Archive for bounty hunter

Jane Got a Gun

Posted in Drama, Movie Reviews, Westerns with tags , , , , , on August 24, 2016 by Mystery Man


Jane Hammond has built a new life with her husband Bill “Ham” Hammond after being tormented by the Bishop Boys gang. She finds herself in the gang’s crosshairs once again when Ham stumbles home riddled with bullets after dueling with the Boys and their relentless leader, John Bishop. With the vengeful crew hot on Ham’s trail, Jane has nowhere to turn but to her former fiancé Dan Frost for help in defending her family against certain death. Haunted by old memories, Jane’s past meets the present in a heart-stopping battle for survival.

What people are saying:

“A silly movie with a poor cast–Natalie Portman is not good in this “Western.” She and a former beau are able to hold off a dozen outlaws? Don’t waste your time.” 2 stars

“Hollywood has forgotten how to do a decent western. Sub par acting with a lame, contrived story.” 1 1/2 stars

“The movie had a lot of trouble being made from changing multiple directors, delays, and shifting around roles. Which becomes apparent throughout the movie. All the actors do a very good job to keep the movie relevant though. Even with good performances the movie never able to overcome its troubled past. ” 2 1/2 stars

“Not just confusing, predictable and mis-sold as a feminist film, the calamity that is Jane Got A Gun is hobbled by the dullest of plots.” 2 stars

“Slow and tedious with the worst sound editing I can ever recall. An hour and thirty-eight minutes that seems like a lifetime. Those shot in this western suffered less than we who watched it.” 1 star

Revisited: The Rundown

Posted in Movie Reviews, Revisited with tags , , , , , , , on December 26, 2013 by Mystery Man

PLOT (spoiler alert!!!):

Beck (Dwayne “The Rock” Johnson) is a “retrieval expert”, a bounty hunter who collects debts for a man named Walker (William Lucking). He is dispatched to a nightclub to retrieve a championship ring from a football player, and after doing so is assaulted by one of Walker’s other collectors. Angry, he confronts Walker and tells him that wants out of the business. Walker talks him into one last bounty – retrieve Walker’s son Travis (Seann William Scott) from a small mining town in Brazil and Walker will give him enough money to open his own restaurant. Beck accepts and leaves for Brazil. When Beck arrives in the town of El Dorado he meets with the man running the mining operation, Mr. Hatcher (Christopher Walken). Hatcher gives Beck his blessing to grab Travis, but reneges when he finds out that Travis has discovered a missing golden artifact called “El Gato do Diabo”. Beck confronts Hatcher and his men in the local bar and leaves with Travis. On the way back to the airfield, Travis forces their Jeep off the road and into the jungle. There he tries to escape but is re-captured by Beck. After an unfortunate encounter with some local monkeys the two find themselves in the camp of the local resistance.

At the resistance encampment, Travis convinces the rebels that Beck works for Hatcher and was sent to kill them all. After a prolonged fight, Beck gains the upper hand before the rebel leader Mariana (Rosario Dawson) intervenes. She wants Travis, as the Gato can be used to ensure the locals can free themselves from Hatcher. Hatcher suddenly attacks the camp, killing many rebels. Beck, Travis, and Mariana escape the camp and Beck makes Mariana a deal: she helps him get Travis to the airfield in exchange for the Gato. After some searching, Travis leads them to a cave behind a waterfall where the Gato is located. They retrieve it and begin the journey back.

On the way back, Mariana chastises Travis for wanting to sell the artifact, but Travis argues that he actually did want to give it to a museum. Mariana gives the two men Konlobos, a toxic fruit that paralyzes the eater. As she tells Beck which direction the airfield is, she leaves them with the fire to keep the animals away. After waking up able to move, Beck hauls Travis to the airfield. The local pilot, Declan (Ewen Bremner), tells Beck that Mariana was captured earlier by Hatcher and will probably be killed. Travis pleads with Beck to help, and the two head into town to rescue her. Using a cow stampede for cover, the two begin their assault on Hatcher’s goons. Travis becomes trapped by gunfire in a bus, and Beck saves him before the bus explodes. Hatcher tells his brother to take Mariana and the Gato and flee, but they are stopped by Travis. Hatcher confronts Beck, who offers him the chance to leave town still. Hatcher refuses, and is confronted by the townspeople who shoot him before he can leave. Travis gives the Gato to Mariana before leaving with Beck, who tells him that despite all they’ve been through he must still return Travis to the US. Back in the U.S., Travis is delivered to his dad who begins to verbally and physically abuse him. Beck asks to celebrate with them and gives Walker and his men Konlobos. As they are paralyzed, Beck uncuffs Travis and the duo leave together, with Travis continuing to jokingly annoy Beck.


The Scorpion King may have been the film that started action career of The Rock, but it was The Rundown that really laid the foundation for him as a movie star that has been doing nothing but getting brighter and brighter (even when he was doing those family movies like The Game Plan). For some reason, though, this is one of those films that seems to be forgotten, though.

What is this about?

Looking to retire and open a restaurant, a bounty hunter named Beck gets roped into one final assignment: fetching his employer’s errant son from the Amazon jungle. Along the way, Beck finds himself involved in a treasure hunt and a rebel uprising.

What did I like?

Action. Earlier today, I was listening to a review of the Indiana Jones collection on Blu-ray. Not long after, I started watching this. What is the connection? Well, in a way, they are both action packed and set mostly in the jungle (not all Indy movies are set in the jungle, remember). The Rock at this point in time was still a wrestler turning actor not an actor who was a wrestler and occasionally goes back to appease the ungrateful fans. As a fan of The Rock during his heyday in WWE, I noticed a few of his moves, especially in the club scene. The jungle fights though were a bit more inclusive of all different types of fighting. I guess it is kind of hard to Rock Bottom or give the People’s Elbow to little men flying around and kicking your ass with their speed.

Connection. The Rock and Sean William Scott have a nice chemistry that works very well throughout the course of the film. Scott’s character provides much of the film’s comedy, as expected from him, and The Rock is the straight man to his antics. A tried and true formula, to be sure, but it is one of those that works, so why question it? I think we can all admit we’ve seen this formula in other films and it doesn’t quite work as well as advertised.

The Dawson. When we first come across Rosario Dawson’s character in the bar, you just assume she’s eye candy. To a certain extent she is, considering how she is the only female in this cast, except for background ladies in the village, town, and club. With that in mind, it isn’t long before she shows her true colors as a rebel who wants to find the El Gato so that she can free her people from the evil hands of Christopher Walken’s character, who I believe he bought and runs the town, but I’m not 100% sure what his definitive relationship with it is. Dawson is a tour de force, if you will, in this role, even taking on a Brazilian (subtitles said she was speaking Portuguese) accent and speaking the language in a couple of spots. Something else of note is that there is no romantic relationship with either The Rock or Scott’s character. This is noteworthy because it shows that not every action film needs a woman for the guy to fall for or a girl to fall for the guy that rescues her, or any other scenario you want to cook up. Dawson’s character gets the job done and then goes about her merry way, rather than forcing us to deal with some useless relationship drama and convoluting the film with thoughts, feelings, and whatnot.

What didn’t I like?

Jungle danger. Maybe I watch too many cartoons, but I half expected to see more in the way of dangers in the jungle. Other than a trap set by the rebels, the howler monkeys, and konlobos fruit that was given to them by Rosario Dawson’s character, there weren’t any natural dangers and I just don’t understand why that was. Surely, something could have come up. Oh, there was the mention of those piranha that swim up penis holes, but nothing came of that, either.

Guns. The whole film, The Rock’s character makes it perfectly clear that he doesn’t like guns and will not use them because of something that happened. When he does use them “you wouldn’t like the person I become”, or something to that effect. The this is, near the film’s end he has no choice but to pick up a gun, which he does and owns that shootout like the hero in a western! Apparently, something happened in his past,  which perhaps could give us the dark tale of how he got into the bounty hunter game. I would like to know why it is he has issues with guns. At least Batman has an excuse, he watched his parents get gunned down when he was a little boy. What is this guy’s reason?

Shut up! While the final shootout is going on, the pilot is spouting off some kind of mumbo jumbo gibberish that no one really is paying attention to. I guess the best way to describe it would be to think of those old blues singers that cameras often pan to in certain movies when the hero has a revelation that makes them become the hero. It was sort of like that, as The Rock’s character was picking up the guns. In theory, it should have worked, but the way it was shot and the fact that what he was saying made no sense derailed it from doing so.

In the years since The Rundown, The Rock has decided to go by his real name and now goes by both his real and ring name. He has also become a big star, literally and figuratively. This film may not be the greatest, but as an action flick it is good fun and it served as a nice big stepping stone for The Rock. Do I recommend this? Yes, very much so! Some people won’t care for it that much because the parts that try to be a more serious-minded film, rather than just a fun action flick don’t seem to work that well, but it still is something that you should check out sometime. As a matter of fact, it seems as if this is always on Spike TV. So, there go, give it a shot!

4 out of 5 stars

Hannie Caulder

Posted in Classics, Movie Reviews, Westerns with tags , , , , , , on September 11, 2013 by Mystery Man


Hannie Caulder (Welch) is a frontier wife whose husband is murdered by the Clemens brothers, a trio of rather inept outlaw brothers (played by Borgnine, Strother Martin, and Jack Elam).

After a disastrous bank raid, the Clemens men rape Caulder, burn down her house, and leave her for dead. They go on a crime spree, while Caulder recruits professional bounty hunter Thomas Price (Culp) to help her seek revenge by training her to use a gun.


Spaghetti westerns are one thing, but who would ever think to make a British western? Apparently, the people behind Hannie Caulder, a small, forgotten western that featured Raquel Welch in the title role. As gorgeous as Welch is, the question has to be posed, is there any reason to watch this film other than worshiping the goddess?

What is this about?

When a trio of thugs shows up at her door, kills her husband and burns down her house, Hannie Caulder is raped and left for dead. But the resilient Wild West widow rallies to plot a fitting revenge against her attackers.

What did I like?

Legacy. Although this is a lesser known film, the plot has elements that have been used in another female driven western that was released not too long ago, Bandidas, which also wasn’t that well known. For a small film like this to have a reach like that is pretty impressive, if you ask me.

If you got it, flaunt it. With the absolutely gorgeous Raquel Welch as your lead, you would be an idiot to not flaunt her beauty at some point. These filmmakers knew to do just that, as seen in the bathtub scenes where she is tightening her jeans, for instance. They also had the restraint not to go overboard with her, which would have spoiled the tone and ruined the film.

What didn’t I like?

Score. I believe it is the theme, or maybe it is just a random part of the score, but some part of the film’s soundtrack sounds like it is trying either paying homage to and/or ripping off the brilliant theme written by Elmer Bernstein for The Magnificent Seven. I wouldn’t have a problem with this, except this isn’t the first western I’ve heard this in. Did film composers just rip each other off back then?

Rape. I am just not a fan of rape in films. Thank goodness this ne didn’t go to the extremes that Straw Dogs did, but still it didn’t sit right with me. I get that it was an important plot point and gave motivation to Welch’s character, but that doesn’t mean I have to like that it happened!

Well, Hannie Caulder won’t get any nominations for the best western of all time, that much you can be sure of. Don’t underestimate this little flick, though. There is a decent plot here with some nice acting, comedy, and gunplay. I find myself questioning what to give it, but then I think about whether I’ll remember it this time next week, let alone this time next year. The answer is a resounding no, but that doesn’t mean it isn’t enjoyable. So, watch and enjoy. Just don’t expect to be blown away by anything.

3 1/3 out of 5 stars

Django Unchained

Posted in Action/Adventure, Movie Reviews, Westerns with tags , , , , , , , , , , on December 29, 2012 by Mystery Man

PLOT (spoiler alert!!!):

Django (Jamie Foxx) and his wife, Broomhilda (Kerry Washington) are sold at a slave auction. While Broomhilda is sold to an unknown buyer, Django is bought by the Speck brothers (James Remar and James Russo). When Django and a number of slaves are being transported across the country, the Brothers are confronted by Dr. King Schultz (Christoph Waltz), a German bounty hunter who uses his former profession as a dentist as a cover for his bounty hunting activities. Schultz frees Django and kills the Speck brothers. He reveals that he sought out Django because Django can identify the Brittle brothers—Ellis, Big John and Little Raj—a band of ruthless killers with a price on their heads. Schultz and Django come to an agreement: in exchange for helping locate the Brittle brothers, Schultz will free Django from slavery entirely and help him rescue Broomhilda from Calvin Candie (Leonardo DiCaprio), a plantation owner who is as charming as he is brutal. On his plantation, Candyland, male slaves are trained to fight to the death for sport, while female slaves are forced into prostitution. Django agrees, and the two go after Candie and the Brittle gang. Shultz confesses that his profession of bounty hunting is opportunistic but he also mentions to Django that he “despises slavery”.

After hunting down and killing the Brittle brothers, Schultz takes on Django as his associate in bounty hunting. Django is initially uneasy about his newfound role, but soon proves himself to be a talented bounty hunter. After collecting a number of bounties over the course of the winter, Schultz and Django confirm that Calvin Candie is Broomhilda’s current owner. After scoring an invitation to Candyland, they devise a plan where the two of them pose as potential purchasers of one of Candie’s slave fighters in order to reach Broomhilda. Upon their arrival, Schultz introduces Django as his equal, which causes hostility at Candieland, where racist attitudes are considerably more pronounced than on other plantations. They are shocked to witness Candie execute a slave by having attack dogs tear him apart, but quickly come to an agreement to purchase a fighting slave. Schultz improvises on their plan and also purchases Broomhilda, claiming that as a fortuitous coincidence he noticed that Broomhilda speaks German and felt that she would help alleviate his nostalgia for his mother tongue.

The plan goes awry when Candie’s head slave Stephen (Samuel L. Jackson) realises that Schultz and Django are more interested in Broomhilda than purchasing a fighter. Correctly deducing that Django and Broomhilda are husband and wife, Stephen informs Candie, who, armed with this information, demands $12,000 for Broomhilda or else he will kill her in front of Django. Left with no other choice, they agree, but Candie’s humiliating behaviour enrages Schultz, who kills him after the paperwork finalising the sale is completed. Schultz is shot as Django tries to escape Candyland, slaughtering most of the household before being subdued. As punishment, Stephen arranges for Django to be sent to a coal mine and worked to death. En route to the mine, Django convinces the slave drivers that he is a bounty hunter, showing them the handbill from his first kill as proof of his claims. Once freed, he kills the slave drivers and rides back to Candyland.

Once inside the plantation, Django continues his slaughter of the household, planting dynamite as he goes. He leaves Stephen alive inside the mansion and takes the certificate of freedom that Candie signed for Broomhilda as part of the purchase agreement before his death. Finally free, Django and Broomhilda ride away from Candyland as the dynamite explodes, killing Stephen and wiping Candyland off the map.


This time last year, there were three movies that I was super excited to see. One of them got pushed back to the coming spring, while another went on to be the summer’s and one of the year’s biggest hits, The Avengers. Then we have Django Unchained, Quentin Tarantino’s ultra violet, controversial, spaghetti western. A flick that I’ve been looking forward to since I found out what it was about.

What is this about?

Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django’s wife who is under the hands of Calvin Candie, a sadistic plantation owner.

What did I like?

No fear. Earlier this year, when Red Tails came out, the African-American community all but crucified George Lucas for basically making a film about how they were treated when he wasn’t of the same race. The same kind of thing is going on here with Tarantino and his handling of slavery and people’s attitudes during the time, but I’ll get to that a little later. Personally, I don’t care what color the filmmaker is, as long as he makes a good film. Tarantino is one of the few in Hollywood with the balls to try this.

Leo. I remember when he was nothing more than a recurring guest star on Growing Pains. Now, Leonardo DiCaprio is a bona fide movie star, arguably one of the biggest names in Hollywood. He turns in a great performance as Calvin Candide, the sadistic plantation owner. Not only is his performance over-the-top, in terms of southern charm, but the intensity he brings to the table (figuratively and literally) is something that we haven’t really seen from him before. A critic I was reading the other day said that this is the performance of his career and that this could possibly get him that Oscar nod, if not for the controversy this film is steeped in.

Story. Quentin Tarantino has never been known as someone who can’t tell a great story. Look at his other films, if you question his story telling. You can argue the point that this may very well be his best work, in terms of storytelling, and many would agree with you. I’m not sure where I stand on that, but it definitely is up there. He really knows how to mix comedy and the more serious tones that were taken in parts. The yin and yang, if you will, make for an entertaining time.

Jackson Waltz. Christoph Waltz is one of the actors who has really gained fame here in the last few years, along with the likes of Tom Hardy, Michael Fassbender and, to a lesser extent, Joseph Gordon-Levitt. As we saw in The Green Hornet, he does have some comedic chops to go with his immense acting talent. While Jamie Foxx’s character is a man of few words, Waltz takes lead and carries the film, until the time when Foxx grows some balls and gets excited about “getting paid for killing white folks”. Samuel L. Jackson (how can this be a Tarantino film without him?) gets to really flex his more comedic chops as the head house slave. I really think they didn’t even write some of these lines and he just ad-libbed most of his lines.

Bloody. Let me be perfectly clear on this. If you cannot stomach seeing people get their heads blown off and copious amounts of blood, then there really is no reason for you to be watching. I’m not one for blood and gore, but when it is over the top as it is here, I’m all for it, plus this is a western, so I was loving it from the get go. I know some people are going to say that the gushing blood was too much or that it was unrealistic, but for me, it was perfect! There are plenty of other “real” things going on in this film.

What didn’t I like?

Length. Every one of Tarantino’s films has been way too long for its own good and this is no exception. Someone needs to get ahold of that man and shake him until he stops dragging these things out so. There was no need for this to be nearly 3 hours long when he could have very well just cut out a good 30-45 minutes worth of useless filler.

Big Daddy. Don Johnson was a great southern plantation owner, not as good as DiCaprio, though, but I have to wonder why this career comeback he’s on has him playing these racist characters. First, he was all about killing Mexicans in Machete, and now he’s all about owning slaves.

Music. Tarantino is known for not using original music for his films, which is fine. It actually sets him apart, but there is a scene here where they are riding through the countryside, but they play some kind of rap song. I’m not a big rap fan in the first place, but this really seemed like it was out of place, even more so in a western. If he wanted to use that song, then the credits would have been the place to use it.

N word. The elephant in the room is the frequent use on the N-word. Tarantino is known for using it in every one of his films, but for some reason he tries to pull a Randall from Clerks 2 and apparently take it back, since he uses it some 200 or so times. There have been some critics tearing the use of the word. Spike Lee, he of such upstanding racial views, has said he is boycotting because it offends his ancestors. While I don’t particularly care for using it so many times, this is a movie about slavery, so you can’t expect it to be used a few times. Also, if two prominent African-American actors don’t have any issues with it, then why is everyone making such a big deal about it? The N word is one of those that stirs up lots of emotions and Tarantino should have known better than to use it so much.

Django Unchained has been one of the films here at the end of the year that has become a critics’ darling, along with Les Miserables. I totally enjoyed the hell out of this film, with its mix of action, comedy, suspense, drama, and a slight love story. I would love to recommend this to everyone, but I can’t. This just isn’t the flick for everyone, as it has a few elements that are sure to offend. For those of you that aren’t easily offended, though, I highly recommend it. As a matter of fact, why aren;t you rushing out to see it right now?!?

5 out of 5 stars

One for the Money

Posted in Comedy, Movie Reviews, Romantic with tags , , , , , , , , , on May 20, 2012 by Mystery Man


Stephanie Plum (Katherine Heigl), out of work and out of cash, turns in desperation to her disreputable cousin Vinnie, of Vinnie’s Bail Bonds, for work. Despite having no equipment, training or particular skill she becomes a bail enforcement agent, chasing after Vinnie’s highest stakes bail jumper: Joe Morelli, a former vice cop who is wanted for murder, who also happened to seduce and dump Stephanie back in high school.

In the midst of the chase, Stephanie has to deal with her meddling family, a problematic tendency of witnesses who die when she gets too close, and lessons in bounty hunting from the mysterious Ranger (Daniel Sunjata). When she finally catches up to Morelli, she realizes that the case against him doesn’t add up and that the old flame from their school days may just be rekindling.


It wasn’t that long ago that Katherine Heigl was on track to be the new “it girl” when it comes to romantic comedies. Somewhere along the way, though, she decided to run her mouth and basically got blacklisted, which is why her career seemed to have halted. Hell, Grey’s Anatomy didn’t even want her back! Will One for the Money be a jump-start to her career?

What did I like?

Plot. While it does feel a little recycled, it is very well executed. I don’t know how far this strays from the source material, but if the book is anything like this, I’m almost tempted to read it.

Not what you think. John Leguizamo always amazes me with how well he is able to convincingly play these characters that are nothing short of dastardly slimeballs, yet when we first meet them, they seem as if they are going to be decent guys. Steve Buscemi is another actor who tends to play characters like that, as well.

Old girl still has some tricks. Debbie Reynolds has a few scenes as the grandmother. She isn’t really integral to the plot, or anything, but just there for the family scenes. As one can imagine, she’s got quite the mouth on her. That’s all I’m going to say about her other than it was enjoyable to see her at work.

Narration. I love those old films and TV shows where the detective, or what have you, is narrating what is going on and there is a low bluesy saxophone playing softly in the background. We don’t get the sax here, but the narration is there. Some people have chided it, but I actually liked having some insight to what was going on. It made it feel like we watching the book unfold on screen.

Shower scene. Heigl has said she won’t do nude scenes in her career (she’ll change her tone in a few years…or do Dancing with the Stars…or both). The thing about that, though, is that there is a shower scene where she is all but naked. A friend of mine that saw this said that he was just wishing for her to suddenly get a hand cramp or something. I won’t go that far, but being a guy, I can’t help but say that I enjoyed seeing Katherine Heigl in a state of undress, especially in the shower. Throw in some handcuffs, and well…heh heh…that’s a topic for another time!

Sexual healing. There is obviously some history between Stephanie and Joe. They make it a point to bring it up many times, but the chemistry between Heigl and Jason O’mara is off the charts. It was almost as if there was some real sexual tension there!

What didn’t I like?

Jersey. Ever since that damn Jersey Shore crap started, everything has been “Jersey this” and “Jersey that”. Now, I can’t really fault this film for falling into that category. The book was written in 1994, for goodness sakes, but enough is enough. There hasn’t really been much good to come out of Jersey lately. I think the last great thing that came out of there was Anne Hathaway!

Accentuate the positive. When we first meet Katherine Heigl’s character, she has this thick, typical Jersey accent. It isn’t the best, but it was there and established as part of the character. The next thing you know, though, it is gone, then back, then gone again. Do we sense a pattern here. Oh, and then don’t forget that she doesn’t narrate with this accent, either. This would not be a problem if she would have just kept with it and not go back and forth.

Continuity, it is your friend. If I timed this right, everything happens in the span of a few days. When Heigl first becomes a bounty hunter, she has no ability to shoot a gun or pick a lock, then a few days later she’s a master at both? The lock-picking I can deal with a bit more because she saw the guy who has been helping her do it a few times and may very well have just picked up what he did. However, the gun thing…I just can’t suspend disbelief on something like that. No way is that possible!

Sherri Shepherd. Not a fan of her. Why in the blue hell would someone cast her as a prostitute? On top of that, why you make her such a major (secondary) character? I guess they just wanted to make sure those women that watch The View came to see this.

One for the Money is not a disappointment. This is one of those films that should not be taken seriously, because if you do, then you’re sure to not enjoy this film. Katherine Heigl is still a darling of romantic comedies in my book (and may actually look better as a brunette), so hopefully this will garner her more work. I hear this could be the start of aBridget Jonestype franchise. Let’s keep our fingers crossed. In the end, though, this isn’t the greatest film around, but it is fun and entertaining!

3 3/4 out of 5 stars

The Bounty Hunter

Posted in Action/Adventure, Comedy, Movie Reviews, Romantic with tags , , , , , , , on August 25, 2010 by Mystery Man


The film starts halfway through the plot, Milo is seated in his car when smoke starts pouring from the trunk. He calls for Nichole who does not respond. He pulls over and gets out to open the trunk. Nichole tosses a road flare to the side and punches Milo before running off, Milo gives chase and the pair fall into the grass some distance away.

Twenty-four hours earlier; Milo Boyd (Gerard Butler) is a down-on-his-luck former police officer turned bounty hunter after he “quit” and was terminated some months prior. Hot on the trail of his latest bounty; a criminal he chases from a Fourth of July parade, whom he catches, but is arrested by the police as well. Bobby (Dorian Missick) a friend of his and a mutual friend of his ex-wife’s bails him out and tells him that he needs to get on with his life and forget about her, being reminded on the fact that he himself walked her down the aisle of their wedding. Meanwhile Nichole Hurley (Jennifer Aniston) is an investigative reporter looking through the story of a supposed suicide, scheduled to appear at a court hearing due to being charged with assaulting a police officer (which she later clarifies was slightly knocking into an old police horse while trying to drive around traffic). The morning of her trial, however she gets a big lead on her story and leaves before attending her hearing, receiving a court order and removal of her bail rights resulting in a warrant for her arrest. Nichole goes to meet her informant Jimmy (Adam Rose) but just prior to her arrival, he is forcibly removed from his car and kidnapped.

Milo hears about Nichole skipping bail, and the promise of receiving $5,000 as his share for capturing her, he believes the whole situation to be a dream come true. He learns from his investigations that Nichole went to visit her mother Kitty (Christine Baranski) in Atlantic City and comes across her at a race track, using his memories and knowledge of her to capture her. After a failed escape attempt, Nichole uses money and her knowledge of Milo’s gambling habits to make a wager; if he wins $10,000 at the craps table, he will let her go. He is successful to $8,000 but a subsequent argument causes him to lose everything. After securing Nichole in a hotel room, he proceeds to also lose his paycheck in gambling. The next day, Nichole uses a tazer on Milo and makes another escape attempt, only to be foiled again when Milo catches up with her. Nichole’s leads inadvertently finger Bobby in connection to a man (Peter Greene) following the two of them whose intent is to kill her. Milo and Nichole run from the man and the ensuing car chase causes the man to overturn his SUV and abandon it. They get the name ‘Earl’ from the car and point them toward a local country club. While undercover, they learn that Earl is employed at a tattoo parlor called Blue Ink, and start making their way there. Bobby contacts them and warns the pair to stay off the road. They stop at Cupid’s Cabin, the bed and breakfast in which the couple had celebrated their honeymoon. Each realizes the other has feelings for each other, but overhearing a conversation with his employer, Milo seems to imply he’s only wanting to sleep with Nichole, turning her cold shoulder on again. She eventually handcuffs him to the bed and escapes again; This time going to the Blue Ink. She finds Jimmy and frees him before she is captured by another pair, who are looking for Milo in order to pay off an $11,000 gambling debt. Milo comes to rescue her, and they find out the connection that Bobby and Earl were once friends, both police officers, and a recent move of stored evidence would give the pair of them access to confiscated narcotics.

Bobby arrives and meets with Earl, but Bobby plans to turn Earl in, and there is a shootout, leaving Bobby injured. Milo goes after Earl but is briefly at a disadvantage when he is ambushed by the man. Nichole approaches with a shotgun, forcing Earl to surrender. As Bobby is being loaded into an ambulance, the pair tell him that they implicated him in connection, briefly offending Bobby. Milo and Nichole, while appearing to have reconciled admit that they each need to put their jobs first; a step that Milo takes to turn Nichole into the police. Milo then punches a police officer on his way out, and is also arrested, being placed into a cell adjacent to Nichole. Through the bars they admit their love to each other, and kiss.


I’m sure that when most of us think of bounty hunters, the first image that comes to mind are the kind of scruffy rebels from the 80s apocoalyptic movies, Dog the Bounty Hunter (or other white trash imitations), or Bobba/Jango Fett. If you would have told me tghat Gerard Butler would be a bounty hunter, I would’ve laughed, especially since he seems to have forgotten his action chops.

The Bounty Hunter is a nice little romantic comedy with a taste of action. That formula should have been enough to appeal to a mass audience, but the film suffers from a subpar storyline.

The whole bounty hunter having to track down and capture his ex-wife, while a severely overdone plot device, worked…mainly because of the chemistry between Gerard Butler and Jennifer Aniston, but everything else seems to either fall flat or confuse the audience. For instance, we know that they were married at one time, and it was actually fine not knowing what happened. Just as we are getting settled into the dynamic of consensual hatred between the two, the filmmakers decided to throw in the monkey wrench of reconciliation. True, this is a romantic comedy, but that didn’t work for me.

There were just too many things going in the flick. We have all the stuff between the two main characters, a subplot involving a criminal investigation, and another involving Jason Sudeikis’ character, who came off as quit annoying. All this just takes away from a film that wasn’t exactly the best in the book.

Surprisingly, there is a bit of action, but it is so minuscule, tha really is no point to mention, other than to say there is some. My guess is that they had these scenes just to appeal to the male audience. Not suite sure if it worked or not , but it was a gallant try.

The cast is ok. Gerard Butler have gret chemistry that really saves this film from becoming a total snorefest.

Jason Sudeikis may have an annoying character, but he works in the small doses they give us of him.  Having said that, I  wouldn’t be surprised to hear that they wanted to spin off a new film for TV show based on this.

It really is a shame that this film didn’t get the great reviews it deserves. Well, let me take that back. It isn’t washout its faults. However, it is still a good date flick. So, if you and your significant other are in the mood for something you can both watch, try The Bounty Hunter. I highly recommend it, just remember that is isn’t the best flick in the world.

3 1/2 out of 5 stars

The Rundown

Posted in Action/Adventure, Movie Reviews with tags , , , , , , , on September 14, 2008 by Mystery Man


Beck (The Rock) is a professional bag man who chooses not to use guns in his work due to a previous bad experience. He is hired by his boss, Walker, to go to get Walker’s son, Travis (Sean William Scott), from the Amazon jungle. Beck wants out of the business, and Walker agrees to make this his last job before Beck retires and opens his own restaurant. He heads down to the small South American town of “Helldorado” to find Travis and retrieve him from the mess he is in. The town is run by Hatcher (Christopher Walken) who owns the town and the people cannot afford not to work for him due to his monopoly.

Beck quickly captures Travis, but Travis escapes with the help of Hatcher. Travis is looking for an ancient golden artifact known as the Gatothat, if the townspeople acquired it, would allow them to buy their freedom from Hatcher, which is why Hatcher wants the Gato and wants Travis free to find it for him. Travis flees into the jungle but is again captured by Beck, and after Travis fails to talk his way out of capture, they in turn run afoul of a group of rebels led by Mariana (Rosario Dawson), a town clerk with whom Travis is infatuated. Beck agrees to let Travis find the Gato for Mariana before he takes him home, and with the assistance of the rebels, the three find the location of the Gato and retrieve it. Travis is eager to donate the artifact to a museum despite his greedy tendencies, but Mariana incapacitates Travis and Beck with a toxic fruit and takes it, unwilling to allow Travis to keep it.

In the morning, Beck returns to the airstrip to take Travis home, but finds out that Mariana has been captured by Hatcher. Reluctant to leave after his agreement with Mariana, Beck returns to town with Travis. After learning of Beck’s return, Hatcher locks down the town and sends his men out to kill him. After being bested by Hatcher’s gunmen, Beck reluctantly takes up his own guns and reveals himself as a skilled marksmen, effortlessly dispatching Hatcher’s men and freeing Mariana. Hatcher confronts Beck amidst the townspeople and is shot when he attempts to attack Mariana. Agreeing to leave the town, Hatcher attempts to walk away but collapses dead. Beck and Travis return to Walker while Mariana and the townspeople are left the Gato. With Walker, Beck watches as he is paid and Travis is hit and ridiculed by his father. As a sort of toast to his last job, Beck feeds Walker and his men the same toxic fruit that Mariana fed to him, and they collapse in paralysis as an overjoyed Travis leaves with Beck, grateful but still irritating him. The film ends with Beck muttering “I’m gonna kill you” after Travis fakes a punch at him.


This is one of The Rock’s best movies. Infinitely superior to The Scorpion King. The mix of action and comedy really makes the film enjoyable and not a total bore. Looking at Rosario Dawson for a good portion of the movie doesn’t hurt either. Sean William Scott proves he can play characters other than Steve Stifler from his American Pie days and Christopher Walken is believable as the villain.

This film falls short in certain details, such as what the Gato really is and why Beck chooses not to use guns when at the end of the film it’s proven he’s pretty well versed in using them. Also, we’re not quite sure what kind of bounty hunter Beck is.

Still, it’s a pretty good film and worthy of a very decent rating from me.

4 out of 5 stars