrick Morgan, who is trying to negotiate an armistice with Germany. Steve believes Ludendorff will complete and use the gas regardless of an armistice, and Diana concludes Ludendorff is Ares himself and slaying him will end the war. With Sir Patrick’s blessing, Steve and Diana travel to the front lines to stop Ludendorff, accompanied by Steve’s team: spy Sameer, marksman Charlie, and smuggler Chief. Arriving at the Western Front in Belgium, the group’s progress is halted by enemy trenches, until Diana pushes alone through the German lines, rallying the allied forces behind her to liberate a village from German control. Diana and the team celebrate the freedom of the villagers, and Diana grows close to Steve.

Learning that Ludendorff will attend a gala at a nearby castle, Steve infiltrates the party and is followed by Diana, who intends to kill Ludendorff. Steve stops her to avoid jeopardizing the mission to destroy the chemical stores, and shortly after Ludendorff uses the gas to bomb the nearby village. Diana is devastated that Steve interfered, blaming him for the loss of life. In rage, Diana pursues Ludendorff to a complex where the gas is being loaded into a bomber to attack London. Diana fights and slays Ludendorff, but is stunned when his death does not stop the war. Sir Patrick appears to her, revealing that he is the true Ares; he tells her though he has encouraged them to destroy themselves, humans themselves contain the dark impulse to make war.

As they fight, Ares attempts to convince Diana that humanity does not deserve to be saved, and reveals that she herself is the weapon of Zeus: his last child. As Ares overpowers Diana, Steve hijacks the bomber containing the gas and sacrifices himself to incinerate it at a safe distance. Inspired by Steve’s selflessness and his final words, Diana dedicates herself to defending mankind and summons her power to finally destroy Ares and spare humanity. In London, the team solemnly celebrates the end of the war.

In the present day, Diana writes to Bruce Wayne thanking him for the photograph of her and Steve and reaffirms her mission to keep protecting and guiding mankind

REVIEW:

We’ve had solo films from Green Lantern, Iron Man, Hulk, Captain America, Superman, Batman, etc., but one of the biggest superheroes has been missing from the big screen. Even in the small screen adaptations we don’t get this particular hero. Well, the wait is over, we finally have a solo film for the 3rd member of what was once known as DCs “big 3”. Will Wonder Woman do this character justice, or continue the downward spiral that has been the dark, depressing, DC films?

What is this about?

Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when a pilot crashes on their shores and tells of a massive conflict raging in the outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.

What did I like?

Color. Believe it or not, this is a DC comics film that uses color, rather than just black, gray, and muted variation of what are supposed to be colors. With the exception of Suicide Squad, we haven’t really gotten much in the way of color from these guys. Most of that blame is on Zach Snyder’s head, but it looks like we’re going another direction. Just look at the difference in Wonder Woman’s costume in this film and in Batman v. Superman: Dawn of Justice. The design is more or less the same, but the red and blue pop more in this one. Then we have the lush landscape of Themyscira, greens, blues, and other actual colors as far as they eye can see. The scenes in this land are almost like a giant F-U to what has been happening in the DCEU.

On your own. Something that I’ve noticed with DC films, both live action and animated, is that Batman pops up in just about all of them. If he doesn’t then there is an Easter egg related to it, such as a Wayne Enterprise tower, truck, etc., or history is retconned so that he can be there. Well, unless he can go back to World War I, that won’t be the case with this film. Wonder Woman is allowed to stand on her own and become a character we can all love (or hate). Yes, there is a connection to Batman/Bruce Wayne, but that is part of the connecting arc DC is trying to do in making (rushing) the cinematic universe they are building.

War. The comparisons to Captain America: The First Avenger cannot be avoided. Major superhero who hasn’t been brought to the big screen because everyone thought they would be too cheesy. Film is set in wartime. Hero is helped by team of military mercenaries. Do we see the pattern here? What interested me, though, about how they did this is the selection of World War I. Not many films are made about WWI for some reason. If nothing else stands out about this film, the period in which it is set surely will.

What didn’t I like?

Scum and villainy. I believe it was last summer, when the hype was stating to pick up about this film, that I was reading an article about Wonder Woman’s rogues gallery and how they would be perfect for the big screen. Admittedly, I don’t know much of her rivals outside of Ares, Cheetah, and Giganta. That said, I have no qualm with Ares as the big bad, though I wonder if a different actor would have been better suited for the god parts. My issue is with Dr. Maru and Erich Ludendorff, neither of which we seemed to get much in the way of development. As it turns out, Ludendorff was a real person (obviously his powers in this film are false). Dr. Maru, though, seems like there is an interesting story there involving what happened to her face, but we got none of that.

Themyscira. You would think with all the money the filmmakers spent in making Themyscira look as great as it did, they would actually spend more than 5-15 minutes on the island. Green Lantern did the same thing. Oa was a sight to behold, but we barely spend anytime there before being whisked away to Earth. For the sake of the plot, though, I understand why not much time was spent on Themyscira, but that doesn’t mean I have to like it!

On the lighter side of things. Can this be? Was that? No way! I do believe there were some jokes in this film and not everyone was brooding! *GASP* You know what I didn’t like about this, though? Diana’s naiveté. Here we have a woman who knows nothing of the outside world. This should be comedic gold in most situations. I wish they wouldn’t have been so serious with most of her situations and given us some laughs before we got to the serious action stuff in the 2nd half of the picture.

Final verdict on Wonder Woman? Well, for an origin story it delivers everything we need to know about this character, including how that picture from Batman v. Superman came to be. With that said, I feel as if we still don’t know much about her. What I mean by that is, at the end of the first Captain America, we knew who Steve Rogers was and felt for him as we went down into the ice. With this, Wonder Woman just seems like a female superhero they are throwing out there to make the feminists happy. That said, I did enjoy this film. Do I recommend it? Yes, very highly! However, if you want a solid origin of the character, check out Wonder Woman, the animated feature from 2009. I believe it was just re-released.

4 out of 5 stars