Archive for R. Lee Emery

The Frighteners

Posted in Comedy, Horror, Movie Reviews with tags , , , , , , , , , , on December 17, 2013 by Mystery Man

PLOT (spoiler alert!!!):

In 1990, architect Frank Bannister loses his wife Debra in a car accident. He gives up his profession, letting his unfinished “dream house” sit incomplete for years. Following the accident, Frank gains the power to see ghosts and befriends three: Cyrus, a 1970s gangster, Stuart, a 1950s nerd, and the Judge, a gunslinger from the Old West. The ghosts haunt houses in the area to accumulate work for Frank’s ghostbusting business; Frank then “exorcises” the houses for a fee. Most locals see him as a con man.

Frank cons local health nut Ray Lynskey and his wife Lucy, a physician. Ray dies of a heart attack not long after. An encounter with his ghost leads Frank to discover that an entity representing himself as the Grim Reaper is killing people and marking numbers on their foreheads that only the psychic can see. Frank’s wife Debra had a similar number when she was found.

Because Frank can see the numbers ahead of time, he can foretell the murders, but this puts him under suspicion with the police, even Sheriff Walt Perry, who is usually patient with Frank. He calls in FBI agent Milton Dammers. Highly paranoid, obsessive and disturbed from years of undercover work, Dammers is convinced that Frank is psychically responsible for the killings. Frank is captured and detained after the town’s newspaper editor-in-chief Magda Rees-Jones is killed – she has previously publishing articles attacking him. During the confusion of the arrest, the Judge “dies” when he tries to protect Frank from the Reaper.

Lucy investigates the murders and becomes a target of the Grim Reaper. She is attacked while visiting Frank in jail, but they escape with the help of Cyrus and Stuart, who are both dissolved in the process. Frank wants to commit suicide to stop the Grim Reaper. Lucy helps Frank have a near-death experience by putting him into hypothermia and using barbiturates to stop his heart. Dammers abducts Lucy revealing that he had been a victim of Charles Manson and his “Family” in 1969.

In his ghostly form, Frank confronts the Grim Reaper and discovers that he is the ghost of Johnny Bartlett, a psychiatric hospital orderly who killed 12 people about 32 years earlier, before being captured, convicted, and executed. Patricia Bradley, then a teenager, was accused as his accomplice, although she escaped the death penalty due to her underage status. Lucy resuscitates Frank and they visit Patricia. Unknown to them, Patricia is still in love with Bartlett and on friendly, homicidal terms with Bartlett’s ghost. Lucy and Frank trap Bartlett’s spirit in his urn, which Patricia has kept. The pair make for the chapel of the now-abandoned psychiatric hospital hoping to send Bartlett’s ghost to Hell.

Patricia and Dammers chase them through the ruins. Dammers throws the ashes away, releasing Bartlett’s ghost again before Patricia kills him. Bartlett’s ghost and Patricia hunt down Frank and Lucy. Frank realizes that Bartlett’s ghost, with Patricia’s help, was responsible for his wife’s death and the number on her brow.

Out of bullets, Patricia strangles Frank to death, but Frank in spirit form rips Patricia’s spirit from her body, forcing Bartlett to follow them. Bartlett grabs Patricia’s ghost, while Frank makes it to Heaven, where he is reunited with Cyrus and Stuart along with his wife Debra. Bartlett and Patricia’s spirits claim they will now go back to claim more lives, but the portal to Heaven quickly changes to a demonic looking appearance, and they are both dragged to Hell. Frank learns it is not yet his time and is sent back to his body, as Debra’s spirit tells him to “be happy.”

Frank and Lucy fall in love. Lucy is now able to see ghosts as well. Frank later begins demolishing the unfinished dream house and building a life with Lucy while the ghost of Dammers is riding around in the sheriff’s car.


A couple of years ago, AMC was showing The Frighteners as part of some scary marathon they were having at a time that wasn’t Halloween. I can’t remember what else was shown, but I know that Fright Night was shown either before or after this. I didn’t get the chance to watch for whatever reason, but I did say I was going to eventually get to it and, well, you get the picture.

What is this about?

Blending humor and horror, director Peter Jackson’s outlandish tale centers on shady psychic detective Frank Bannister (Michael J. Fox), who uses his ability to communicate with the dead to boost his business. But when a sinister spirit is unleashed and members of the community are mysteriously killed, the P.I. — with the help of a comely widow (Trini Alvarado) — must use his powers to get to the bottom of the supernatural slayings.

What did I like?

Balance. Horror comedies seem to be the type of films that everyone either love or hate, depending on if they swing toward the horror or comedy side of thing more. In this case, I believe we have a good balance between the two genres in this film, thanks to some good performances from the cast and decent direction from those on the other side of the camera.

Question. As the paranoid FBI agent, Jeffrey Combs is great. He actually reminds me of some shifty gangster turned stool pigeon from those old gangster movies, but that may be because of the hair. I wonder if he used this character as a basis for his voicing of The Question in Justice League Unlimited years later, because they have very similar timbres, except Questions isn’t insane…at least not in the same way.

Plot. I’m a little shaky as to my opinion on the plot, but if it gives an excuse to have a bunch of ghosts running around, then you can’t really complain, I suppose. The way the film climaxes is pretty nice. As a matter of fact that whole final sequence in the asylum (when did asylums become so scary, btw?) is a big payoff with all the shooting, stabbing, falling elevators, decaying floors and whatnot.

What didn’t I like?

Length. Can this be? Peter Jackson directed a film that was under 3 hrs? Even better, it doesn’t have that stretched out, padded feeling. Or does it? For me, at nearly 2 hrs, I felt this was a bit too long. Cut out a good 15-30 minutes and this would have been just fine, but that didn’t happen and we get this. I suppose it could be worse, though.

Newspaper. There seems to be some animosity between Michael J. Fox’s character and the editor of the local paper. At a couple of points in the film, I thought she was going to have something to do with the murders, or at least come back as a ghost the way the husband did earlier in the film.

Effects. For 1996, these aren’t exactly bad effects, but the Grim Reaper stuff still seemed rather cheap. Maybe I’m looking at it through modern eyes, but that whole computer grease look didn’t work, especially since a few years earlier liquid metal was done so convincingly in Terminator 2: Judgement Day, a technique that still stands up here in 2013, so there’s no excuse!

Now that I’ve watched both, I can say without a doubt that this was a heavy influence on Paranorman. With a title like The Frighteners, the movie poster, and the way a good 60% of this flick play out, one would think is it some truly scary film, but it isn’t. As a matter of fact, this is one of those Halloween party films you put in while your guests are arriving, so that you can warm up before the scary “main event” films. That being said, for what it is, this isn’t a bad film at all. I just feel it needs a little work to be better. Does that mean I don’t like it? Of course not! As a matter of fact, I actually recommend it, so give it a go, eh?

3 1/2 out of 5 stars

Man of the House

Posted in Comedy, Movie Reviews with tags , , , , , , , , , , , , , , on October 9, 2013 by Mystery Man

PLOT (spoiler alert!!!):

At the beginning of the film, two Texas Rangers, Roland Sharp (Tommy Lee Jones) and Maggie Swanson (Liz Vassey), are going to a church in order to question Percy Stevens (Cedric the Entertainer) about the whereabouts of his former prison roommate Morgan Ball, who they want to testify against organized crime boss John Cortland. Percy is indignant, telling them he is a “man of God” and hasn’t spoken with Ball in years. However, Percy’s cellphone rings, displaying Ball’s name. Sharp and Swanson track down Ball to the warehouse, where Ball gives Sharp a key in an attempt to buy him off. Instead, Sharp takes the key and forces Ball outside, where FBI agent Eddie Zane (Brian Van Holt) is waiting. As they talk, a sniper begins shooting, wounding Swanson and giving Ball a chance to escape. It is revealed the sniper is after Ball, and a group of cheerleaders from the University of Texas at Austin witness his murder. Agent Zane is found shot in the arm next to Ball’s body and claims he didn’t see the sniper.

Anne (Christina Milian), Teresa (Paula Garcés), Evie (Monica Keena), Heather (Vanessa Ferlito) and Barb (Kelli Garner) are taken to the police station, where they all have conflicting descriptions of the shooter. Sharp is given the task of protecting the girls at all times, because their fathers are worried about them. The information is relayed to him by the Governor of Texas (Rick Perry). It is revealed that Sharp is divorced and has a daughter, Emma (Shannon Marie Woodward) who is in high school and doesn’t feel as though her father had ever been around. It is also revealed that John Cortlin has been exonerated from all charges pressed on him due to a lack of evidence. It is also revealed that FBI Agent Zane is working with Cortlin, having killed Ball and shot himself in the arm. Cortlin scolds Zane for letting some “loose ends” escape, and Zane begins searching for Sharp and the cheerleaders; he also kills the sniper he hired. With Swanson in the hospital recovering from her near-fatal wound, Sharp and two additional rangers must now pick the girls up from school and secure their sorority house. Sharp moves in with the girls and the two young men with him move into the fraternity house across the street, where they end up busting a drug deal.

Sharp sets some ground rules, including no cell phones. He also tells them to “cover up in his presence” (referring to the girls’ revealing clothes). When they fail to comply, he orders a massive industrial air conditioner, forcing them to dress warmly. Sharp is posing as a cheerleading coach specializing in conditioning, and at a Longhorns football game he tackles an opposing team’s mascot when the mascot approaches the girls with a gun, later revealed to be a water gun. Other humorous mishaps occur, but Sharp’s relationship with the girls begins to strengthen; indeed, Barb begins to develop a crush on him. However, Sharp finds himself attracted to Barb’s English teacher Molly (Anne Archer) who calls him into her office to complain about Barb’s plagiarism. Later he invites her over for dinner, which the girls coach him through using an earpiece and tiny video screen. After they fall asleep, he turns it off and woos Molly himself. He admits to the girls about his last failed marriage and the way he feels about his estranged daughter. This interests Evie, who has a 4.0 GPA and wants to write a paper on Emma. She uses the house’s “emergency phone” to call her, revealing Sharp’s location to Zane, who had contacted Emma.

Sharp takes the girls to a “spirit rally” where he is forced to give a speech about cheerleading. He becomes more and more impassioned, proving to the girls he finally “gets it”. The night is ruined, however, when Sharp realizes in the nick of time that somebody put a bomb under their van, and Teresa (who was convinced that nobody was after them) is almost killed when her seatbelt gets stuck. Sharp saves her, and she admits that maybe someone is trying to kill them. Evie tells Sharp she contacted Emma, and when Sharp calls his daughter he learns that Zane has her. He tells Sharp to take the key Ball gave him in the beginning of the movie to open a lockbox, both of them unaware the cheerleaders are listening in. The next day Sharp gets the money out of the lockbox and drives to where Zane instructs him. Zane gives Sharp instructions over a cell phone, telling him he will shoot Emma if Sharp disobeys. After Sharp handcuffs himself to the steering wheel, Zane thanks him and tells him he’s a “good parent.” Zane takes off with the money, Sharp’s keys and phone, and Emma. Zane and Emma get on a bus, but as it pulls away Sharp sees Barb in the back. As he wonders what is going on, Heather gets in the car with him and picks his handcuffs. They take off after the bus in a stolen Volkswagen Beetle. On the bus, Teresa pretends to go into labor and Evie demands the bus be stopped. She attempts to steal the bag with the money, but Zane pulls a gun and Evie runs away from the bus. Everyone else ran away, with Zane telling to leave. He forced the driver out, too, becoming one himself. Emma is rescued by the cheerleaders, but Zane attempts to drive to Mexico with the bag to hide. Sharp shoots a wheel, causing the bus to flip over 90 degrees. Zane gets out the bus, his face injured after he hits the bus’s ceiling. The USA/Mexico border closes and the border officers draw guns towards him, forcing him to surrender after seeing his gun. Sharp shoots the gun out of Zane’s hand, and handcuffs him by the handcuffs he used handcuff himself when Zane instructed him. He and Emma are reunited. At the end of the film, Cortlin is arrested and taken back to court, Sharp and Molly are married, and Emma and the cheerleaders are a part of the service.


Hook ‘Em Horns!!!! This Saturday, the Texas Longhorns face the Oklahoma Sooners in the “Red River Rivalry”, so I figured now would be the perfect time to watch a film that deals with the ‘Horns, Man of the House. Hopefully, this will be some kind of butterfly effect that will help them win (wishful thinking, right?)

What is this about?

Texas Ranger Roland Sharp finds himself college bound when he’s tapped to protect a boisterous group of University of Texas cheerleaders who happen to be the only witnesses to a federal snitch’s murder.

What did I like?

Texas fight.  I’m a HUGE Texas Longhorn fan. If the school wasn’t so damned expensive, I probably would’ve ended up there…maybe. So the fact that they chose to base this in Austin and use the Longhorns instead of some half-ass made up school warmed my heart to no-end. In the game scene, I found myself singing the fight song and “Wabash Cannonball”. I wonder why they made that game against Arkansas and not a bigger rival like Texas Tech or Baylor, though.

Situations. The situations Tommy Lee Jones’ character found himself in because of these girls are what make this film so funny. I mean, come on, what guy wants to go buying tampons, especially if you don’t know anything about them. I try to stay away from that aisle as much as possible, myself.

Cheerful. Holy hand grenade! –Standing ovation– I have to give much kudos to the casting director for casting the 5 super hot girls as cheerleaders, highlighted by Christina Milian and Monica Keena. Not only do they have the look (I would wager that at least 2 of them really were cheerleader at some point), but they contrast in body sizes, while still having that look of college cheerleaders is dead on. On top of all that, each one has a decent backstory that gives them a character, rather than just being a pretty face with a hot bod!

What didn’t I like?

Story. Vanessa Ferlito plays the token “hard” cheerleader. Watching her character, I felt like they wanted to go more into her character, but didn’t because it would have made Tommy Lee Jones come off as more relatable before they wanted him to. In the final act, she does reveal that she did some time in juvie, so there is that. I would have liked to have gotten more from her, though, especially since she seemed visibly shaken by the fact that Jones’ partner was shot. Perhaps there is some relation there? Who knows, but it would have been nice, right?

Crime. The whole reason that Jones has to protect these girls is because they witnessed a murder and their parents called the governor, Rick Perry (who makes a cameo appearance), who all but decrees that everything is dropped and they are taken care of. I can live with that. Perhaps these girls are daughters of well to do families, but the criminal mastermind behind this all appears in one scene, and it is near the beginning. Afterwards, we never hear from him again. To this, I have to ponder what was the point?!?

Football. For a film about cheerleaders, it seems to me that there should have been more time spent at the games. They appear at a couple of pep rallies and that’s it. I know that with a school this size has like a billion cheerleaders, but it appears that these are the major ones, including the captain, so why aren’t they at every function? Also, it seemed like Jones didn’t even want them to go to class. So, because they witnessed a murder, they should flunk out. WTF?!?

Critics weren’t exactly sold on Man of the House, but I love this film, even if I do have a bit of a Texas Longhorn bias. How often do you get to see Tommy Lee Jones appear totally uncomfortable while buying tampons, or Cedric the Entertainer as an ex-con turned preacher who was a cheerleader himself (don’t ask me why they didn’t turn that into some kind of plot point). This is a film that I very highly recommend, so check it out!

4 1/2 out of 5 stars

Fletch Lives

Posted in Comedy, Movie Reviews with tags , , , , , , , on August 15, 2012 by Mystery Man


Chevy Chase once again plays the reporter Irwin M. “Fletch” Fletcher, who learns that he has inherited a plantation in Louisiana. Upon arriving, Fletch’s aunt’s lawyer is murdered, leaving Fletch to unravel the mystery.

In order to catch the real killers and clear his name, Fletch dons a series of disguises and infiltrates the congregation of television evangelist Jimmy Lee Farnsworth (whose techniques are virtually identical to those used by real-life televangelist Peter Popoff), who the audience is led to believe wants to gain control of Fletch’s land in order to build a Christian theme park. It is subsequently revealed that, in actuality, a chemical company wants the land so it can dump its toxic waste there.


Chevy Chase returns to form, and the screen, with Fletch Lives, a sequel to his sleeper hit, Fletch. The question is, was a sequel really necessary and were people really clamoring for it? Going even further, there are rumors of a third film, do we really need that one, as well?

What is the film about?

Picking up a few years after the events of the first film, we find that Fletch is still working at the same newspaper, though he is growing more and more frustrated with it. Just as he’s about to quit, he receives a notice that his rich relative from Louisiana has passed away and left him a plantation. Fletch quits his job and heads down south, only to find that there is a conspiracy afoot and the plantation is one of reasons for it.

What did I like?

Bringing funny back. The first film wasn’t really that funny to me, but then again, early 80s flicks tend to be hit or miss in my book. This one, though, was more my speed, as I was chuckling, giggling, and flat out laughing throughout big chunks of the film. Isn’t that what you’re supposed to do when watching a comedy?

C’mon Cleavon. Fans of Blazing Saddles may recognize Calculus as Cleavon Little, who was the star of the film. To my knowledge, these are the only two films he’s starred in. He ma have been in some other stuff, I just don’t know about it. Still, it is great to see him. I wonder why he doesn’t have more to his resume.

Southern hospitality. Kudos to the filmmakers for capturing the essence of southern hospitality. While I do think their idea of what we southerners are like is a bit exaggerated, they got their point across.

What didn’t I like?

Not right. As someone who has lived in Louisiana for quite some time, I think I know what our accents are like. The southern accents that they use in this film are more stereotypical than accurate, especially for south Louisiana, Thibodaux, to be exact. I’m not saying this should have been 100% accurate, but they could have at least gotten a bit closer to the real thing.

The plot thickens. I loved how the plot seemed to thicken, but never really got too thick or confusing. The perfect tone for a film such as this. The first film tried to do this, but unsuccessfully.

Green. There is a “go green” theme underlying here that, while I have no issue with it, seems to be used a bit more for political reasons than for comedic purposes. The whole toxic waste thing was just a cop out to make a statement about government and corruption.

Fletch Lives is a much better sequel that it’s predecessor. It is funnier, better written, and plays more to Chase’s strengths. With a great story, cast, and characters, this is picture that you should not live your life without seeing at least once. I highly recommend it, but it isn’t good enough to stop what you’re doing to rush out and see. It is more of a catch it on television or rent it when you think about it kind of film.

3 3/4 out of 5 stars

Full Metal Jacket

Posted in Drama, Movie Reviews with tags , , , , , , , , , , , on May 26, 2011 by Mystery Man

PLOT (spoiler alert):

During the Vietnam War, a group of new United States Marine Corps recruits arrives at Parris Island for recruit training. After having their heads shaved, they meet their drill instructor, Gunnery Sergeant Hartman (R. Lee Ermey). Hartman, tasked with producing battle-ready Marines, immediately begins abusing his recruits in an attempt to harden them. The film focuses its attention on Privates “Joker” (Matthew Modine) and “Cowboy” (Arliss Howard), while the overweight Leonard Lawrence (Vincent D’Onofrio) draws the wrath of Hartman, who nicknames him “Gomer Pyle”.

Unresponsive to Hartman’s constant discipline, Pyle is paired with Joker. With this help, Pyle begins to improve, but progress is halted when Hartman discovers a jelly doughnut in Pyle’s foot locker. Feeling that the recruits have not helped in motivating Pyle properly, Hartman decides to adopt a policy of collective punishment: For each time Pyle makes a mistake, Hartman will not punish Pyle, but will punish the rest of the platoon. As a result, during one night the platoon hazes Pyle with a blanket party, pinning him to his bunk with a blanket and beating him with bars of soap wrapped in towels. Joker reluctantly joins in and beats Pyle several times. In the following weeks, Pyle undergoes a transformation, becoming a model Marine, which impresses Hartman. However, Pyle also displays signs of mental breakdown – including social withdrawal and talking to his M14. This leaves Joker concerned for Pyle’s well being.

After graduation, each recruit receives an assignment to an occupational specialty, with most, including Pyle, being sent to the infantry, though Joker is assigned to Basic Military Journalism, which earns him the ridicule of Hartman. On the platoon’s last night on Parris Island, Joker is assigned to fire watch, during which he discovers Pyle in the head loading his rifle with live ammunition. Joker attempts to calm Pyle, who begins shouting, executing drill commands, and reciting the Rifleman’s Creed. The noise awakens the entire platoon and Hartman, with the latter confronting Pyle. Pyle fatally shoots Hartman, then aims his rifle at Joker, who pleads to Pyle to “go easy”. Pyle finally manages to calm down, but, being shocked at murdering Hartman, commits suicide.

The film jumps to January 1968; Joker has become a corporal and a Marine Combat Correspondent in Vietnam with Stars and Stripes, assigned to a public-affairs unit with Private First Class Rafterman (Kevyn Major Howard), a combat photographer. Rafterman wants to go into combat, as Joker claims he has done, though one of his colleagues mocks Joker’s inexperience, claiming he doesn’t have the thousand-yard stare. The sound of nearby gunfire interrupts their argument: the North Vietnamese Army has begun the Tet Offensive and attempts to overrun the base.

The journalism staff is briefed the next day about enemy attacks throughout South Vietnam. Joker’s commander, Lt. Lockhart, sends Joker to Phu Bai, a Marine forward operating-base near Huế. Rafterman accompanies him to get combat experience. There, they meet the Lusthog Squad, where Cowboy is now a Sergeant and second-in-command. Joker accompanies the squad during the Battle of Huế, during which the enemy kills their commander, Lt. Touchdown (Ed O’Ross).

During a patrol north of the Perfume River, Crazy Earl (Kieron Jecchinis), the team’s new squad leader, is killed by a booby trap, leaving Cowboy in command. The squad becomes lost in the rubble, and Cowboy orders Eightball (Dorian Harewood) to recon an area, where the latter is shot several times by a sniper. Fearing that the squad is walking into a trap, Cowboy calls for a tank via a radio. Fearing that Eightball will not make it, the squad’s medic, Doc Jay (John Stafford) attempts to retrieve Eightball against orders, but is shot numerous times in the process. The sniper refrains from killing the wounded men with the intention of drawing more of the squad into the killing zone. Cowboy learns via the radio that the tank is not available for assistance and orders the team to prepare for withdrawal, but the squad’s machine gunner, Animal Mother (Adam Baldwin), disobeys Cowboy’s order and moves up to the open to try to indicate the sniper’s location. Animal Mother learns that there is only a sniper and no other threat in the area, but Doc Jay and Eightball succumb to their wounds. Animal Mother requests to the rest of the team to move up. As the squad maneuvers to locate the sniper’s hidden position, Cowboy is shot and killed.

With Cowboy dead, Animal Mother assumes command of the survivors. Under the cover of smoke grenades, the squad advances on the sniper’s position where Joker locates the enemy soldier on an upper floor. His rifle jams as he tries to shoot. The sniper, revealed to be a young girl, hears Joker’s gun clicking and opens fire on him. Joker takes cover behind one of the building’s support beams, which barely provides enough protection. Just as it appears that Joker is going to be killed, he is saved by Rafterman who shoots the sniper and kicks her gun away after she falls to the ground. As Animal Mother and other Marines of the squad converge, the mortally wounded sniper begins to pray and repeatedly begs for death, prompting an argument about whether or not to kill her. Animal Mother decides to allow a mercy killing only if Joker performs it. After some hesitation, Joker shoots her with his sidearm. The Marines congratulate him on his kill as Joker stares into the distance. The film concludes with the Marines marching toward their bivouac, singing the Mickey Mouse March. Joker states that despite being “in a world of shit” that he is glad to be alive, and is unafraid.


A good number of my friends from high school chose to forgo/postpone college after graduation and head to the Marines. Now that they’ve finished they’re time in the service, they all seem to be putting a little bug in my ear to watch this film, so I finally caved.

Full Metal Jacket is a war drama that is told in such a way that you would think it is two separate stories. Before I go on, let me clear up that the title has nothing to do with Full Metal Alchemist (it’d be cool if it did, though, huh?), but rather it is a term for the magazines of a rifle that Marines use.

The first half of the film is spent allowing the audience to watch a platoon of cadets go through basic training. It seems like that would be uninteresting, but the nonstop barrage of insults that the Sgt., played by R. Lee Emery, hurls at the men, especially “Gomer Pyle”, played by Vincent D’Onofrio, really makes it quite entertaining.

The second half is a bit more serious, as we follow Private (now Sergeant) Joker, played by Matthew Modine, as he is now on assignment in Vietnam as a reporter. Eventually, he is reunited with Cowboy and the audience is exposed to what it ‘Nam was like for them.

If you listened to 2 Live Crew back in the day, then you may recognize some lines that came directly from one of the prostitutes in the film.

This film does something that many war flicks don’t do and that is it doesn’t glorify war and/or basic training. It is gritty and violent, especially for 1987, but even though there are comedic moments, one does not forget that this is a war flick.

Some have said that the comedy was too much. I don’t really know what’s wrong with them. It fits perfectly and doesn’t take anything away. If you want a totally serious war flick, then go watch Saving Private Ryan.

So, what is my final opinion about this flick? It is a really great war film, perhaps even the best that I’ve seen. Sure, it has its flaws and all, but don’t all films? I highly recommend this film. you won’t be disappointed!

4 1/2 out of 5 stars