Archive for November, 2009

Demolition Man

Posted in Action/Adventure, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , on November 29, 2009 by Mystery Man

PLOT:

In 1997, Los Angeles has fallen into chaos, with criminal warlords ruling various sections of the city. The most dangerous of these is Simon Phoenix (Wesley Snipes), who has just kidnapped a busload of people that strayed into his territory. The LAPD mounts a raid on his headquarters, with Sergeant John Spartan (Sylvester Stallone) – nicknamed “Demolition Man” for the extensive property damage that occurs when he apprehends criminals – going in first and alone. He captures Phoenix, but the latter sets off explosives to destroy the building; the bodies of the bus passengers are soon found in the rubble. Spartan is also arrested on Phoenix’s accusation that the hostages had been alive before Spartan’s actions, and both men are sent to the California State “CryoPrison,” where they are cryogenically frozen in suspended animation to serve out their lengthy sentences (Spartan is sentenced to seventy years; eligible for parole no earlier or later than the year 2046, 50 years from ’97. Phoenix is sentenced to life imprisonment).

Thirty-six years later, in 2032, Phoenix is thawed out for a parole hearing, whereupon he kills the warden and escapes. He begins to rampage through what is now “San Angeles” (a combination of Los Angeles, San Diego, and Santa Barbara), hacking into the city’s computer network and overpowering police officers with ease. Since San Angeles is a pacifist utopia, the police are helpless to deal with this sort of behavior. However, Lieutenant Lenina Huxley (Sandra Bullock), an officer fascinated with 20th-century culture, suggests that Spartan be brought in to stop Phoenix.

Spartan is revived and reinstated on the force, but he chafes at the enforced tranquility of this society and many of the people he interacts with, particularly George Earle (Bob Gunton), the commanding Chief of Police/Captain, find his behavior barbaric. He still gains respect from the San Angeles police (particularly Huxley and Zachary Lamb, a fellow officer from 1996) due to his blue collar nature and anti-authoritarian attitude. Phoenix arms himself by breaking into an exhibit of now-anachronistic firearms at a local museum. Spartan tracks him down and fights him here, but Phoenix escapes and briefly encounters Dr. Raymond Cocteau (Nigel Hawthorne), the creator of San Angeles’ society. Cocteau suggests that Phoenix has a job to do: kill Edgar Friendly (Denis Leary), leader of the homeless “Scrap” people who live in the underground “Wasteland,” or the ruins of old Los Angeles.

Spartan and Huxley later witness Friendly leading the Scraps in an above-ground food raid, part of a resistance movement aimed at bringing down Cocteau’s paradise. They also determine that Phoenix was trained in all manner of violent criminal behavior while in CryoPrison, then allowed to escape so he could work for Cocteau. Meanwhile, Phoenix confronts Cocteau again and demands the release of several other criminals to help rebuild his organization.

Entering the Wasteland in search of Phoenix, Spartan, Huxley and sidekick Alfredo Garcia (Benjamin Bratt) meet Friendly face to face. The reason for his defiance of the established social order, he says, is that he is a free-thinking individual who only wants to be left alone to live his life as he chooses. Spartan and Phoenix fight down here, leading to a car chase through the San Angeles streets. At this point, Phoenix reveals that the bus passengers he kidnapped in 1996 were already dead before Spartan arrived, so the latter went to prison for a crime he never committed.

Phoenix eventually gets away, but Spartan and Huxley pursue him into the CryoPrison. Along the way, they find the body of Cocteau, shot dead by one of Phoenix’s men, and learn that Phoenix is thawing out the prison’s worst offenders. Going in alone, Spartan battles him one last time and finally freezes him solid, then kicks his head off to shatter on the floor. Damage from the brawl causes the system to overload, and Spartan barely makes it to the street before the entire CryoPrison explodes. In the aftermath, he suggests that the surface dwellers and Scraps work together to build a better society, then departs with Huxley to explore life in the future.

REVIEW:

I used to have this movie poster hanging above my bed when I as in high school. Strangely enough, I never saw the film until a few years ago. I thought it was just a cool poster to have and all, never thinking the film would be worth watching. Boy was I wrong. This movie is totally awesome!!!

Set in the future, society has become totally peaceful. So much so, that any and all crimes are as obsolete and outdated as dinosaurs. Anything that the powers that be have deemed “bad for you” is illegal, such as salt, carbonated beverages, foul language, etc. Other than having a chip installed in your skin so that they know where you are at all times and the whole stuff that is bad for you being outlawed thing, I’d love to live in this society, but that’s just wishful thinking.

When the film opens in 1996, Sylvester Stallone confronts Welsey Snipes, who inadvertently blows up a factory which holds a bus full of people. At the time, it is believed that they were still alive when he went in there, but it is later revealed theat they were killed before Stallone gets there. The results of this catastrophe lead to both Snipes and Stallone being cryogenically frozen.

Somehow, Snipes is up for parole when we get to the future. In his hearing, he escapes and begins tearing through San Angeles with “old school” crime. This leads the inept police to thaw Stallone out with the hopes that he can track him down and catch him agin. Little did they know that man behind Phoenix’s release is the top dog in the city. You can imagine the complications that can cause.

On top of all this, there is some sort of subplot involving Dennis Leary and a group of underdwellers (look for Jack Black) and a bit of romance between Stallone and Sandra Bullock’s 90s obsessed character. These don’t take anything away from the story, but they do get a tad confusing, especially the virtual sex that Stallone has with Bullock.

The action is this film is what you would expect from a flick of this nature, especially the climactic fight with Stallone and Snipes. Sure, it could have been better, but there are tons of worse fight scenes in cinema. The setting of San Angeles is beautiful, if I do say so myself, but it would have been nice to see a bit more of it. Of course, Taco Bell being the only restaurant would kill me.

This film is highly underrated, and I don’t understand why. It has sci-fi action, future dystopian setting, some dark, violent moments, comedy, pretty much everything that would make a good film, yet it doesn’t get the respect it deserves. While it wasn’t a flop, it just deserves more notoriety. If you don’t belive me, then check it out and see for yourself.

4 out of 5 stars

Observe and Report

Posted in Comedy, Movie Reviews with tags , , , , , , , , on November 28, 2009 by Mystery Man

PLOT:

An anonymous flasher exposes himself to shoppers in the Forest Ridge Mall parking lot. The head of mall security, Ronnie Barnhardt (Seth Rogen), makes it his mission to apprehend the offender. He is assisted by Charles and Dennis, and the Yuen twins, in his efforts.

Ronnie’s dream girl, Brandi (Anna Faris) who works a mall make-up counter, is flashed the next day, becoming distraught over the situation. Ronnie tries to comfort her until a police officer, Detective Harrison (Ray Liotta), arrives and takes over Ronnie’s palliative role. Ronnie feels threatened by this and is upset that his boss allowed an outside person to infringe on his search for the offender.

The criminal activity at the mall continues, as a masked person is seen robbing a shoe store, causing property damage. Detective Harrison is once again called in to investigate, his efforts hindered by Ronnie, who thinks that an Iraqi shopkeeper in the mall is the thief, based only on the fact that he is Iraqi. In response, Harrison curses out Ronnie during a meeting with Ronnie’s superior, and Ronnie decides to take the steps necessary to become a real police officer.

As part of his preparations, Ronnie decides to ride along with Detective Harrison. Harrison, fed up with Ronnie, tricks him into walking into the most dangerous part of town, and drives off. Ronnie then confronts and subsequently subdues several drug dealers, victoriously returning to the police station with a dealer’s son and thanking the detective for the opportunity to prove himself. Emboldened, Ronnie arranges a date with Brandi. On their date, Brandi consumes a large quantity of alcohol as well as several tablets of clonazepam which she took from Ronnie. Ronnie takes her home and has sex with her while she is unconscious.

Ronnie fails the psychological examination for the police officer job. Nell (Collette Wolfe), a friendly food court worker, explains to him that her boss Roger and another female employee make fun of Nell for having her leg in a cast, leading Ronnie to threaten the two after giving Roger a severe beating. Depressed, he is coerced by Dennis to spend the day doing a wide variety of drugs and assaulting skateboarding teenagers. At the end of the day, Ronnie finds out that Dennis was the shoe thief, and that he has been stealing from the mall for quite some time. Ronnie is stunned and, after a brief argument, is knocked unconscious from behind by Dennis, who then flees to Mexico.

Ronnie decides to go “undercover” in order to catch the flasher. At night he sees Harrison having sex with Brandi in his cruiser, and he confronts her in front of onlookers at the mall the next day, damaging mall property in the process. Ronnie refuses to leave the mall and police are called in. Ronnie fights off many officers before being beaten in a fist fight with Harrison.

After a brief time in jail, and once his wounds heal, Ronnie returns to the mall, although now no longer as a security guard. He is approached by Nell back on both legs, and she kisses him to console him. Interrupting their romantic moment, the pervert flashes Nell and Ronnie and runs off, exposing himself to many other mall patrons. Ronnie, pursuing the flasher in a slow-motion sequence that includes him punching the Iraqi clerk from previously in the face, retrieves a gun from a closet and shoots the flasher as he approaches Brandi. Though she thanks him, Ronnie rejects her for sleeping with Harrison.

Refusing the flasher an ambulance, Ronnie takes him to the police station, impressing and insulting the officers who had previously ridiculed him. A victorious Ronnie is then interviewed with the other security guards and he is accompanied by Nell, who is now his new girlfriend, and he returns back to his job as the head of mall security.

REVIEW:

Remember when Seth Rogen was still a chubby guy? Seems like he was much more likable back then compared to now when he’ slimmed down and just doesn’t seem like the same person, not to mention he isn’t as funny, for whatever reason. Observe and Report is a vehicle for Rogen in which he plays a mall security cop…excuse me, the head of mall security.

Does the premise sound vaguely familiar? Maybe you’re thinking of Paul Blart: Mall Cop? These are two totally different films, but they both have mall cops and were released roughly around the same time. How many film about mall cops can you name?

I didn’t love this film. Sure, it had some funny moments, and didn’t get all preachy/dramatic at the end the way so many comedies tend to do these days, but it just didn’t work for me. The jokes seemed a bit forced. Rogen comes off as annoying. There were parts of the film where I honestly thought he was behind some of the crimes or would turn out ot be the flasher. On top of that the ultra hot Anna Faris is wasted here. Sure, she’s a delicious piece of eye candy, but if you’re going to get a hot comedic actress like her to star in your picture, have the good sense to let her do her thing, not just sit there taking Tequila shots and looking like a racoon for most of her scenes.

There are countless other reasons I could list for why this film just isn’t that great and won’t be making any top lists of mine. Having said that, it’s not a total waste of time. I think if I were to watch it again, I may like it a little more, but as of this one viewing, I just wasn’t feeling it. I’m not trying to be a hater, but where Paul Blart: Mall Cop succeeded, Observe and Report fails.

2 out of 5 stars

Around the World in 80 Days

Posted in Action/Adventure, Comedy, Family, Movie Reviews with tags , , , , , , , , , , , , , , , , , , on November 28, 2009 by Mystery Man

PLOT:

The film starts with a man (later known to be Lau Xing) (Jackie Chan), robbing and escaping from the Bank of England. To evade the police, he hides in Phileas Fogg’s house. From a window he observes police officers searching for him, asking foreign-looking men in the street for identification; so when Phileas Fogg (Steve Coogan) asks him for his name he responds “Passport…too”. Phileas takes his name to be “Passepartout” (pronounced Pass-port-too), and takes him on as a valet. Phileas Fogg is trying to break the 50-mph speed barrier, and after succeeding with the help of Passepartout and managing to avoid the police, they head to the Royal Academy of Science.

There Fogg is insulted by the other ‘brilliant minds’, in particular the bombastic William Thomson, 1st Baron Kelvin (Jim Broadbent), who believes that everything worth discovering has already been discovered and there is no need for further progress. The bank robbery is also discussed. In his blind rage, Phileas says that he is glad the bank was robbed, because it is outdated and says that the thief could be in China in little over a month, which interests Passepartout. Phileas Fogg is pressured into a bet to see whether it would be possible, as his calculations say, to travel around the world in 80 days. If he wins, he would become Minister of Science in Lord Kelvin’s place; if not, he would have to tear down his lab and never invent anything again.

Passepartout and Phileas retreat to Phileas’s home, where he mourns on his rash decision to take the bet; yet Passepartout says that to bet on something he believes in, means the bet is in no way foolish. That sets Phileas on the start of his journey around the world. Without losing a moment, they take a carriage and leave London, after crossing with Inspector Fix (Ewen Bremner), a corrupt officer who was hired by the Royal Academy of Science to stop them travelling round the world.

They then journey to Paris, where Passepartout must evade warriors sent by the murderous female soldier General Fang, who is after the precious Jade Buddha that he stole. She had previously given the Buddha to Lord Kelvin, in exchange for military assistance in her enterprises to conquer Lau Xing’s village. [Remember at this point that Passepartout’real name is Lau Xing!]. Pretending to take Phileas to a convention with Thomas Edison, Passepartout leads him instead to an Art School, where Phileas meets Monique (Cécile de France), a would-be impressionist. Realizing how busy his boss is, Passepartout fights the minions using every material available: canvas, brushes and buckets of paint, etc, while in the process of accidentally making a painting. Meanwhile, Phileas and Monique discuss Monique’s paintings of ‘impossible things’, such as dogs playing poker. Moments later, Phileas sees a painting of a man with wings. To make a machine that could allow men to fly was always Phileas’s dream; he therefore feels touched. All of a sudden, Passepartout returns and tells his boss that they are running late. The two men, accompanied by Monique, depart in a hot-air balloon, while being chased by General Fang’s warriors.

Phileas initially refuses to allow Monique to travel with them due to a misunderstanding in allowances, but after consulting him, he does allow her. Then they travel to Turkey, where they are greeted by Prince Hapi (Arnold Schwarzenegger). Here, they were entertained for some hours in a swimming pool, in which they also chat about their ideas of better mankind and tuck into a delicious feast. The Prince, having become infatuated with Monique, ordered her to stay as his seventh wife, (one for each day of the week), while the men were ordered to leave. The men leave, but blackmail Prince Hapi into releasing Monique, using a prized but apparently flimsy ‘The Thinker’ statue of the Prince as a bargaining counter. The statue is ultimately destroyed, though the three travelers escape.

Lord Kelvin, hearing of all this and of the theft of the Jade Buddha, becomes angry; he is later contemptuous, when he learns that Phileas has been involuntarily abetting a thief’s escape. Using this as an excuse to delay Phileas, he and his aides order the British colonial authorities in India to arrest both men. In India, Passepartout sees notice of the price on his head and warns his companions. Disguised as local women, they evade the police, but are attacked by General Fang’s warriors again. Using Inspector Fix and a sextant as weapons, Phileas and Passepartout defeat their assailants and flee to China.

Guided by knowledge of China, Passepartout leads his friends to a village, where they are happily greeted. They spend several days here, during which Phileas discovers that Passepartout is in fact Lau Xing, a local warrior, and that the repeated attacks by General Fang’s (Karen Joy Morris) militia, the Black Scorpions, are part of a power struggle centred around the Jade Buddha. Phileas is disappointed by this and more so, by the revelation that Monique has known the truth for many weeks. Later, the village is attacked by the Black Scorpions. Phileas, Monique and Lau Xing are held captive. In the next morning, Lau Xing challenges the arrogant young leader of the group that has seized him to a fight. Lau Xing at first fights alone and is defeated (when the leader cheats); moments later, he is joined by the martial arts masters of the “Ten Tigers of Canton”, of which he is one. The Tigers, though outnumbered, drive the Black Scorpions from their village and free the Westerners. The Jade Buddha is then reinstated in the village’s temple.

Phileas now desires to continue alone, having been disappointed by his companions. He travels to San Francisco, where he is tricked out of his money. He attempts to replenish his supply with the aid of a beggar (Rob Schneider)but fails, as he is punched by a passerby as he begs for money. He is soon, however, recognized by Lau Xing and Monique, who have come to find him. In the desert, they find the Wright brothers (brothers Owen and Luke Wilson), and the 3 inventors discuss the flying machine. Taking a look at the plans (which Wilbur Wright claimed to be his silly brother’s doing), Phileas finds them brilliant and suggests a few mere changes (Wilbur says he was proud of his brother and had always believed in him).

Lau Xing (still called Passepartout because of force of habit on the other people’s part), Monique and Phileas’ next stop is New York City, where a massive crowd who had placed bets for or against Phileas winning, greet them and make it impossible for them to pass and reach their ship. A policeman allows this to be possible, by taking them through a building he called a shortcut. Here more minions await them, ready for one last face-off. They made arrangements with Lord Kelvin to take Lau Xing’s village and tap the jade reserves underneath it, but if Phileas wins the bet, Lord Kelvin will not have the means to help them. A major battle between the three friends and General Fang and her minions commences in the workshop, where the Statue of Liberty was constructed, with Lau Xing using his skill to stop his enemies and the other two using luck. Fang is crushed to death by the statue’s tablet. In the end, the three friends are victorious or so it seems, as the minions had stalled them enough to make them lose their ship to England. Though Phileas could have gotten to the boat, he decides to miss it to help Lau Xing.

Phileas feels like he had lost, but the other two say they might still make it, if they caught the next ship. Phileas knows the unlikelihood of this, yet chooses to carry on. The old ship was owned by a sailor, who had lost both his nipples in an attack by a great white shark. Phileas tells the captain they weren’t going fast enough and run out of coal, and after a lot of talking, he manages to convince the captain to let him build a plane out of the old wood from the ship, in exchange for a new ship and a surgery to give him new nipples.

Using the changed Wright brother’s plans, Phileas builds the machine. On it is Passepartout/Lau Xing (pedalling), Phileas (driving) and Monique (commenting). The machine seems to be working fine and soon they reach London. Then, the machine begins to fall apart and they have a crash-landing right in front of the RAS (Royal Academy of Science). Lord Kelvin sends police to stop them from making it to their actual destination, the top step of the Royal Academy of Science and the clock soon strikes noon, which is the time Phileas started.

Lord Kelvin proclaims himself the victor. Several people, such as Monique, Fix and other ministers, begin attesting to Kelvin’s unfair methods and his bullying nature, but Kelvin scoffs at them. However, in the process, he insults Queen Victoria (Kathy Bates), who is nearby listening. She had found out he had sold her arsenal to Fang (in exchange for jade mines in China), thanks to one of his aides, and soon realizes this fate. Kelvin tries to run away, but is apprehended. Phileas is also lucky enough not to have lost the bet; he is one day early, thanks to crossing the international date line, yet believed himself late, because of an error on the part of Passepartout. He ascends the stairs of the Academy and there, embraces Monique, victorious in his bet.

REVIEW:

To say that this film is inconsistent is an understatement. What do I mean by that? Well, it can’t decided if it wants to be a good family film, action/comedy, or something else. Due to that fact, it tries out all the genres and fails at all of them individually, but shines here and there.

Special effects and cameos are the name of the game with this film. Look for appearances from stars such as Luke and Owen Wilson and Arnold Schwarzenegger, among others. The effects are nothing to write home about ,but for the tone of the film, they work.

I remember growing up and reading Jules Vernes’ noveil Around the World in 80 Days. If you’re like me, and a fan of te novel, then this film will disappoint you. Fans of generic action and/or family flicks will also come away a bit disappointed.  There is no other way to describe this film, other than to say it is what it is, a disappointment.

2 1/2 out of 5 stars

The Godfather, Part II

Posted in Classics, Drama, Movie Reviews with tags , , , , , , , , , , , , on November 28, 2009 by Mystery Man

PLOT:

The Godfather Part II presents two parallel storylines. One involves Mafia chief Michael Corleone following the events of the first film from 1958 to 1959; the other is a series of flashbacks following his father, Vito Corleone, from his childhood in Sicily (1901) to his founding of the Corleone crime family in New York City while still a young man (1917–1925).

The film opens in 1901, in the town of Corleone in Sicily, at the funeral procession for young Vito’s father, Antonio Andolini, who had been ordered killed by the local Mafia chieftain, Don Ciccio. During the procession, Vito’s older brother Paolo is also murdered because he swore revenge on the Don. Vito’s mother goes to Ciccio to beg him to let young Vito live. When he refuses, she holds a knife to his throat, sacrificing herself to allow Vito to escape, and Ciccio’s gunmen shoot her. They scour the town for Vito, warning the sleeping townsfolk that they will regret harboring the boy. With the aid of a few of the townspeople, Vito finds his way by ship to New York. Arriving at Ellis Island, an immigration agent, mishearing Vito’s hometown of Corleone as his surname, registers him as “Vito Corleone”. He is then ordered to stay on the island for three months due to smallpox.

In 1958, Michael Corleone, Godfather of the Corleone Family, deals with various business and family problems at his Lake Tahoe, Nevada compound during an elaborate party celebrating his son’s First Communion. He meets with Nevada Senator Pat Geary, who despises the Corleones, but has shown up with his wife to accept a large endowment to the state university. Geary demands a grossly exaggerated price for a new gaming license and a monthly payment of 5% of the gross profits from all of the Corleone Family’s Nevada gaming interests, all while insulting the Corleones and Italians in general. Michael defends his family while keeping his usual calm demeanor, and tells Geary that his offer is for Geary to give him the gaming license for free.

Michael also deals with his sister Connie, who, although recently divorced, is planning to marry a man with no obvious means of support, and of whom Michael disapproves. He also talks with Johnny Ola, the right hand man of Jewish gangster Hyman Roth, who is supporting Michael’s move into the gambling industry. Finally, Michael meets with Frank Pentangeli, who took over Corleone caporegime Pete Clemenza’s territory after Clemenza’s death (which is implied to have been under non-natural circumstances), and now has problems with the Rosato Brothers, who are backed by Roth and attempting to intrude on Pentangeli’s territory. Michael refuses to allow Pentangeli to kill the Rosatos, in order to maintain a smooth business relationship with Roth. Pentangeli leaves abruptly, after telling Michael “your father did business with Hyman Roth, your father respected Hyman Roth, but your father never trusted Hyman Roth or his Sicilian messenger boy Johnny Ola.”

Later that night, an assassination attempt is made on Michael, which he survives when his wife Kay notices that the bedroom window drapes are inexplicably open. Afterward, Michael tells Tom Hagen that the hit was made with the help of someone close, and that the gunmen, whoever they were, are probably already dead. Michael then insists that he must leave and entrusts Hagen to protect his family. The Corleone guards then search the compound, and as Michael suspected, the gunmen are found dead.

In 1917, Vito Corleone, now married with one son, works in a New York grocery store with his close friend Genco Abbandando. The neighborhood is controlled by a blackhander, Don Fanucci, who extorts protection payments from local businesses. One night, Vito’s neighbor Clemenza asks him to hide a stash of guns for him, and later, to repay the favor, takes him to a fancy apartment where they commit their first crime together, stealing an expensive rug.

Michael’s brother Fredo (John Cazale) receives a phone call from Johnny Ola in the middle of the night while sleeping. The conversation that takes place makes it clear that Fredo gave Roth’s men entry into the compound and then shot them, though Fredo was apparently unaware they would try to kill Michael.

Michael meets with Hyman Roth in his home near Miami and tells him that he believes Frank Pentangeli was responsible for the assassination attempt and that Pentangeli will pay for it. Traveling to his family’s former home in Brooklyn (which is now owned by Pentangeli), Michael lets Pentangeli know that Roth was actually behind it and that Michael has a plan to deal with Roth, but needs Frankie to cooperate with the Rosato Brothers in order to put Roth off guard. When Pentangeli goes to meet with the Rosatos, Rosatos men garrote him, but the attempted murder is accidentally interrupted by a policeman. It is later revealed that Roth orchestrated the whole thing.

In Nevada,Tom Hagen is called to a brothel run by Fredo, where a dazed Geary is implicated in the death of a prostitute. Tom offers to take care of the problem in return for “friendship” between the Senator and the Corleone Family. It is implied that the entire event was staged by the Corleone Family in order to gain leverage with Geary and force his cooperation.

Meanwhile, Michael meets Roth in Havana, Cuba at the time when dictator Fulgencio Batista is soliciting American investment, and guerrillas are trying to bring down the government.

Fredo, carrying the promised money, arrives in Havana and meets Michael. Michael confides to his brother that it was Roth who tried to kill him, and that he plans to try again. Michael assures Fredo that he has already made his move, and that “Hyman Roth will never see the New Year.”

Instead of turning over the money, Michael asks Roth who gave the order to have Frank Pentangeli killed. Roth avoids the question, instead speaking angrily of the murder of his old friend and ally Moe Greene, which Michael had orchestrated (as depicted at the end of the first film), saying, “I didn’t ask who gave the order, because it had nothing to do with business!”.

Michael asks Fredo to show Geary and other important American officials and businessmen a good time, during which Fredo pretends to not know Johnny Ola. Later in the evening, however, Fredo drunkenly comments that he learned about the place from Johnny Ola, contradicting what he told Michael twice earlier, that he didn’t know Roth or Ola. Michael now realizes that the traitor in the Corleone Family is his own brother, and dispatches his bodyguard back to their hotel to kill Roth. There, Johnny Ola is strangled, but Roth, whose health is failing, is taken to a hospital before he can be assassinated. Michael’s bodyguard follows, but is shot by police while trying to smother Roth with a pillow.

At Batista’s New Year’s Eve party, at the stroke of midnight, Michael grasps Fredo tightly by the head and gives him the Kiss of Death, telling him “I know it was you Fredo; you broke my heart.” Batista announces he is stepping down due to unexpected gains by the rebels, and the guests flee as the guerrillas pour into the city. Michael appeals to his brother to join him in leaving the country, but Fredo runs away, frightened.

Michael returns to Las Vegas, where Hagen tells him that Roth escaped Cuba after suffering a stroke and is recovering in Miami. Hagen also informs Michael that Kay had a miscarriage while he was away.

In New York, in 1921, Don Fanucci is now aware of the partnership between Vito, Clemenza and Sal Tessio, and demands that they “wet his beak.” Clemenza and Tessio agree to pay, but Vito is reluctant and asks his friends to leave everything in his hands to convince Fanucci to accept less money, telling his friends “I make him an offer he don’t refuse.” Vito manages to get Fanucci to take only one sixth of what he had demanded. Immediately afterwards, during a neighborhood festa, Vito kills Fanucci and escapes via the rooftops of the tenement buildings.

Michael returns to his compound in Lake Tahoe, where he wanders the house in silent contemplation. In Washington, D.C., a Senate committee, of which Geary is a member, is conducting an investigation into the Corleone Family. They question disaffected “soldier” Willi Cicci, but he cannot implicate Michael because he never received any direct orders from him.

With Fanucci now gone, Vito earns the respect of the neighborhood and begins to intercede in local disputes, operating out of the storefront of his Genco Olive Oil Company, named after his good friend Genco Abbandando.
Michael Corleone (Al Pacin) appears before the United States Senate committee, with his wife Kay (Diane Keaton) in the background.When Michael appears before the committee, Geary makes a big show of supporting Italian-Americans and then excuses himself from the proceedings. Michael makes a statement challenging the committee to produce a witness to corroborate the charges against him. The hearing ends with the Chairman promising a witness who will do exactly that. Pentangeli has been kept at an army base all this time for his safety. He is upset when he learns that Michael did not assert the Fifth Amendment and Pentangeli will now have to appear at the hearing.

Tom Hagen and Michael discuss the problem. They have found out that Frank Pentangeli is the witness who will testify against him, and observe that Roth’s strategy to destroy Michael is well planned. Michael’s brother Fredo has been found and persuaded to return to Nevada, and in a private meeting he explains to Michael his betrayal: he is upset about being passed over to head the Family in favor of Michael, and wants to be treated with respect. He helped Roth, thinking there would be something in it for him, but he swears he didn’t know they wanted to kill Michael. He also tells Michael that the Senate Committee’s chief counsel is on Roth’s payroll. Michael then disowns Fredo and privately instructs Al Neri that nothing is to happen to Fredo while their mother is still alive; the understanding is that Fredo will be killed after her death.

Frank Pentangeli has made a deal with the FBI to testify against Michael, believing he was the one who organized the attempt on his life. At the hearing in which Pentangeli is to testify, Michael arrives accompanied by Pentangeli’s brother Vincenzo, brought in from Sicily. Upon seeing his brother, Frank Pentangeli recants his earlier statements, saying that he runs his own family, and claims that the Corleone family is innocent of any wrongdoing, thereby derailing the government’s case.

At a hotel room afterwards, Kay tries to leave Michael and take their children with her. Michael at first tries to mollify her, but, when she coldly reveals to him that her recent “miscarriage” was actually an abortion to avoid bringing another son into Michael’s criminal family, Michael explodes in anger and punches her in the face.

In 1925, Vito visits Sicily for the first time since leaving for America. He is introduced to the elderly Don Ciccio by Don Tommasino (who initially helped Vito escape to America) as the man who imports their olive oil to America, and who wants his blessing. When Ciccio asks Vito who his father was, Vito says, “My father’s name was Antonio Andolini, and this is for you!” He then stabs the old man to death. In the ensuing gun battle, Tommasino is shot in the legs, confining him to a wheelchair.

Carmella Corleone, Vito’s widow and the mother of his children, dies and the whole Corleone family reunites at the funeral. Michael is still shunning Fredo, who is miserable and depressed, but relents when Connie implores him to forgive his brother. Michael and Fredo embrace, but at the same time Michael signals to Neri that Fredo’s protection from harm, in effect while their mother lived, is now over.

Michael, Hagen, Neri, and Rocco Lampone discuss their final dealings with Roth, who has been unsuccessfully seeking asylum from various countries, and was even refused entry to Israel as a returning Jew. Michael rejects Hagen’s advice that the Corleone Family’s position is secure, and killing Roth and the Rosato brothers for revenge is an unnecessary risk. Later, Hagen pays a visit to Frank Pentangeli at the military base. Hagen talks about the honor of the Roman Empire, and Frank hints that if he were to commit suicide, he would like his family spared and taken care of. They agree on this and shake hands.

With the help of Connie, Kay visits her children, but cannot bear to leave them and stays too long. When Michael arrives, he closes the door in her face.

The film reaches its climax in a montage of assassinations and death:

  • As he arrives in Miami to be taken into custody, Hyman Roth is killed by Rocco Lampone disguised as a journalist. Lampone is immediately shot dead in turn, by FBI agents.
  • Frank Pentangeli is found dead in his bathtub, having followed Hagen’s instructions and committed suicide, slashing his wrists while taking a bath.
  • Finally, Fredo is murdered by Al Neri while they are fishing on Lake Tahoe, as Fredo is saying a Hail Mary to help catch a fish.

The penultimate scene takes place as a flashback to December 1941 as the Corleone family is preparing a surprise birthday party for Vito. Sonny introduces Carlo Rizzi, Connie’s future husband, to his family. Sal Tessio comes in with the cake, and they all talk about the recent attack on Pearl Harbor by the Japanese. Michael shocks everybody by announcing that he has dropped out of college and enlisted in the United States Marines. Sonny angrily ridicules Michael’s choice, while Tom Hagen mentions how his father has great expectations for Michael and has pulled a lot of strings to get him a draft deferment. Ironically, Fredo is the only one who supports his brother’s decision. When Vito arrives (offscreen), all but Michael leave to greet him.

After a final flashback depicting Vito and a young Michael leaving Corleone by train, the film ends with Michael sitting outside the Lake Tahoe compound, alone in contemplative silence.

REVIEW:

I was surprised with how much I actually liked The Godfather, so going into the second part of the trilogy, I had a slightly high expectations, but at the same time I didn’t want to set myself up for a flop.

The film follows two paths, a bit of a prologue/prequel that shows how Vito Corleone became the Godfather. Robert DeNiro shines as young Corleone. One has to wonder how much he studied Marlon Brando’s acting and mannerisms in order to play a younger version of him.

The other part of the film takes us through the current regime and their problems staying together under Michael’s leadership.

My main issue with this film is that it is 3 1/2 hours long. THat’s a personal issue of mine since I am not a fan of long movies, especially the ones that just seem to have filler. Having said that, the time pretty much flew by on this one, even faster than in the first film.

The real issue here is that with all the jumping around between the past and present takes its toll on the brain, especially when you’re trying to keep up with the story. Just as it seemed to be going somewhere, there was a jump to or from one time to another. Not to mention the total randomosity of the Senate hearing. I may have missed something somewhere, but that seemed to come out of nowhere.

The acting is what you come to expect from a film that has gone down in history and become a classic of cinema. These actors had talent and didn’t have to hide behind special effects and whatnot. This is what makes classic films so good, actors that can actually act. What a concept, right?

Often referred to as the greatest sequel ever, The Godfather, part II lives up to the hype. Granted, it does fall slightly below its predecessor, but that is to be expected, and its a slight drop off, mainly due to the loss of Marlon Brando. With an intriguing, intertwining way of telling the story in the present and giving us the history of Don Vito Corleone, this film delivers. It is definitely worth the viewing, if only it wasn’t so long!

4 1/2 out of 5 stars

Spanglish

Posted in Comedy, Drama, Movie Reviews, Romantic with tags , , , , , on November 22, 2009 by Mystery Man

PLOT:

Flor Moreno (Paz Vega), a poor, Mexican, single mother gets hired as the housekeeper for John (Adam Sandler) and Deborah Clasky (Téa Leoni), their kids, Bernice (Sarah Steele) and Georgie (Ian Hyland), and Deborah’s mother Evelyn Wright (Cloris Leachman), a rich, white American family. Flor’s daughter, Cristina is played by Shelbie Bruce. Flor, Cristina, and John are very likeable while Deborah is mean, self-centered, and apathetic to her daughter. Evelyn is a carefree drunk.

Flor doesn’t speak English so Cristina translates for her when she needs to talk to the family. Bilingual, skinnier, and overall kind, Cristina impresses Deborah, whom she begins to treat like her own daughter, taking Cristina shopping, getting her hair done, enrolling her in a private school, and showing her more love than her own daughter.

Flor becomes unhappy when it appears that Cristina is influenced by Deborah. This is in part because she wants Cristina to keep in touch with her roots, and partly because Deborah is overstepping her bounds by acting like Cristina’s mother. Flor objects to the family’s overreaching with Cristina to which John is apologetic.

Flor learns English so she can communicate with them better wherein John and Flor talk more and become closer.

When Evelyn realizes that her daughter is having an affair and that her marriage is in trouble, she sobers up and tells Deborah to knock it off because she’ll never get another man as good as John. As Flor heads to their house, Deborah confesses to John that she cheated on him. John walks out, and runs into Flor on the way and they go to his restaurant to “hang out”. They have the “greatest conversation of their lives” and confess their love for one another, but Flor leaves and John never mentions that Deborah cheated on him.

Flor quits and takes her daughter home. She tells Cristina that she doesn’t want her to go to the private school anymore either, upsetting Cristina and causing her to scream that Flor is ruining her life. Flor tells Cristina that it is time for her to decide the most important question of her life: “Is what you want for yourself to become something very different than me?”. Cristina doesn’t respond and on their bus ride home she initially sits away from Flor, but ends up embracing her for the duration of their ride.

The film ends with Cristina as an adult, years later, acknowledging that “all she is today” rests on the simple fact that she is her mother’s daughter.

REVIEW:

Adam Sandler films tend to be more on the slapstick side of comedy, and not so much on the more serious side of things, yet Spanglish, starts out as a light hearted happy film, but ends up a borderline chick flick.

The film’s plot centers around a Mexican immigrant (we’ll say she is) who can’t speak English and becomes the nanny for a well to do chef and his obnoxious, talkative wife. As the film progresses, we get to know more about each of the characters, as they are extremely well developed. We get a conflict based in infidelity, but are left with an ending that feels a bit empty.

Storywise, this is a very strong film, capable of hanging with the “artsy-fartsty” films, but because of it being a comedy, it doesn’t get the respect it deserves.

Adam Sandler turns in a mature performance, yet maintains a bit of his “Sandler-ness”. I was mostly impressed with how he handled his character’s conflict over becoming a 4-star chef and wanting to avoid shunning the little people. He also impressed me with how he portrayed the emotions dealing with his wife cheating on him and the feeling he has for the nanny.

Paz Vega had quite the introduction to US audiences with this film, even if she does look like Salma Hayek and Penelope Cruz. I’m not sure, but I think she took a page out of Antonio Banderas’ book, and didn’t learn English until she got an American film role. Having said that, it is quite possible that the scenes in which we see her learning English were genuine. If that is the case, then her performance is that more impressive.

Tea Leoni started out as a decent character, but as the film progressed, she took a downturn. What kind of woman bosses her husband around, cheats on him, more or less calls her daughter fat, basically steals her nanny’s daughter, and just makes everything about her? Then when she thinks that Sandler runs into the arms of Vega, she gets all emotional about it, knowing full well that she had been cheating on him for 11 weeks. Stuff like that can earn you a spot on the most despised list.

The word “spanglish” wasn’t an everyday word, I believe, until this film was released. I cannot belive that with the cultural impact this picture has had that it didn’t do that well. I guess now that I think about it, I can. There are more than a few films that bombed at the box office on;y to go on and become cult hits on video or DVD.

Spanglish is one of those films that dances  a fine line between comedy and drama, occasionally tipping over to one side or the other, but never getting to the point of over-seriousness, even in the serious parts. This really surprised me, because I didn’t know what to expect from it. Pleasant surprises are always good, and I hope that after watching this you’ll be as pleasantly surprised and entertained as I was.

4 out of 5 stars

Star Trek

Posted in Action/Adventure, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , , , , , , , , , , on November 21, 2009 by Mystery Man

PLOT:

In the year 2233, the Federation starship USS Kelvin is investigating a lightning storm when a massive ship, the Narada, emerges from within the storm and attacks the Kelvin. The Narada’s captain, Nero, orders the Kelvin to stand down and bring its captain aboard. The captain appoints George Kirk as acting captain and departs. On board the Narada, Nero kills the captain after questioning if he knows an Ambassador Spock and getting no reply. Nero orders the Kelvin to be destroyed while Kirk orders everyone to evacuate as he stays behind to provide cover. One of the escape shuttlecraft carries his pregnant wife and seconds before the Kelvin collides with the Narada, she gives birth to a boy while George listens over the comm. They decide to name the baby James. The Kelvin collides with the Narada, killing George, while the shuttlecrafts escape.

Several years later, a young Vulcan named Spock grows up on planet Vulcan and is discriminated against because of his half-human heritage, which leads him to join Starfleet. On Earth, James Tiberius Kirk grows up to be an intelligent, though reckless and cynical, young man. After a run-in at a local bar, Captain Christopher Pike challenges Kirk to emulate his father’s heroism and convinces him to join Starfleet. En route to Starfleet Academy, Kirk befriends fellow cadet Leonard McCoy.

Three years later, Starfleet receives a distress signal from Vulcan that indicates the appearance of a lightning storm in space, and with the primary fleet engaged in an operation, the cadets are mobilized to help crew the ships in orbit. McCoy smuggles Kirk aboard the USS Enterprise. Kirk recognizes the similarities between this mission and the encounter that destroyed the Kelvin, and warns Pike that the fleet is heading into a trap. The Enterprise arrives at Vulcan to find the fleet destroyed and the Narada drilling into the planet’s core. The Narada attacks the Enterprise and Nero orders Pike to surrender himself. Pike agrees, promoting Spock to captain and Kirk to first officer. En route to the Narada, Kirk and Hikaru Sulu perform an orbital skydive onto the drilling platform and destroy it. Nero launches red matter into the planet’s core, imploding the planet into a black hole. Spock rescues some of the planet’s elders, but his mother dies along with the majority of the planet’s population. Nero sets course for Earth and tortures Pike for the command codes to its perimeter defenses.

After a heated argument about Spock ordering to rendezvous with the rest of the fleet, Kirk is marooned on Delta Vega for mutiny. On Delta Vega, Kirk encounters Ambassador Spock, who tells Kirk he is from the future and to save time, relays the future’s events through a mind meld. In the year 2387, the galaxy is threatened by a massive supernova. Ambassador Spock pilots a ship carrying red matter, which will create an artificial black hole to consume the supernova. Before Spock completes his mission, the supernova destroys the planet Romulus. Captain Nero attempts to exact revenge on Spock, whom he blames for the destruction of his homeworld, and his family. Both ships, however, are pulled into the black hole’s event horizon and travel into the past. The Narada arrives first and Spock arrives 25 years later, where he is captured by Nero and marooned on Delta Vega so that he can witness the destruction of Vulcan. Ambassador Spock insists that Kirk must become captain of the Enterprise and the two travel on foot to a nearby Starfleet outpost. There, they meet Montgomery Scott. Ambassador Spock beams Kirk and Scott aboard the Enterprise while he stays on the planet. Once aboard, Kirk deliberately enrages Commander Spock to force him to acknowledge that he is emotionally compromised, thereby forfeiting command to Kirk.

Spock, Scott, and Pavel Chekov devise a plan to ambush the Narada by hiding behind Saturn’s moon, Titan. Once there, Kirk and Spock beam aboard the Narada. Kirk rescues Pike while Spock retakes Ambassador Spock’s ship, destroys the drill, and lures the Narada away from Earth before piloting a collision course. The Enterprise arrives and beams Kirk, Pike, and Spock away before the collision, which ignites the remaining red matter and creates a black hole within the Narada. Kirk offers to rescue Nero and his crew, but he refuses and the Narada is destroyed. The Enterprise escapes the same fate by ejecting and then igniting the ship’s warp drive, with the resulting explosion pushing them clear.

Back on Earth, Kirk is promoted to captain of the Enterprise. Soon after, Spock, while searching for his father, encounters his older self in a hangar. Ambassador Spock is departing to help establish a new colony with the remaining Vulcans. The younger Spock informs his older self of his wishes to leave Starfleet to aid his people. Ambassador Spock tells his younger self that he and Kirk need each other and that he should do what feels right. Taking his advice, Spock remains in Starfleet, becoming first officer under Kirk’s command. Leonard Nimoy narrates the Star Trek tagline to close the film.

REVIEW:

Star Trek has been entertaining nerds…er…fanboys…er…individuals for 30+ years. In that span, there have been at least 4 different series and 9 (not counting this one) films. Since I’m not a “Trekkie”, i’m not up in the Star Trek history and whatnot, but I know the basics. This film takes those facts and reintroduces them to new fans and a new generation.

I will never be a Star Trek fan, it just isn’t in my nature, and I’d be betraying Star Wars, but this film was done so well, that italmsot is good enough to convert me. I like how they sring in a new history with all the characters, while leaving the original history alone in a seperate universe, and tie it all together with the use of time travel and Leonard Nimoy. I have respect for these filmmakers for finding a way to keep the old school, die hard fans happy, as well as appeal to the new ones and the mainstram move goers.

Chris Pine steps into the role of James T. Kirk and without blinking, makes it his own. I was expecting some sort of bad Willima Shatner impression or something along those lines, but instead, Pine makes the character his own, capitalizing on the rebeliousness, maybe a bit too much.

Zachary Quinto seems like he was born to play Spock. It is especially weird to see his as a hero when he is best known for beign the villainous Sylar on Heroes, but here he is. In a manner similar to Kirk, Spock is a bit of a rebel, but he is more subdues,and like the original, more logicval and into the facts. Whereas Pine didn’t really show much of Shatner’s influence in his character, Quinto obviously did his homeowrk on Nimoy’s portrayal. He may have even consulted him, since they were on set at the same time.

Eric Bana is almost unrecognizable as the viallanous, twisted Nero, a Romulan who has managed to travel through space and time to get his revenge on Spock. Bana’s performance is pretty good, but it is his ship and the other toys that he uses or commands be used that really captivate the audience, such as the drill that doesn’t allow for communication or beaming up.

Speaking of beaming up, it was good that they included that in here, as well as the “redshirt” getting killed, and some classic lines from the original series, albeit paraphrased, we got the picture.

My issue with the film is that the only space fight part of it was at the beginning, the rest of it seemed to be more about the growth and drama. Since this is an origin flick, that isn’t too badm but if there is a sequel, that stuff needs to be pushed by the wayside in favor of more space scenes.

Another issue I have is that the on;y character that seemed ot have any life was Quinto’s Spock. Pine’s Shatner seemed to be nothing more than a frat boy with a brain who somehow gets to be captain of the ship. Urban’s McCoy is paranoid and schizophrenic. Zoe Saldana is used less in this film, than Nichelle Nichols was in the show. In other words, character development was a problem, but that’s just me being a bit on the nitpicky side.

The Enterprise looked really good. I was impressed. They were saying it was a brand new ship, and the way the sets looked, they had us believing that, rather than some sort of Hollywood sound stage.

Fans of the original series were skeptical about this when it was initially announced, Some even detracted and protested it, but as soon as it was released they soon changed their tune. For me, I’m not one to celebrate remaking anything. I believe Hollywood should come with their own ideas, but this film was so good that you forget about the original series, at least if you’re like me and have on;y seen 1 or 2 episodes of it. Star Trek should be a must see for you, so go see it!

4 out of 5 stars 

Who’s Your Caddy?

Posted in Comedy, Movie Reviews with tags , , , , , , , , , , , , , on November 21, 2009 by Mystery Man

PLOT:

When “street smart” rapper Christopher “C-Note” Hawkins (Big Boi) applies for a membership to all-white Carolina Pines Country Club, the establishment’s proprietors are hardly ready to oblige him. Unwilling to accept that the club views him as unfit for membership, C-Note purchases land that contains the 17th green – willing only to exchange the hole for a membership. This sets the stage for an outrageous assault on the country club and its membership committee as C-Note and his fun-loving, streetwise crew disrupt the goings-on at the club with their irreverent attitudes and a back-and-forth prank fest.

At one point, C-Note plans to shoot a music video on the club’s land. That leads the Club President, Cummings (Jeffrey Jones), to offer a bribe to get him to stop, but all C-Note wants is a membership to the club. President Cummings then hires Shannon Williams (Tamala Jones), an uptight lawyer who graduated Harvard at the top of her class. She goes to Christopher’s house, he refuses yet another attempt to bribe him to leave.

As a last resort, she devises a plan to allow him to join the club then to record him violating the club’s bylaws to kick him out while he is on the club’s 4 week probationary period. On separate occasions, he is accused of landing a helicopter on the property, bringing a gun onto the golf course and driving recklessly on the way to the golf course. Eventually, all the charges are proven wrong and C-Note is officially made a member of the Carolina Pines Country Club.

The film progresses with Cummings hiring Big Willie Johnson (Tony Cox) to kill C-Note. Eventually Cummings challenges C-Note and Mick to an 18 hole match of golf, and C-Note accepts. On the day of the match, C-Note is surprised to see that Cummings hired and flew in professional golfer and 5-time PGA Tour winner Jesper Parnevik (who plays himself) to play on his team. After 9 holes, Parnevik and Cummings are up four holes, but after a pep-talk by Caddy Mack, they are able to rally on the back 9, and win by C-Note holing his second shot on the 17th hole from 230 yards over water with his driver. Soon after, Cummings is arrested for conspiracy to murder, and C-Note is named owner of Carolina Pines Golf and Polo Club.

REVIEW:

Quite honestly, there isn’t much to this film. It is your typical low-budget flick about an African-American who wants to stick it to the white man and the differences in their cultures. ITs been done many times before. The only difference this time is the golf. Since I’m not the biggest fan of golf, I can’t really comment on this, other than to say that when Big Boi was putting, it looked more like he was trying to play baseball, rather than golf. This film is so predictable that is loses what little bit of entertainment value it has. Having said that, there are a few funny moments, bit not enough to waste your time with this film. Who’s Your Caddy? is so bad, that it truly is bad. If not for a few good acting performances, this would go down as one of the worst films of all time.

2 out of 5 stars

A Christmas Carol (Disney)

Posted in Animation, Comedy, Family, Movie Reviews with tags , , , , , , , , , , , , , , on November 21, 2009 by Mystery Man

PLOT:

On Christmas Eve in Victorian England, Ebenezer Scrooge, a bitter and miserly old moneylender, holds everything that embodies the joys and spirit of Christmas in contempt, refusing to visit his cheerful nephew Fred’s Christmas dinner party with his family, and forcing his underpaid employee Bob Cratchit to beg to take the day off for his own family. That night, Scrooge is visited by the ghost of his former business partner, Jacob Marley, who had died seven years prior on Christmas Eve and is now forced to spend his afterlife carrying heavy chains forged from his own greedy ways. Marley warns Scrooge that he will suffer an even worse fate if he doesn’t repent, and foretells that he will be haunted by three spirits that will help guide him.

The first spirit, the Ghost of Christmas Past, shows Scrooge visions of his own past that take place on or around the Christmas season, reminding him of how he ended up the greedy man he is now. He had spent much of his childhood neglected by his father over the holidays at boarding school until he was finally brought home by his loving sister Fan, who died prematurely after giving birth to his nephew Fred. Scrooge later began a successful career in business and moneylending and became engaged to a woman named Belle, though she later called off the engagement when he began to grow obsessed with accumulating his own wealth. Unable to bear having to witness these events again, Scrooge extinguishes the spirit.

The second spirit, the Ghost of Christmas Present, shows Scrooge the happiness of his fellow men on Christmas day. Among them are his nephew Fred, who playfully makes jokes with his family at Scrooge’s expense, and Bob Cratchit and his family, who are just barely able to make do with what little pay Scrooge gives Cratchit. The Cratchits also tend to a sickly young son, Tiny Tim, whose commitment to the spirit of Christmas touches Scrooge, who is dismayed to learn from the spirit that he may not have much longer to live. Before the spirit vanishes, it warns Scrooge about the evils of Ignorance and Want, showing them as terrifying, uncivilized children doomed to grow into savage, despicable individuals.

The third and final spirit, the Ghost of Christmas Yet to Come,  shows Scrooge the final consequences of his greed. Tiny Tim has died, leaving the Cratchits to mourn him on Christmas. Scrooge has also died, though there is more comfort than grief in the wake of his funeral. In addition, Fred finds benefit from inheriting his wealth, and Scrooge is even robbed by his former maid. Unwilling to let this grim future come to pass, Scrooge begs to be given a second chance as the spirit forces him into his deep and empty grave leading all the way to Hell.

Scrooge awakens to find himself in his bed on Christmas morning, the three spirits having guided him over the course of one night, and immediately sets out to atone for his sins, making donations to the poor, attending Fred’s dinner party, and giving Cratchit a raise to care for his family, allowing Tiny Tim to live. Scrooge spends the remainder of his life a new man embodying the spirit of Christmas itself.

REVIEW:

A Christmas Carol has always been one of my favorite books. I’ve seen almost every version of this immortal story, and have to say that this is one of the best that I’ve seen.

Let me say that this is by no means the perfect interpretation of the book, but it is a very entertaining version. Before I go any further, let me say that normally I’m not a fan of 3D. These days it seems as though studios are just using it to jack up the prices of tickets, but it was actually worth it to see this in 3D. I can guarantee that when I see it on DVD in a few months, the experience won’t be the same. I still don’t think that 3D is all its cracked up to be, and definitely isn’t worth the extra money, but it is a different experience.

Many of the actors in this film lend their voices to numerous characters, not to mention their likeness. THe way these characters resembled their voices was scary. If I was an actor, I’d be wary of this technology. It could put me out of work.

Jim Carey really gets to show his voicing talent as Scrooge and the 3 spirits (only two of them speak). This is the kid of thing we expect from Carey, but Gary Oldman lends his voice to 3 people, as well. Bob Cratchit, Tiny Tim, and Jacob Marley. I’ve often said that Oldman is very chameleon-like is his performances, but this takes the cake.

Speaking of Jacob Marley, his was kind of creepy at first, but once he jaw nearly fell off, it lightened the mood. Sort of in the same way Goofy does in the version with Mickey Mouse. I’ve always wondered why Marley has his jaw pulled up like that, and now I know.

The spirits are intriguing, as expected, but I would have never envisioned Christmas past as a candle, nor Christmas present as a giant who can’t stop laughing. Yes, that guy laughed the entire time he was on the screen. Every version of Christmas present has him as a jolly giant, but this one takes the cake. Its like he had some laughing gas before he came to Scrooge or something. Even when he was being serious, he was laughing. I didn’t know what to think.

It is quite obvious that studios are getting more familiar with this technology. The cinematography in this film, as well as the graphics proved that, especially in the scene with all the ghosts after Marley floats out of the window and the sequence with the Ghost of Christmas Yet to Come. Some live action films aren’t this good.

As I said before, this is one of the best version of A Christmas Carol. Personally, I prefer the George C. Scott or Mickey Mouse versions, but that could be because I grew up on them, and isn’t an indictment of this film. I’m just more comfortable with them. In time, I’m sure this film will find its place in the pantheon of Christmas films. In the meantime, with Christmas coming up, I can fully recommend this. Is it worth the extra few bucks for the 3D glasses? Yes, it is, especially since the experience you’ll get is so immensely different that what you’ll get when this is released on DVD, not to mention the fact that hey actually have parts of the 3D that could be scary to some.

4 out of 5 stars

Turtles Forever

Posted in Action/Adventure, Animation, Comedy, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , , , , on November 21, 2009 by Mystery Man

PLOT:

The 1987 Turtles are transported to another dimension while they are battling with the 1987 Shredder in the Technodrome. Hun is mutated into a gigantic turtle and joins forces with the 2003 Shredder. He battles the eight turtles but they escape to the 1987 dimention. Splinter is kidnapped and brought to the Technodrome. The eight turtles then return to the 2003 dimention are seek to rescue Splinter, but they are beaten. Shredder than reveals is master plan. He has discovered that there are not two dimentions, but several, including the movie versions and various tv and comic adaptations. He seeks to destroy all dimentions of ninja turtles by destroying the original “Turtle Prime”…aka the Mirage Turtles. Shredder vanishes with the Technodrome and the 2003 universe begins to erase. After a brief battle with Mutant Hun, the eight turtles travel to the Mirage dimention and meet the original turtles, who are black and white and much darker then even the 2003 versions and narrate their actions ala the comic books. The 12 turtles battle a gigantic Utrom Shredder who is eventually defeated when Bebop and Rocksteady inadvertinantly hit him with the Technodrome’s ray. All turtles then return to their original dimentions, leaving the Mirage Turtles to discuss getting some pizza.

Then, a brief live-action scene shows the original issue of the mirage comics being finished with the writers hoping it will sell.

REVIEW:

I grew up watching the Saturday morning version of the Tennage Mutant Ninja Turtles in the late 80s.  I had all the toys and collected the comics. When these new versions arrived a few years back, I was hesitant to embrace them on the grounds that they appeared to be more on the dark side of things, but after watching a few episodes, they are nowhere near as dark as I initially thought. However, watching Turtles Forever made me realize how different the turtles universes are.

When looking at the groups of turtles on their own, you’d never know that one set is taller, fatter, than the other, just that the 80s version is more cartoonish and have eyeballs and the letters on their belts. This is something that is pointed out ad nauseum throughout the flick.

The plot is actually one of the best I’ve seen in any action movie, animated or otherwise, in some time. I thoroughly enjoyed it.

honestly, the only thing I didn’t care for in this film was that they kept making the 80s turtles seems like they were nothing more than comic relief. Especially, when the film switches to the original, black and white comic dimension (where the turtles narrate in a manner and voicing reminiscent of the The Spirit).

Speaking of the voicing, would it have killed them to get some more of the original voices? I know that many of the current turtle fans don’t have clue as to what the original turtles sounded like, but it paine me to listen to them, almost as much as it did to watch them being treated like second rate sidekicks. I mean, at the end they literally run up and hug “current” Raphael the way little kids run up and hug their parents when they get home or something. This really disgusted and irked me and took away from the enjoyment and pleasure that I should have received from this meeting of the universes.

All in all, if you’re a true turtle fan, you’ll enjoy this feature. All the major characters from the universes are there, with the exception of Baxter Stockman, but that’s not really that big of a loss. Though, I would have loved to have seen how the mutated fly version would have reacted to the floating head…lol Can I recommend this? Yes, but proceed with caution if you’re a fan of the 80s era turtles. I know there are people out there that are going to say, “get ver it and move with the times”. Yeah, yeah, yeah…look, I understand the change and all, I just don’t think you should spit upon your legacy the way this film does. As matter of fact, they kind of do the same with the orignal versions, but that was done more with how they were drawn, rather than the script. I cannot in good faith say that I would be willing to watch this over and over again, but it was an ok flick for what it was.

3 1/2 out of  5 stars

Superman/Batman: Public Enemies

Posted in Action/Adventure, Animation, Movie Reviews, Superhero Films with tags , , , , , , , , , , , , on November 18, 2009 by Mystery Man

PLOT:

LexCorp’s CEO Lex Luthor has been elected President of United States during a severe nation-wide economic depression. Under his leadership, the country is returned to its former glory and a force of superheroes consisting of Captain Atom, Starfire, Katana, Black Lightning, Power Girl, and Major Force who now work for the betterment of America. His aim is to employ every superhero to work for their country, but secretly, this is so they will not work against him. Meanwhile, Superman and Batman are still fighting crime on their own and maintain the distrust toward Luthor due to the heroes’ past with him. Thus, Luthor brands them as outlaws.

The United States government discovers that a Kryptonite meteor is hurtling toward Earth. Instead of asking superheroes for aid and wanting to take credit for himself, Lex decides to destroy it with nuclear missiles. Lex arranges a meeting with Superman in Gotham City under the pretense of forming a pact. This results in a battle between the hired Metallo and Superman and Batman. Following the heroes’ escape, Metallo is killed by an unknown assailant. Later that night, Lex pins Metallo’s murder on Superman, using footage of their battle to implicate him. Lex claims that the radiation being emitted by the meteor is affecting The Man of Steel’s judgment, and places a one-billion-dollar bounty on Superman’s head.

While breaking into S.T.A.R. Labs, seeking information on the meteor, Batman and Superman find Metallo’s remains and realize that intense radiation has killed him. They are then attacked by an army of villains looking to collect on the bounty. The army includes: Silver Banshee, Captain Cold, Icicle, Killer Frost, Mr. Freeze, Gorilla Grodd, Bane, Black Manta, Black Spider, Brimstone, Catman, Cheetah, Copperhead, Deadshot, Despero, Giganta, Girder, King Shark, Lady Shiva, Mongul, Captain Boomerang, Nightshade, Parasite, and Solomon Grundy. After some effort, most of the villains are defeated.

The remaining villains are defeated by Captain Atom, who has arrived with Lex’s superhero team to arrest Superman. All but Power Girl, whose loyalties are divided, attempt to capture Superman and Batman. Superman create a hurricane using his superspeed, and the two heroes escape with Power Girl.

In Metropolis, Power Girl admits that she feels threatened by Lex, and doesn’t believe Superman killed Metallo. Lex’s superheroes catch up and the fight begins again, this time with Power Girl aiding Superman and Batman. The Dark Knight realizes that Major Force killed Metallo under Luthor’s orders and goads him into admitting it in front of everyone. In anger, Power Girl punches him in the stomach with so much force that it ruptures his containment suit. Captain Atom, ashamed at his complicity in Lex’s misdeeds, absorbs the energy, disintegrating Major Force and injuring him in the process.

Meanwhile, Lex’s missiles fail to stop the meteor. Amanda Waller discovers that Lex has secretly been taking kryptonite steroids, which impairs his judgment. Lex decides to let the meteor hit the Earth so that he may rule what remains behind. Batman and Superman break into Lex’s lab to retrieve data on the meteor’s radiation. They end up in battle with Captain Marvel and Hawkman, eventually emerging victorious with Power Girl’s aid. Though Lex is unwilling to relinquish the data, Waller gives them a copy. Batman and Superman fly off to Tokyo to give the meteor’s data to a teen super-genius who is the Japanese Toyman. Waller tries to have Lex arrested, but he injects himself with more kryptonite steroids and dons a power suit. After escaping Waller and the military, Lex then follows Superman and Batman.

Toyman has built a rocket-propelled spacecraft, intending to use it as a powerful missile to stop the meteor. The ship resembles a giant, robotic composite version of Superman and Batman. With the data, Toyman is able to calculate the necessary reinforcements needed for his own rocket so it won’t explode before impact, as Luthor’s missiles did. Lex arrives and disables the remote guidance systems. Batman volunteers to fly the ship himself, despite Superman’s protests. In an aerial battle, though initially fairing poorly against Lex and his kryptonite power suit, Superman defeats Luthor in the streets of Metropolis. Captain Atom arrives and grabs Luthor. Batman succeeds in destroying the meteor, and Superman finds him alive and well in an escape pod.

With the truth of Metallo’s death public knowledge, Superman is cleared of the murder charge and Luthor is arrested.

REVIEW:

Wow! Batman and Superman team up. Can anyone stop them? Apparently, the corrupt government with Lex Luthor as president can, not to mention this subpar writing.

Let me get to the pros first. This is based on the comic storyline of the same name, and they draw heavily from that, as other DC animated films have done, watering down some of the violence and themes and such to make them more “kid-friendly”. The animation seems to be a mixture of the old school style that is currently seen in Batman: The Brave and the Bold and the current style they are using. Surprisingly, this makes for some beautiful animation.

The character design is pretty good, though I think both Batman and Superman looked a bit gaunt at times. Sure they had 6 pack abs and muscles on top of muscles, but they also looked a bit skinny. Maybe its just me, though.

Power Girl really caught my attention for a couple of reasons. I do belive she is the bustiest character DC has ever done. I’m not complaining, but I do wonder what made them do that. I don’t know much about the character, so it is totally possible that I just need to go pick up a book and look for her.

On to the cons…the adaptation of this story isn’t the greatest, but at the same time it isn’t the worse. The main issue is that they try to cram it into a very small window and end up losing some of the lustre. Also, they rush the whole frame up and Power Girl becoming a “traitor”, but take their sweet time with Toyman and the Kryptonite meteor. In other words, they try to include too much into this short film. They should have either picked better parts to focus on for the film, or made it a little longer.

Superman/Batman: Public Enemies was a disappointment for me. I expected so much more from this, especially following the amazing job DC did with Green Lantern: First Flight and Wonder Woman. I guess you can’t win them all, but the difference between this film and its two predecessors is like night and day. Sure, it is a good watch and entertaining, if you’re a comic fan, for those that have no prior comic knowledge I can see this being extremely boring. Also, for die hard comic fans, I can just see this pissing off fanboys left and right because of things that were left out. It happens, no way around it. Basically, this is just an average animated superhero flick. sure, its worth watching, but it won’t be the end of the world if you don’t see it.

3 out of 5 stars

Edward Scissorhands

Posted in Classics, Comedy, Drama, Movie Reviews with tags , , , , , , , on November 15, 2009 by Mystery Man

PLOT:

An elderly woman tells an ostensibly true story to her granddaughter of a man named Edward with scissors for hands, the creation of an inventor. The inventor was inspired to make an artificial man due to the anthropomorphic appearance of his other inventions. He raised Edward as his son and tutored him in various subjects, but died while in the act of offering a pair of hands to Edward. Many years later, local Avon saleswoman Peg Boggs, after failing to make profits in her suburban neighborhood, visits a Gothic mansion on a hill. There, she finds Edward, and convinces him to have her take him in. Edward befriends Peg’s young son, Kevin and, after an initial misstep, her teenage daughter Kim.

Peg’s neighbors become thrilled at Edward’s masterful skills at hedge clipping and haircutting. However, two of the townspeople, a religious fanatic named Esmeralda and Kim’s jock boyfriend Jim, dislike him immediately. Joyce, a “lonely housewife”, suggests that Edward open a haircutting salon with her. While examining a proposed site, she attempts to seduce him, confusing Edward, who escapes the room in a state of panic. Edward attempts to bring up the subject of her actions while the family is having dinner, but no one reacts to the news.

Wanting money for a van, Jim takes advantage of Edward’s ability to pick locks and breaks into his father’s house. The burglar alarm sounds and all but Edward escape, despite Kim’s angry insistence that they return for him. Edward is arrested, but released when a psychological examination reveals that his isolation allowed him to live without a traditional sense of ethics. The arresting officer, Allen, befriends the timid Edward, sensing his intrinsic goodness. Meanwhile, infuriated by Edward’s rejection, Joyce gets revenge on Edward by claiming that he tried to rape her. Many of the neighbors begin to question his personality. During Christmas, Edward is feared by almost everyone around him except the Boggs family, thus making him an outcast.

While the family is setting up Christmas decorations, Edward carves an ice sculpture from a block of ice. The ice shavings create the effect of falling snow, under which Kim dances. Jim catches Kim’s attention, whereupon Edward accidentally cuts Kim’s hand. Jim assumes that Edward deliberately harmed her, and uses this as a pretext to attack Edward in a jealous rage. The situation worsens when Kevin is almost run over by Jim’s drunken friend. Edward pushes Kevin out of the way, accidentally cutting his face in the process. Edward flees back to his hill-top mansion. The neighbors, concerned, follow him. Officer Allen unsuccessfully attempts to turn them back by giving them the impression that Edward is dead. He fires his gun a few times and tries to tell them that it’s all over. They continue to the mansion.

Kim heads to the mansion and reunites with Edward. Jim follows them and battles Edward, and is eventually killed by him. Kim professes her love for Edward and convinces the townspeople that Edward and Jim killed each other in the fight. All the neighbors return to their homes, while Joyce is seen guilty for making up the rumor about Edward. The elderly woman from the beginning reappears, as she finishes telling her granddaughter the story. It is revealed that Edward is still alive and “creating snow” from his ice sculptures, which fall upon the valley below. The elderly woman reveals to her granddaughter that she is, in fact, Kim. She refuses to visit Edward because she wants Edward to remember her the way she was in her youth.

REVIEW:

When this film came out, Tim Burton was still an up and coming director with unique vision. Edward Scissorhands was fast-tracked into production following the success of Batman. That decision ay have turned out to be a good thing, as it capitalized on Burton’s popularity, but the film itself is strong enough that it didn’t need such pity.

In the past few years, Johnny Depp has established himself as one of the most talented actors of this generation. There is no doubt the man can act, as you can tell in this film that shows him in his younger days. Sure, Edward doesn’t have much to say, but its the facial expressions and childlike mannerisms that Depp uses that really show his ability as an actor and immortalize Edward as one of the best characters in cinema.

Winona Ryder seems to fit right in as the “damsel in distress” female lead and makes a pretty cute couple with Depp. Unfortunately, she looks a bit old for her character, regardless of the wig they put on her.

I loved how the neighborhood was like the kind of community you see in old television shows and movies, and had a very basic color palette. It was a nice contrast to the darker tones of the film, a signature of Burton films.

There really isn’t much to complain about here except for how gossipy and nosey the neighbors are and how they turn on and chase Edward away at the drop of a hat. It is truly disgusting that people can be so shallow as to not get the whole story before they more or less crucify someone. What made it worse is near the end when the police officer says its over in front of the castle, the crowd doesn’t believe him and storms the grounds. It really shows how pathetic these people’s lives are!

Tim Burton has said that this is his most personal work, which may explain why it may be one of his best. The story is great, the characters are believable and relatable, and the actors seem to really be enjoying themselves, which always makes a film that much better. It is definitely worth a viewing or two.

4 out of 5 stars

Year One

Posted in Comedy, Movie Reviews with tags , , , , , , , , , , , , , , , , , , , , , , on November 14, 2009 by Mystery Man

PLOT:

Zed (Jack Black) is a hunter and Oh (Michael Cera) is a gatherer. After being informed that Zed ate from the Tree of Knowledge of Good and Evil, the shaman banishes him from the tribe. Oh decides to go with Zed on his journey to find the end of the Earth. Along the way, they encounter Cain and Abel (David Cross and Paul Rudd). Cain kills Abel and informs Zed and Oh that they must escape with him or else be accused of killing Abel.

Afterwards, Zed and Oh find that the girls they wanted to “lay with” (Maya and Eema) from their former tribe have been captured and are being sold into slavery. They try to buy the girls’ freedom, but Cain ends up selling Zed and Oh. While being taken to a village by the owner with all the other slaves from their tribe, Sodomites attack and take the slaves prisoner, though Zed and Oh escape and hide in the desert, watching the Sodomites.

The next morning, Zed and Oh discover that the Sodomites have left with the slaves. They head off to save the slaves. They come to a mountain and find Abraham (Hank Azaria) about to kill his son Isaac (Christopher Mintz-Plasse). Zed stops them, claiming that the Lord sent him to do so. Abraham takes them to his Hebrew village and tells them about the cities of Sodom and Gomorrah.

Zed and Oh head off for Sodom after Abraham offers to circumcise them. As they arrive in Sodom, they are captured. Cain, now a Sodomite soldier, saves them from being sodomized, calling them “his brothers.” The two recalled that they were sold by Cain as slaves and Cain apologizes and offers them food. While being given a tour of the city by Cain, Zed and Oh are offered by Cain to become guards. Shortly after they become guards and are patrolling the city they see the princess, who is starving herself because she feels guilty that everyone else in the city is starving. That night, at a party, Zed is invited by the princess to talk with her.

Inside the palace, Zed sees Maya and Eema serving as slaves, while Oh is forced to follow the very effeminate high priest around the palace. Zed meets the princess (Olivia Wilde) and she asks him to enter the Holy of Holies and tell her what it is like, thinking that Zed is the “Chosen One.” Inside the temple, Zed encounters Oh, who is hiding from the high priest. There, they get into a heated argument and are then imprisoned for going inside the temple. The two are sentenced to be stoned to death but Zed convinces the Sodomites to have mercy, so they are instead sentenced to hard labor until they die from work. The king then announces that he will be sacrificing his daughter and two virgins (Maya and Eema) as a gift to the gods.

Zed interrupts the ceremony, claiming he is the “Chosen One.” A riot starts and Oh saves Eema. The two have sexual intercourse inside the palace, which not only consummates their relationship, but also means that Eema cannot be sacrificed. They then come out to help Zed fight the soldiers (including Cain). The crowd kills all the leaders and proclaim Zed as the Leader being the “Chosen One”. Zed turns this down and instead becomes an explorer with Maya. Oh becomes the leader of the village where the whole adventure started. The two say their goodbyes and head their separate ways.

REVIEW:

Comedies set in prehistoric times are oft-time surefire hits and comedy gold. I don’t know if I can say that Year One is a hit, but it does make an attempt. 

Jack Black is one of those actors/comedians that people either love or hate. For me, I can tolerate him, but I don’t particularly like or dislike him. His antics work here, though, as his character is one of those clumsy types that fouls up everything without knowing it.

Michael Cera honestly needs to find someway to stop playing the same character in every film. Don’t get me wrong, the lovable, soft-spoken loser that gets everything piled on him, and then comes out at the end smelling like roses, works for him, but he seems to play the same character in every single film he’s in. Pretty soon these roles are going to dry up and he’ll end up working at McDonald’s or something, which would be a shame because I think he has potential to be so much more.

David Cross is his usual annoying character that double crosses everyone. That may be why he was chosen to play Abel.

In a film about cavemen, you know there has to be some nice candy, right? Well, we have  June Raphael as Maya, who ends up with Jack Black and Eema ends up with Michael Cera…ironically her real name is Juno. There is also the super sexy Olivia Wilde later in the film, but they have so much makeup on her that it takes away her hotness, in my opinion.

I got a little confused with this picture. They start out in what appears to be prehistoric times and the next thing we know they’re talking to Cain and Abel, then Abraham and Isaac, then they end up in Sodom. WTF?!? Pick a time and stick with it! The movie is called Year One, so why not stick to that. Skipping around through time like this has been done before in a little picture called History of the World, pt. 1 ( a better film, in my opinion).

Year One  is not without its faults, but that doesn’t mean that its a total waste of time to watch. Sure, you could better with Mel Brooks’ History of the World, Pt. 1, but don’t count this one out. Unless you’re one of those people who finds one or more of these actors annoying (for me, its David Cross, but I can deal with it, unlike some people), then I think you’ll be entertained by most of the film. Its one of the few comedies these days that remembers its a comedy all the way through and doesn’t try to become a drama…although, it does attempt to be an action flick, but even that is done in a comedic way.

3 1/2 out of 5 stars

Superman IV: The Quest for Peace

Posted in Action/Adventure, Classics, Movie Reviews, Sci-Fi/Fantasy, Superhero Films with tags , , , , , , , , , , , , , on November 14, 2009 by Mystery Man

PLOT:

Superman saves a group of cosmonauts whose ship has been thrown off course by a rogue satellite. Shortly after, his alter ego, Clark Kent, visits his hometown of Smallville to check on the now uninhabited family farm where he grew up. Venturing into one of the empty barns, he uncovers the space-capsule he was sent to Earth in, and removes from it a green-glowing, Kryptonian energy module. A recording left by his mother, Lara, states that its power can only be used once.

Unwilling to sell the land to a developer, Clark returns to Metropolis and transforms into Superman in order to stop a runaway subway train. Returning to the Daily Planet as Clark Kent, he learns that the newspaper has been taken over by Warfield, a tabloid tycoon who fires Perry White and hires his daughter Lacy (Mariel Hemingway) as the new editor. Lacy takes a liking to Clark and does her best to seduce him. As a result of her persistence, Clark agrees to go on a date with her.

Following the news that the United States and the Soviet Union may engage in nuclear war, Clark is conflicted with regard to how much Superman should intervene. Receiving a heartfelt letter written by a concerned schoolboy, Superman travels to the Fortress of Solitude, where he seeks advice from the spirits of his Kryptonian ancestors. Rather than interfere in human matters, they recommend he leave Earth.

After asking Lois’s advice on the matter, Superman attends a meeting of the United Nations, telling the assembly that he will rid the Earth of nuclear weapons. Superman collects most of the world’s nuclear stockpile in a gigantic net in high Earth orbit, then hurls it into the sun, destroying the warheads.

Meanwhile, Lenny Luthor breaks his uncle, Lex Luthor, out of prison with the aid of a remote control automobile. Returning to Metropolis, the pair steal a strand of Superman’s hair that he donated to a museum, and use it to create a genetic matrix which they attach to one of the few remaining American nuclear missiles. After the missile is test fired, Superman intercepts the missile and throws it into the sun.

As the missile is enveloped by the star’s intense heat and radiation, a glowing ball of energy is discharged which develops into a super-human (Mark Pillow). This “Nuclear Man” makes his way back to Earth to find his “father,” Luthor, who establishes that while his “son” is indeed powerful, he will deactivate if isolated from the sun’s rays or bright artificial light.

A battle ensues between Luthor’s creation and the Man of Steel. After saving people all over the globe from Luthor’s monstrous creation, Superman is forced to save the Statue of Liberty from falling onto Metropolis – during which time he is poisoned from a scratch by Nuclear Man’s deadly, radioactive fingernails. Nuclear Man kicks his mortally wounded opponent into the distance with such strength that his red cape is torn away.

To Lois’ disgust, The Daily Planet, now reformatted as a tabloid newspaper, publishes the headline, “Is Superman is Dead”? Lois indicates a desire to quit, and seizes Superman’s recovered cape for herself. Also distressed at the headline (her father’s idea), Lacy reveals to Lois that she cares for Clark and asks if she knows where he is. Lois ventures to Clark’s apartment where she proclaims her love for Superman. Felled by radiation sickness, Clark staggers to his terrace, where he retrieves the Kryptonian energy crystal to heal himself.

Having developed a crush on Lacy, Nuclear Man threatens mayhem if he is not introduced to her. The newly-restored Superman agrees to take him to her in order to prevent anyone else from being hurt. Attempting to disable the villain, Superman lures Nuclear Man into an elevator, trapping and then depositing him on the dark side of the Moon. As the sun rises, Nuclear Man breaks out of his makeshift prison due to a crack in the elevator doors and Superman is forced once again to defend himself, this time on the Moon’s surface. At the end of the battle, it appears as though Superman has been defeated once again, and he is driven into the ground by his opponent.

Lacy protests her father’s sensationalist headlines, warning him that his stories are dangerous, and that newspapers are supposed to be about journalism. She is proven right, as Nuclear Man, having developed a crush on Lacy, kidnaps her and spirits her away. Superman claws his way out of the thick moon dust, and pushes the moon out of its orbit, casting Earth into an eclipse which nullifies Nuclear Man’s powers. Superman returns Lacy to Earth, then recovers Nuclear Man and deposits him into the core of a nuclear power plant, where he becomes a plentiful energy source. Superman also recovers the fleeing Luthors – returning Lex to prison, and Lenny to Boys Town.

Perry White restores the previous Daily Planet decorations, much to Warfield’s annoyance. During his absence, White has secured a loan with which to buy back the controlling shares of the newspaper, making Warfield a minority shareholder and protecting the paper from any further abuse.

In a press conference, Superman declares only partial victory in his campaign, saying, “There will be peace when the people of the world want it so badly that their governments will have no choice but to give it to them.”

REVIEW:

Superman has long stood for truth, justice, and the American way, but this film turns him into a patsy of sorts for the world and the nuclear arms race.

The concept for the plot is a good one, but it just doesn’t gel the way it should. There are too many things going on at once to really focus in on the story, such as the battle between Superman and Nuclear Man, the conflict Reeve has with his secret identy, among others.

All these things don’t make for a horrible film, but  one that falls way short of the expectations that this film and its predecessor bring to mind.

The first two Superman films cemented the Man of Steel’s legacy in cinema history, but movies 3 and 4 are so bad that they brought the franchise to a grinding halt. Critics say that this is the nail in the coffin that buried Superman for 20 years. While that may be true, I found that its predecessor was worse and this one was getting back to the roots of the first two films. Continuing with that train of tought, it is important to note that this picture is not horrible, but doesn’t deliver on its promises.

2 1/2 out of 5 Stars