Archive for Bill Murray

The Jungle Book (2016)

Posted in Action/Adventure, Family, Movie Reviews with tags , , , , , , , , , , , , , , , , , , on May 24, 2018 by Mystery Man

PLOT:

Inspired by the animated Disney classic, this live-action adaptation of Rudyard Kipling’s beloved novel follows young Mowgli as he navigates a jungle full of wonder and peril with his animal allies Bagheera the panther and Baloo the bear.

What people are saying:

“Exceptionally beautiful to behold and bolstered by a stellar vocal cast, this umpteenth film rendition of Rudyard Kipling’s tales of young Mowgli’s adventures amongst the creatures of the Indian jungle proves entirely engaging, even if it’s ultimately lacking in subtext and thematic heft” 5 stars

“It’s not like we don’t all already know this story backward and forward, but that shouldn’t stop anyone from giving this remake a chance. It’s visually beautiful, and I loved that they kept some of the music from the original animated Disney version. Neel Sethi is a perfect Mowgli and the casting of the voice actors is pretty much spot on. ” 4 stars

“By the time its evolution is complete, The Jungle Book has proven itself a minor Darwinian miracle, perhaps the oddest of all species: a movie nearly devoid of human beings, yet one bursting with humanity.” 4 1/2 stars

“Meh. While I was pretty impressed by this film on a technical and visual level, this film didn’t work nearly as well for me as it did for other people. The writing was lazy and there was no connection between the characters. Nothing was better done here than the book or even the animated one.Some will disagree with me but while Christopher Walken as King Louie was better than I thought, I still can’t get into Bill Murray as Baloo. Bill Murray is a very funny guy but I never saw a character in his performance, I just heard Bill Murray’s voice out of this bear and I found it quite distracting. Personally, I would’ve asked for a movie that had the Disney spirit but kept some of the brilliant themes and ideas from the book by Rudyard Kipling. I guess if I’ll give this 2016 version anything…….at least its not the 1994 Stephen Sommer’s version?” 2 1/2 stars

“Amazing! Where reality laves off and fantasy takes over is seamlessly executed and the movie transports you through an unforgettable journey. We watched this as established fans of Kipling, appreciating the tragedies of his life along with the magnificence of his writing; while the movie is an art form unto its own, it captures Kipling and wrings your heart as it unfolds. We watched it twice, the second time leaving no lesser impression. A film for all ages.” 5 stars

Moonrise Kingdom

Posted in Comedy, Drama, Independent, Movie Reviews with tags , , , , , , , , , on April 6, 2018 by Mystery Man

PLOT:

Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle.

What people are saying:

“Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best” 4 stars

“Phonies may complain that Anderson’s island of misfit toys is a retreat from the real world, but for pure-hearted adventurers who share the secret map,  Moonrise Kingdom is a joy that cannot be eclipsed.” 5 stars

“Since I couldn’t stay focused the first time I watched this, I decide to have it another go since it is Wes Anderson. Obviously the artistic ability Anderson possess is magnificent. The color design screams Wes Anderson style and I’ll always appreciate a well constructed and detailed set design. The undertones of a rough family life between Sam and Suzy made for a great plot line that should have been exploited farther. With the inclusion of the purposeful bland acting, this movie wasn’t for me. Having a low attention span keeps me from physically investing myself in the storyline, the slow pace is a taste I haven’t yet desired. I was excited about Bruce Willis and Bill Murray in this movie but sadly both of them had no character build, all of the adults in this movie had little to no characterization. This movie made me feel like everything was being hinted at with a little *wink* *wink*, but nothing was ever explained entirely. I applaud Anderson for steering towards more creative films but it requires a taste.” 2 stars

“This is a Fairy Tale. A lonely princess lives in a remote castle with her eccentric father and mother, the King and Queen, and three younger, equally eccentric, brothers. She spends time on the top of the castle looking through her telescope at the land around the Kingdom. One day she spies a handsome young prince and falls in love with him. He is with his regiment of hussars but feels alienated from them because of their emphasis on uniformity. He spies the princess and also falls in love with her. She escapes the castle and together they flee into the wilderness. The King, and local sheriff, and the hussars all search for them, only to discover that the lovers are about to be captured by a wicked witch. The hussars never much liked the prince because of his carefree attitude but the regiment has a code of never abandoning a trooper and they set out to save the Prince and his Princess…etc. etc. etc.” 3 stars

“I’m now a fan of Wes Anderson directed films and am going to rent another one for my next movie rental. I loved the colorful scenes and quirky story line. I’m reminded of Lemony Snicket when I watch this. It has that type of artsy, colorful, adventuresome feel. The love story was a wonderfully written sweet example of love that accepts the whole person, idiosyncrasies and all. You want to root for the young couple throughout the entire movie. There are unexpected twists at every juncture. The additional perk of a well-known supporting cast puts this movie over the top. I thought it was refreshingly different and very entertaining!” 5 stars

Caddyshack

Posted in Comedy, Movie Reviews with tags , , , , , , , , , on February 28, 2018 by Mystery Man

PLOT:

This comedy classic follows the travails of young caddy Danny Noonan as he gets tangled in high jinks involving the eclectic and ridiculous members of Bushwood Country Club. Meanwhile, assistant groundskeeper Carl Spackler battles a pesky gopher.

What people are saying:

“They don’t make ’em like this anymore … The plot wanders around the golf course and involves a half-dozen elements, but if you simply dig the gopher, the caddy, and the Dangerfield, you’re not going to be doing half bad.” 4 stars

“Essentially Animal House on the links, it’s neither as raucous nor as outrageous as that definitive college comedy but it has the same rebellious spirit and a great cast of comedy legends showing the young co-stars how it’s done.” 4 stars

“The funniest part about watching this was when my friend said, “We still need to make millions of dollars,” imitating the producers’ thoughts and reasoning for the nude scene. It’s unfortunate when you want to like a movie, you keep waiting for it to get good, giving it the benefit of the doubt, and at the end you just have to ask yourself, “Why?” 1 star

“In this eminently quotable directorial debut from the tragically late, yet unquestionably great Harold Ramis, we get to see a few of comedy’s finest names collide in some great scenes of banter and wit and some other fantastic scenes of slapstick and bombast. And does the comedy age well? You’d be surprised at how funny all of this stuff still is. And structurally speaking, this is also something quite interesting to feast upon as well, for Caddyshack is essentially a series of vignettes and sketches strung together by a very flimsy narrative throughline. And, while most movies that attempt this often fail miserably, there’s just something about Caddyshack’s spirit and charm that powers the film through the occasional aimless scene. A truly unique and occasionally masterful comedic feat overall.” 3 1/2 stars

“According to Harold Ramis, Caddyshack was originally supposed to be a dark comedy about the American Nazi Party. Instead we’re stuck with one of the best timeless comedies with one of the greatest ensemble casts of all time. Chase brought his A game, Murray won at Augusta, and Dangerfield worried that he was bombing when none of the crew laughed at his jokes during takes. What makes Caddyshack work above all else is the classic style of comedy used in a fresh context. This film should be held up as an example of what great mainstream comedy can accomplish.” 5 stars

The Grand Budapest Hotel

Posted in Comedy, Drama, Movie Reviews with tags , , , , , , , , , , , , , , , on April 11, 2015 by Mystery Man

PLOT (spoiler alert!!!):

Prologue

In the present, a teenage girl approaches a monument to a writer in a cemetery. In her arms is a memoir penned by a character known only as “The Author”. She starts reading a chapter from the book. The Author begins narrating the tale from his desk in 1985 about a trip he made to the Grand Budapest Hotel in 1968.

Located in the Republic of Zubrowka, a fictional Central European state ravaged by war and poverty, the Young Author discovers that the remote mountainside hotel has fallen on hard times. Many of its lustrous facilities are now in a poor state of repair, and its guests are few. The Author encounters the hotel’s elderly owner, Zero Moustafa, one afternoon, and they agree to meet later that evening. Over dinner in the hotel’s enormous dining room, Mr. Moustafa tells him the tale of how he took ownership of the hotel and why he is unwilling to close it down.

Part 1 – M. Gustave

The story begins in 1932 during the hotel’s glory days when the young Zero was a lobby boy, freshly arrived in Zubrowka after his hometown was razed and his entire family executed. Zero acquires a girlfriend, Agatha, who is a professional pastry chef and proves very resourceful. Zubrowka is on the verge of war, but this is of little concern to Monsieur Gustave H., the Grand Budapest’s devoted concierge. The owner of the hotel is unknown and only relays important messages through the lawyer Deputy Kovacs. When he is not attending to the needs of the hotel’s wealthy clientele or managing its staff, Gustave courts a series of aging women who flock to the hotel to enjoy his “exceptional service”. One of the ladies is Madame Céline Villeneuve “Madame D” Desgoffe und Taxis, with whom Gustave spends the night prior to her departure.

Part 2 – Madame C.V.D.u.T.

One month later, Gustave is informed that Madame D has died under mysterious circumstances. Taking Zero along, he races to her wake and the reading of the will, where Kovacs, coincidentally the executor of the will, reveals that in her will she has bequeathed to Gustave a very valuable painting, Boy with Apple. This enrages her family, all of whom hoped to inherit it. Her son, Dmitri Desgoffe und Taxis, lashes out at Gustave. With the help of Zero, Gustave steals the painting and returns to the Grand Budapest, securing the painting in the hotel’s safe. During the journey, Gustave makes a pact with Zero: in return for the latter’s help, he makes Zero his heir. Shortly thereafter, Gustave is arrested and imprisoned for the murder (by strychnine) of Madame D after forced testimony by Serge X, Madame D’s butler, about seeing Gustave in her house on a particular night. Gustave tells Zero he has an alibi for that night but could never cite his aristocratic lady bedfellow in court. Upon arriving in prison, Gustave finds himself stuck in a cell with hardened criminals, but earns their respect after he “beat the shit” out of one of them for “challenging [his] virility”.

Part 3 – Check-point 19 Criminal Internment Camp

Zero aids Gustave in escaping from Zubrowka’s prison by sending a series of stoneworking tools concealed inside cakes made by Zero’s fiancée Agatha. Along with a group of convicts including Ludwig, Gustave digs his way out of his cell with the help of the tools. The group narrowly escape capture after one of them sacrifices himself to kill a large posse of guards with his “throat-slitter” and Ludwig and his crew escape by car after wishing Gustave and Zero well. Gustave then teams up with Zero to prove his innocence.

Part 4 – The Society of the Crossed Keys

Gustave and Zero are pursued by J. G. Jopling, a cold-blooded assassin working for Dmitri, who chops off Kovacs’ fingers on his right hand and kills him when he refuses to work with Dmitri. Gustave calls upon Monsieur Ivan, a concierge and fellow member of the Society of the Crossed Keys, a fraternal order of concierges who attempt to assist other members. Through the help of Ivan, Gustave and Zero travel to a mountaintop monastery where they meet with Serge, the only person who can clear Gustave of the murder accusations, but Serge is strangled by a pursuing Jopling before he can reveal a piece of important information regarding a second will from Madame D. Zero and Gustave steal a sled and chase Jopling as he flees the monastery on skis. During a face-off at the edge of a cliff, Zero pushes the assassin to his death and rescues Gustave.

Part 5 – The Second Copy of the Second Will

Back at the Grand Budapest, the outbreak of war is imminent, and the military have commandeered the hotel and are in the process of converting it into a barracks. A heartbroken Gustave vows to never again pass the threshold. Agatha joins the two and agrees to find a way to go inside – by delivering pastries – and retrieve the painting. Unluckily Dmitri comes at the same moment and discovers her. A chase and a chaotic gunfight ensue before Zero and Agatha flee with the painting (which had been hidden, still wrapped up, in the hotel safe). Gustave’s innocence is finally proven by the discovery of the copy of Madame D’s second will, which was duplicated by Serge before it was destroyed, and which he subsequently hid in the back of the painting. This will was to take effect only if she was murdered. The identity of Madame D’s murderer and how Gustave is proved innocent are left ambiguous (though earlier in the film a suspicious bottle labeled “strychnine” can be seen on Jopling’s desk). The will also reveals that she was the owner of the Grand Budapest. She leaves much of her fortune, the hotel, and the painting to Gustave, making him wealthy in the process, and he becomes one of the hotel’s regular guests while appointing Zero as the new concierge. Zero and Agatha marry while Dimitri dissapears.

Epilogue

After the war, which it is implied Zubrowka lost, the country is annexed. During a train journey across the border, soldiers inspect Gustave’s and Zero’s papers. Zero describes Gustave being taken out and shot after defending Zero (whom the soldiers had attempted to arrest for his immigrant status), as he did on the initial train ride in the beginning of the movie. Agatha succumbs to “the Prussian Grippe” and dies two years later, as does her infant son. Zero inherits the fortune Gustave leaves behind and vows to continue his legacy at the Grand Budapest, but a subsequent Communist revolution in Zubrowka and the ravages of time slowly begin to take their toll on both the building and its owner as Zero is forced to “contribute” his entire inheritance to the government to keep the dying hotel in business. In a touch of irony, the painting Zero and Gustave fought so desperately to take now sits on a wall, forgotten and crooked.

Back in 1968, Mr. Moustafa confesses to the Author that the real reason that he cannot bring himself to close the hotel has nothing to do with his loyalty to Gustave, or as a connection to “his world,” but because it is his last remaining link to his beloved Agatha and the best years of his life. He theorizes that Gustave’s world was gone long before he was ever in it, but he maintained the illusion quite well. Before departing to his room, Mr. Moustafa gives the Author a key to the “M. Gustave Suite” and readjusts the crooked painting. The Young Author later departs for South America and never returns to the hotel.

In 1985, the Author completes his memoirs beside his grandson.

Back in the present, the girl continues reading in front of the statue of the Author, a sign that Zero and Gustave’s story and that of the hotel will live on.

REVIEW:

In all of the Oscar talk this season, The Grand Budapest Hotel seems to have been lost in the shuffle. Granted, there is quite an array of really good films for the picking. So, the question is, why is this a contender at all, right?

What is this about?

Between the world wars, Gustave H, the concierge at a prestigious European hotel, takes a bellboy named Zero as a trusted protégé. Meanwhile, the upscale guests are involved in an art theft and a dispute over a vast family fortune.

What did I like?

Tone. Since this is one of the films that was up for many awards this season, I expected it to be another of those super serious, depressing dramas that tend to be the norm. Much to my surprise, this was very light-hearted and fun. The tone was something akin to Lemony Snickett’s A Series of Unfortunate Events, where there is an obvious “heavy” story, but it is told as something more of a farce, for lack of a more appropriate term. The light tone really appealed to me and kept my interest, as I’m sure it has others who need a break from all these dark pictures we have these days.

Dark lord has humor. Even before he became known as Voldemort, from the Harry Potter films, I don’t think anyone would have accused Ralph Fiennes of being a comedic actor. He just doesn’t have the look, but he is capable of pulling off some comedy. I always enjoy the shock of seeing someone not associated with a certain type of acting pull it off so well. Now, I’m not saying Fiennes needs to go star in an Adam Sandler/Will Ferrell/Kevin Hart type film, but he does have some comedic chops, and I just want to give him props for that.

Structure. I really was able to appreciate that this film was set up with chapters. Everything from the way F. Murray Abraham (isn’t this guy like 1,000 by now?) set up the story to the interesting ways in which the chapter titles were shown to the seamless transitions was masterfully done.

What didn’t I like?

Hotel. For a film that has the hotel name as the title, we sure see very little of it. Yes, there a quite a few scenes that take place in this majestic living space, but the “meat and potatoes” of the picture are set elsewhere. I don’t know, I guess I just would have preferred for everything to be more centralized, much like The Best Exotic Marigold Hotel (which I initially thought this was a sequel to…HAHA!)

Nazi clones. It is obvious that this is a picture set during the war, so I have to wonder why not use actual Nazis? Is that product placement now? Or does this take place in some alternate universe where a group of people who are the same organization, just with a slightly different insignia, bring about war, death, and worse. There was something else I watched recently that did the same thing, so I really am curious if there was some odd edict from the motion picture association banning the use of Nazis.

Gustave’s end. I wasn’t satisfied with Gustave’s end. Well, I take that back. It was the face that we didn’t get to see it happen and it was just told, as if rushing through the final stanza. I don’t want to spoil anything, but the way he meets his end seems like the stuff of legend, and a fitting end considering what he was doing and who he was doing it for. Why not show that? I just don’t understand!!!

Final thoughts on The Grand Budapest Motel? Two things. First, it is obvious this is one of the best films of the year. Great script, acting, cinematography…everything. However, in comparison to the other contenders is does come off as a weaker entry, an underdog, if you will. The cast is great, even with some big names playing such cameo-esque roles. Do I recommend this? Yes. Yes, I do!

4 3/4 out of 5 stars

Stripes

Posted in Classics, Comedy, Movie Reviews with tags , , , , , , , , on March 2, 2014 by Mystery Man

PLOT (spoiler alert!!!):

John Winger is a cab driver, who, in the span of a few hours, loses his job, his car, and his girlfriend. Realizing that his life is a failure, he decides to join the United States Army. Talking his best friend Russell Ziskey into joining with him, they drive to a recruiting office and are soon off to basic training.

Upon arrival at Fort Arnold, they meet their fellow recruits, and their drill sergeant, Sergeant Hulka. Moments after arriving, Winger offends Sgt. Hulka and is ordered out to do push-ups. He stands out as a misfit throughout the rest of basic training. Their commanding officer is the incompetent Captain Stillman. As basic training progresses, Ziskey and Winger become close to two female MPs named Louise and Stella. Not long before graduation, Sgt. Hulka is injured when Stillman orders a mortar crew to fire without setting target coordinates.

The men go to a mud wrestling bar, where Winger convinces Dewey “Ox” Oxberger to wrestle a group of women. When the club is raided by MPs and police, Stella and Louise cover for Winger and Ziskey. The rest of the platoon is taken back to base to face Captain Stillman, who threatens to force them to repeat basic training.

After partying with Stella and Louise, Winger and Ziskey return to the barracks, and Winger motivates the platoon with a rousing speech and begins to get them in shape for graduation. After a long night of drilling, they oversleep and almost miss the ceremony. They rush to the parade grounds out of uniform and give an unconventional yet highly coordinated drill display led by Winger. General Barnicke is impressed when he finds out that they had to complete training without a drill sergeant, and decides they are just the kind of “go-getters” he wants working on his EM-50 project in Italy.

Once in Italy, their mission is to guard the EM-50 Urban Assault Vehicle. Bored with their assignment, Winger and Ziskey steal the EM-50 to visit their girlfriends, stationed in West Germany. When Stillman finds the EM-50 missing, he launches an unauthorized mission to get the vehicle back before his superiors find out it is gone. Hulka, recovered and returned to the platoon, urges Stillman not to go, but is overruled.

Stillman inadvertently leads the platoon across the border into Czechoslovakia. Hulka, realizing where they are, jumps out of the truck just before it is captured. He makes a Mayday radio call, and Winger and Ziskey realize that the platoon came looking for them and that their friends are in trouble. Winger, Ziskey, Louise, and Stella take the EM-50 and infiltrate a Russian base where the platoon is being held. With some assistance from Hulka, they free everyone.

Upon returning to the United States, Winger, Ziskey, Louise, Stella, and Hulka are treated as heroes, each being awarded the Distinguished Service Cross. Hulka retires and opens the HulkaBurger franchise. Stella appears on the cover of Penthouse, “Ox” makes the cover of Tiger Beat, and Winger is featured on the cover of Newsworld. Captain Stillman is reassigned to a weather station near Nome, Alaska

REVIEW:

Last week, we lost the legendary actor/comedian/director Harold Ramis. To honor his memory, I thought I’d watch one of his films, the one that most people recommended (aside from the Ghostbusters movies) was Stripes. Even my best friend brought it up, saying she played the song back in her high school band days. Hey, the theme is catchy! As highly regarded as this picture is, where do I hold it after watching this afternoon.

What is this about?

After losing everything, an indolent sad sack impulsively joins the U.S. Army and cajoles his best friend into enlisting, too. But after making it through boot camp, the duo find themselves in the midst of an international incident.

What did I like?

Military. I like a good military comedy. One of my favorite films in this genre is No Time for Sergeants. Having a military history that is limited to being a military brat (dad was in the Air Force) and a couple of years of ROTC in high school, I can’t truly appreciate the humor of boot camp and training, but based on what I do know is that this watching what Bill Murray does to the “system” is hilarious.

Routine. It is graduation day and the platoon of guys we’ve been following spent the whole night before practicing and have to run to the reviewing stand. Upon getting there, they give what is one of, if not the best scene in the film. Mixing in military precision with laid back fun, you can’t help but smile as this is going on and as Bill Murray’s commands.

Bill. In order for this film to work, a good, charismatic, and above all, funny leading man is necessary. This comes in the form of Bill Murray, who deliver line after line of the funny. Sure, at times he comes off as a too much, but hey, this is a cocky character, so it works.

What didn’t I like?

What is it good for? I don’t know what it is, but in military movies like this, once the recruits graduate and head into battle, the film crashes and burns. Well, the same thing happens with this picture. Apparently, the routine they did at graduation day was the climax of the film, because all the stuff that happens over in Europe did nothing for me, except for serve as filler for the last act.

Dichotomy. So, there are two commanding officers. The first it the typical drill sergeant and the other is the officer above him, in this case a captain. One would imagine that the captain would be the “good guy”, or at least the lesser of two evils, but that isn’t the case. John Laroquette’s character is nothing more than an opportunist, only looking out for himself. Basically, it is the kind of character we’ve come to expect from Laroquette, just not what I thought served this film in the best way, especially after the sergeant’s injury.

Candy. I love John Candy. He was a really funny guy who left us too soon. For some reason, he isn’t really given a good introduction in this film, nor is he given anything to really do, and yet it is apparent they want the audience to know he’s in this film. Personally, I think this is just a bad case of editing, but I have to wonder why it is they cut his scenes, if this is the case.

Solidly made, pretty funny, and more than worth the praise and hype it has received over time, Stripes is more than worth your time. A pretty good cast that executes the great writing makes this even more enjoyable. I have very little negative to say about it, but I do think that European section of this film should have been punched up a bit to be as enjoyable as the training part. Still, I do recommend this film, so give it a shot!

3 3/4 out of 5 stars

Kingpin

Posted in Comedy, Movie Reviews with tags , , , , , , , on May 11, 2013 by Mystery Man

PLOT (spoiler alert!!!):

Roy Munson (Woody Harrelson) is a bowling prodigy who wins the 1979 Iowa state amateur championship and plans to leave his tiny (fictional) hometown of Ocelot, Iowa, to go on the Professional Bowlers Tour. He wins his first tournament, defeating an established pro named Ernie McCracken (Bill Murray). Soon after, McCracken convinces Roy to help him hustle some bowlers. The con goes badly, and McCracken flees while the bowlers they swindled cut off Roy’s hand in revenge.

In present day, a down-and-out Munson sports a prosthetic hook covered with a fake rubber hand and sells bowling alley supplies for a living, with little success. Roy resides in a seedy apartment building in Scranton, Pennsylvania, where an unpleasant landlady (Lin Shaye) is constantly after him to pay overdue rent. On a sales call, Roy catches sight of an Amish man, Ishmael Boorg (Randy Quaid), rolling a respectable game. Roy tries to convince Ishmael to turn pro, with him acting as manager. Ishmael declines the offer as he has little interest in worldly affairs – bowling is his only vice. After having unwanted sex with his repulsive landlady in lieu of rent, Roy sees a headline on a bowling magazine advertising a $1,000,000 winner-take-all tournament in Reno, Nevada. Posing as an Amish man, Roy visits the Boorg family home to try and convince Ishmael to enter the tournament. Ishmael reluctantly agrees when he receives news that the Amish community will lose their land unless a $500,000 payment can be raised. Roy discovers that Ishmael is not as skilled as he first thought, as Ishmael’s self-proclaimed 270 average is based on a 15-frame game, instead of the standard 10 frames – based on the notion that the Amish are obligated by tradition to do everything “half-again” as much as everyone else. A disgruntled Roy decides to take Ishmael home, but Ishmael refuses and decides to go to Reno alone. Roy decides to give Ishmel another chance rather than return home to his landlady, and after some coaching along the way Ishmael’s game steadily improves.

During the road trip, Roy introduces Ishmael to worldly vices. The pair wind up at a mansion owned by a hoodlum named Stanley (Rob Moran) whom they plan to hustle. When Stanley discovers their ploy, he threatens them with violence, but his girlfriend Claudia (Vanessa Angel), tired of Stanley’s abuse, helps the pair escape and they all continue on the road to Reno. When Claudia disapproves of Roy’s exploitation of Ishmael, Roy tries to abandon her but she thwarts his plan and they begin to fight, at which point Ishmael abandons them both. As they search for him, they make a stop in Ocelot, and Claudia’s attitude towards Roy softens when she learns that he was too ashamed of his failure to return home even for his father’s funeral. They finally reunite with Ishmael and make their way to Reno. At a Reno hotel, Roy runs into McCracken, who is now a bowling celebrity entered in the $1,000,000 tournament. McCracken insults Roy, and infuriates Ishmael to the point where he takes a swing at him. McCracken ducks and Ishmael hits a wall and breaks his hand, leaving him unable to bowl. To make matters worse, Stanley tracks Claudia to Reno, steals the trio’s bankroll and forces Claudia to leave with him. Hurt and confused by Claudia’s apparent abandonment, Ishmael tries to convince Roy that they still have a chance to win the $1,000,000 – if Roy will bowl.

Roy finally agrees and enters the tournament, rolling the ball with his prosthetic rubber hand. Despite all odds, Roy has a Cinderella run through the tournament, defeating both pro bowlers Mark Roth and Randy Pedersen on his way to face McCracken in the final. The two competitors are closely matched heading into the final frame, until Ishmael’s brother arrives and orders Ishmael to return home with him immediately. Distracted by his friend’s sudden absence, Roy rolls the most difficult of splits (7-10 split) but is miraculously able to convert it, thereby forcing McCracken to roll three strikes to beat him. McCracken ultimately does so, and wins the tournament. Roy sits silently in his chair as McCracken celebrates in an extremely obnoxious fashion, and remains there as the cleaning crew sweep the seats around him. Absorbing all that has happened, with his friends ditching him and frustrated at how close he came to defeating his rival, Roy lets out a loud yell, startling the cleaning crews. The next day, Stanley violently approaches Roy, accusing him of stealing his gambling winnings. Roy tells him that he does not have the money, but reluctantly blames McCracken for his hand mishap. Ultimately, the blame switches to McCracken, with Stanley seeking to find and kill him for stealing his bankroll.

Roy returns to his seedy apartment where he is surprised by an unexpected visitor at his door. Claudia has returned with the bankroll she had taken from Stanley, now doubled since Stanley bet against Roy in the final. She proposes the cash be split three-ways between Roy, Ishmael and herself, but instead Roy produces a $500,000 check he has received from Trojan condoms for an endorsement deal – thanks to his fake hand which earned him the nickname “Rubber Man” during the ESPN-televised tournament. Roy pointedly states that the money is going to be split “one-way”. The story ends with Roy sitting together with Claudia in the Boorg household after giving the $500,000 to the Amish so their community can be saved. Roy has also covered for Ishmael’s indiscretions on the road and portrays him as a hero to his family. As the credits roll, Roy and Claudia happily drive away together.

REVIEW:

Even though I can’t bowl a lick, I’ve been wanting to go to the lanes and see what I can do. Who knows, maybe after all these years I’ve actually gotten better. Surely, I couldn’t get worse! Watching Kingpin has definitely fanned the flames of that fire!

What is this about?

The Farrelly brothers dumb down and goof up pro bowling — and gross us out in the process. After bowler Roy Munsen (Woody Harrelson) swindles the wrong crowd and is left with a hook for a hand, he settles into impoverished obscurity. That is, until he uncovers the next big thing: an Amish kid named Ishmael (Randy Quaid). So, the corrupt and the hopelessly naïve hit the circuit intent on settling an old score with Big Ern (Bill Murray).

What did I like?

Professional bowling. There are a few films about bowling out there, but none that really take on the pro bowling circuit. If you’re like me, then the most you know about the PBA is that it comes on after Sunday NFL Countdown on ESPN. I don’t think many of us know anything about the association, but ut nice to see that someone has taken the time to lampoon it.

Irony. I find it a bit ironic that Woody Harrelson, who at this time was still best known as the simple, slow bartender from Cheers and here he is being a mentor to a simple and slow Amish bumpkin. There are obvious similarities between the two and the mentorship he provides is something to see, in the moments when he isn’t berating the poor guy.

What didn’t I like?

Eye candy. Just like any other red-blooded male, I’m all for looking at a beautiful woman. However, if you’re going to put one in a film like this, then she has to be believable. This Vanessa Angel chick was obviously cast for her looks and not her talent…just like a few of today’s actresses. I felt that her role could have been more believable if she would have just given more care to it, and not just more or less read the lines.

Big Ern. Obviously, in a film such as this, the rival is going to play a major role, even if he disappears for a good chunk of the picture. Bill Murray’s Big Ern is obviously the film’s antagonist, but considering how he isn’t the one who causes the loss of Harrelson’s hand, it doesn’t feel like it. He comes off more as just a rival rather than someone who has to be beaten.

Kingpin is listed as one of the greatest comedies of 1996. That may be the case, as I can’t remember the comedies that came out that year, but in 2013, I wasn’t impressed. As with other Farrelly Brothers movie, the gross out humor sort of takes over. If you’re not of these kind of jokes, or not in the mood, then this will not be something you should be watching. Do I recommend it, though? It is hard for me to give this a glowing recommendation, but I see no reason to avoid it, so give it a shot sometime, but don’t go out of your way to do so.

3 1/3 out of 5 stars

Fantastic Mr. Fox

Posted in Animation, Comedy, Family, Movie Reviews with tags , , , , , , , , , , on June 23, 2010 by Mystery Man

PLOT:

While raiding a squab farm, Mr. Fox (George Clooney) and his wife Felicity (Meryl Streep) trigger a fox trap and become caged. Felicity reveals to Fox that she is pregnant and pleads with him to find a safer job should they escape.

Two years later, the Foxes and their sullen son Ash (Jason Schwartzman), are living in a hole. Fox, now a newspaper columnist, decides to move the family into a better home and buys one in the base of a tree, ignoring the warnings of his lawyer Badger (Bill Murray). The tree is located very close to the enormous facilities run by farmers Walter Boggis, Nathan Bunce, and Franklin Bean (Michael Gambon). Soon after the Foxes move in, Felicity’s nephew Kristofferson (Eric Chase Anderson) comes to live with them, as his father has become very ill. Ash finds this situation intolerable considering his soft-spoken cousin is apparently superior to him in every possible aspect and seemingly everyone, including his own father, is charmed by Kristofferson at Ash’s expense.

Fox and the opossum building superintendent, Kylie (Wallace Wolodarsky), make plans to steal various types of produce and poultry from the three farms, one by one. After all three heists are a success, the farmers decide to camp out near the Fox family’s tree and kill Fox. When he emerges, the farmers open fire, only managing to shoot off his tail before he retreats back into his home. The farmers then attempt to dig Fox out, first by hand and then with three excavators. After tearing the hill site of the tree into a massive crater, the farmers discover that the Foxes have dug an escape tunnel deep underground.

Reasoning that the Foxes will eventually have to surface in search of food and water, the farmers lie in wait at the tunnel mouth. Underground, Fox encounters Badger and many of the other local animal residents whose homes have also been destroyed. As the animals begin to fear starvation, Fox leads a digging expedition to the three nearby farms, robbing them clean of Boggis’ chickens, Bunce’s ducks and geese, and Bean’s turkeys, apples, and alcoholic cider. While the other animals feast, Ash and Kristofferson, beginning to reconcile after Kristofferson defended his cousin from a bully, return to Bean’s farm, intending to reclaim Fox’s tail, only to find that Bean has taken to wearing it as a necktie. When they are interrupted by the arrival of Bean’s wife, Ash escapes but Kristofferson is captured.

After discovering that Fox has stolen all of their produce, the farmers decide to flood the animals’ tunnel network by pumping it full of cider. The animals are forced to retreat into the sewers, and Fox learns that the farmers plan to use Kristofferson as bait to lure him into an ambush. They are soon confronted by Rat (Willem Dafoe), Bean’s security guard. After a struggle with Fox that leaves him mortally wounded, Rat divulges Kristofferson’s location.

Fox sends a message to the farmers, asking for a meeting in a town near the sewer hub wherein he will surrender in exchange for Kristofferson’s freedom. The farmers set up an ambush, but Fox and the others anticipate it and launch a counterattack. Fox, Ash, and Kylie escape the scene at the town and slip into Bean’s farm. In the operation, a much matured Ash frees Kristofferson and later deeply impresses his father and the gang by braving enemy fire to release a rabid beagle loose to keep the farmers at bay while the group escapes back to the sewers. The group manage to grab Fox’s tail from Bean as they flee the compound.

The animals become accustomed to living in the sewers, and Ash and Kristofferson have completely settled their differences and have become good friends, sharing meditation time together among other activities. Fox, now taking to wearing his tail as an pin-on, leads them to a drain opening that is built into the floor of a large supermarket, which is shown to the viewing audience to be owned by the three farmers. Celebrating their abundant new food source and the news that Felicity is pregnant again, the animals dance in the aisles.

REVIEW:

In this world of overused CGI, it always warms my heart to see a film that uses good old stop-motion animation. If nothing else about Fantastic Mr. Fox intrigues you, the fact that it was done using this medium should.

Critics and I rarely see thing the same way, but this is one of those rare occasions when they actually got it right. They raved like mad over this film, and found it hard to belive that it wasn’t more popular. To be truthful, until the Oscars, I had only heard about this in passing, and never really paid it any attention. That was my mistake.

This is a totally awesome flick, but be warned, some of the animation may appear creepy to some younger viewers, but that’s the joy of stop motion.

Mr. Fox is the scheming type and George Clooney’s voice and mannerisms fit him perfectly, especially when he’s being more of a douche than a father to his son.

Meryl Streep can do no wrong, even when just her voice is used, although, it would have been nice to have more than a handful of lines for her. I think that Ms. Fox isn’t exactly a prominent character in the books, either, so I can forgive this little oversight.

Jason Schwartzman isn’t exactly my favorite actor by any stretch of the imagination, but the timbre and inflections of his voice work for Ash, who happens to be one of those “different” kids just searching for approval from his dad. Having said that, he was still annoying.

Michael Gambon’s deep vocals make for as good a villain as they do a wizard headmaster. I was quite impressed with how he was able to inflect the madness that was consuming Franklin Bean as he pretty much destroyed the land in his attempt to catch Mr. Fox.

I’m sure we’ve all heard the term “crazy like a fox”. Well, with each attempt Bean made to capture Fox, that phrase ws going through my head because he was proving it to be true.

Yes, this is a comedy, but it’s more subtle comedy, rather than in your face, laugh out loud comedic stylings. This is fine, but not for me…a matter of personal taste, not a criticism.

What is it that makes this film so great? Well, the writing. There aren’t many films today that are written as well as this one and executed to perfection. I dare you to name me 5 films in the last year that accomplish this feat. I can think of maybe 1 or 2.

It is a genuine shame that this film didn’t garner more revenue at the box office, but that’s what happens when you have an independent and limited release. To make up for that, though, I implore you all to track down this DVD and check out Fantastic Mr. Fox. It is a real treat and hands down one of the best films to be released in theaters in a long time.

5 out of 5 stars

Zombieland

Posted in Action/Adventure, Comedy, Horror, Movie Reviews with tags , , , , , , , , , , , , on April 3, 2010 by Mystery Man

PLOT:

The film takes place within a post-apocalyptic America, two months after a zombie apocalypse has been triggered.

College student Columbus (Jesse Eisenberg) is on his way to Columbus, Ohio to see if his parents are still alive. He loses his car in an accident and encounters Tallahassee (Woody Harrelson) who is on a quest to find Twinkies. They travel together and when they stop at a grocery store, they meet two sisters, Wichita (Emma Stone) and Little Rock (Abigail Breslin). The sisters con them into handing over their weapons and steal their vehicle. The two men walk and soon find a truck loaded with weapons. They then meet the girls again, who attempt to take the truck, their vehicle having broken down. Columbus proposes a truce and suggests they travel together.

Columbus tells Wichita he is heading home to Columbus, Ohio. But she blurts out that it has been burned to the ground and is overrun by zombies. He decides instead to stay with the group. Wichita tells Columbus that she is taking Little Rock to “Pacific Playland” in Los Angeles, an amusement park rumored to be zombie-free.

On the way to the park, they pass through Hollywood and Tallahassee decides to take them to Bill Murray’s mansion. Tallahassee and Wichita meet Murray himself, uninfected but disguised as a zombie with make-up so that he can walk safely among the infected and play golf without being bothered. Little Rock is unfamiliar with Bill Murray so Columbus shows her the film Ghostbusters. Murray later enters in order to scare Columbus and Little Rock as a practical joke, but Columbus — thinking he is a real zombie — shoots and kills him.

After a makeshift funeral, Columbus realizes Tallahassee has been grieving over his young son, lost to the zombies, rather than his pet dog as he had earlier led Columbus to believe. Wichita begins developing feelings for Columbus and fearing attachment, she leaves with Little Rock for Pacific Playland. Columbus decides to go after Wichita, and he and Tallahassee, who initially refuses, pursue the sisters in one of Murray’s vehicles.

Wichita and Little Rock arrive at Pacific Playland and turn on all the rides and lights, attracting nearby zombies. A battle ensues, leaving the sisters trapped on a drop tower ride and running low on ammunition. Tallahassee and Columbus arrive just as the sisters’ ammunition is depleted. Tallahassee manages to lure the majority away, then intentionally locks himself in a game booth while Columbus goes after the sisters. Columbus saves the girls and in thanks, Wichita reveals her real name to him. The two share their first kiss. Tallahassee eliminates the remaining zombies single-handedly and gets a Twinkie that Little Rock had acquired. Columbus comes to the realization that this is the only family he needs, and the four leave Pacific Playland together.

REVIEW:

When I first saw the trailer for this flick, I initially thought it was just some sort of random horror film and had no intention on seeing it as I’m not really that into horror, but it turned out that this was more of a comedy than a tried and true horror film. After I found that out, my interest shot up 100 fold.

There was a time when zombies were as popular as vampires are today. Not sure what happened, but they lost that hold over pop culture. Hopefully Zombieland will be the start to them dethroning the vampires.

Of course, I say that as if the zombies are the major characters in this flick, but the fact is they mainly appear in the beginning and in the climactic final scene, with a few thrown in here and there. For a film about a zombie apocalypse, one would think there would be more.

3/4 of the cast is awesome. Emma Stone sheds a bit of her hotness for this role and comes off as a bit of a cold, focused, hard woman who only thinks of surviving and protection her sister. Speaking of her sister, Abigail Breslin is perfectly cast. If I didn’t know better, I’d say that these two were sisters. Although, I do think that she could have been used a bit more, but given the pacing o the film and whatnot, it was enough.

Woody Harrelson steals the show as Jacksonville. This guy lives to kill zombies and has some sort of obsession with Dale Earnhardt since he paints the #3 on every vehicle he obtains. He is also obsessed with Twinkies. Somewhere I heard that if ever there was any type of apocalypse, Twinkies and roaches would survive. I didn’t see any roaches in this picture, but there sure were a ton of those sno-ball things, but Twinkies were a little less abundant.

Jesse Eisenberg, who is supposed to be the “star” of the film is also the weak link. He just doesn’t sell me on his character. It was like he was trying to be Michael Cera-esque, but not making it look that way. Unfortunately for him, it didn’t work,

Bill Murray made a surprise appearance playing himself, and was a pleasant surprise. I have to wonder if he could have had a bigger role had he not been shot because he was trying to play a prank on Little Rock and Columbus.

Columbus’ rules are a good addition and moving plot point, but it would have been nice if they would have popped up a list in the screen with all of them on there, even if it was after the credits or something.

The thing that bothers me the most about this flick is they never really say what caused the apocalypse. Apparently, it just happened. Columbus even says so in his opening narration. If this is true, one would think they’d have found some way to reverse the effects or find out what happened. Also, I find it hard to belive that these are the only 4 people (5 if you count Bill Murray) left in the country that aren’t zombies. Someone else has to be out there. I guess that’s going to be addressed in the sequel.

I all but knew I was going to love this flick. I probably could have loved it been more, had Jesse Eisenberg not been in it, but that’s just me. He really kills the film for me. Everything else clicks on all cylinders. The zombies look about as real as zombies can look. While this picture is bloody, there isn’t much gore. Still it isn’t for everyone. Die hard horror fans aren’t ging to like it because it isn’t serious enough, for instance, but they can go watch an actual horror film for that. I highly recommend this picture to you all, and hope that if it is you cup of tea, you’ll give it a shot.

4 1/2 out of 5 stars

Osmosis Jones

Posted in Comedy, Family, Movie Reviews with tags , , , , , , , , , on March 31, 2010 by Mystery Man

PLOT:

Frank Detorre is a slovenly zookeeper at the New England Memorial Zoo in Rhode Island. Much to the frustration of his young daughter Shane, he eats compulsively and has no regard for germs or disease. While trying to eat a hard-boiled egg it’s stolen from him by a chimpanzee. He gets it back, but not before it falls into the filth of the chimp’s habitat. When Shane is disgusted by him about to eat it he uses the “ten second rule” as a justification for the unsanitary act.

Inside Frank’s body, the story unfolds. Protagonist Osmosis “Ozzy” Jones, an agent of the FrankPD, is a hot-tempered, adventure-seeking white blood cell. He is a rebel cop, frequently disobeying what an authority tells him to do for what he thinks is right. He grew up poor on the “South Side” of Frank and is often mocked by his fellow cops due to his rebellious nature. At the beginning of the story, he has been relocated to the mouth to fight against germs entering the body via ingestion following an incident during which he induced Frank to vomit all over Shane’s teacher, which was considered a false alarm because he had been the only one to suspect an incoming pathological threat(this is said later in a conversation with another character) After several newcomer Germs, believed to be gingivitis, hijack a “squad car” in the mouth, Jones and his senior partner, who is piloting their helicopter, are pulled into the lungs by a massive yawn while in pursuit. Even after the germs evade capture and pass into “Immunity’s” jurisdiction, Jones disobeys direct orders and continues the pursuit on foot. The criminals escape and Jones accidentally triggers a major cramp in Frank’s leg.

Meanwhile, Mayor Phlegmming is preparing for re-election, campaigning with the promise of more junk food (much to the joy of the citizens in the Love Handle District). The Mayor’s reckless policies are largely responsible for Frank’s deteriorating health; but his re-election hopes are complicated by the arrival of Thrax, a deadly virus that came with the hard-boiled egg. In an attempt to cover up the severity of the situation, Phlegmming ‘tells’ Frank to take a cold-suppressant pill. The pill, nicknamed Drix (short for his brand name Drixenol), arrives in the body and covers Frank’s infected throat with a disinfectant to cover the irritation. Osmosis Jones is assigned as Drix’s partner, much to his chagrin. Eventually, they reveal Thrax’s plot to masquerade as the common cold while at the same time plotting to overheat Frank’s body, killing him from the inside. Thrax is motivated by a desire to become the nastiest new virus, attempting to kill each new victim faster than the previous. His grandiose plan for Frank is death within 48 hours, breaking all previous medical records. Thrax also has the ability to burn tissue and make other cells explode by infecting them with his virus, which he releases by touching them with his larger-than-average left pointer finger, which he is able to glow, to release his virus at will.

Osmosis and Drix confront Thrax in one of Frank’s zits, where Drix launches a grenade of medication at Thrax and his cronies, popping the skin blemish, killing nearly all of Thrax’s men, and seemingly ending the virus’s siege. To hide the truth, Phlegmming tells Drix to leave the body and fires Osmosis; both protagonists having insisted that Thrax was more than the common cold.

The heroic duo’s prediction rings true when Thrax is revealed to have survived the explosion and, after killing off his remaining henchman when they suggest that they lay low and recruit new members, decides to launch a lone assault on Frank’s hypothalamus gland (the portion of the brain that contols temperature) by disabling its self-regulative capabilities. After killing the two scientists there, he uses his virus infecting finger to destroy the protoplasmic barrier around the gland, and retrieve a DNA bead. Soon after he does so, Leah Estrogen, the mayor’s secretary and Osmosis’s love interest throughout the movie, discovers his work (the temperature having risen to 100.735 degrees) and alerts security. Thrax manages to evade them; taking Leah hostage, he escapes from the brain to the mouth. Meanwhile, the temperature continues to rise, causing chaos to break out all over the City of Frank.

Frank is taken to the hospital under the influence of Thrax’s attack. Thrax is confronted by Drix, whom he underestimates. Osmosis and Drix (whom Osmosis convinced to come back) rescue Leah and the former fights Thrax directly; eventually Thrax leaves Frank’s mouth after causing a confusion using pollen.

Osmosis is launched out after him by Drix. Thrax and Osmosis arrive on one of Shane’s false eyelashes, which she was wearing atop her natural ones. During the struggle, Thrax threatens to kill Shane, but Osmosis causes him to knock Shane’s false eyelash into a vessel of alcohol below, so that he is dissolved.

During this time, the situation becomes even more dangerous when the temperature hits 108 degrees, causing Frank to go into cardiac arrest.

Just as doctors give up attempting to revive Frank, he is revived when Osmosis returns to Frank via one of Shane’s tears with the missing hypothalamus chromosome. Osmosis is reinstated into “Immunity” with full privileges, he and Drix (whom he has decided to take as his partner) are declared heroes, and Leah tells Osmosis she loves him and gives him a big kiss, which he returns.

The end of the movie shows Frank and Shane on a hike. Frank, having survived Thrax’s attack, has begun to improve his diet and personal hygiene.

Meanwhile, Phlegmming has lost his position as mayor and now has a new job, cleaning the bowels. He accidentally ejects himself from the body via the rectum by touching a button that is important and marked “DO NOT TOUCH!”.

Interlaced with the main plot are several live action sequences that detail Frank’s troublesome relationship with Shane. Her mother died at an early age; viewers may speculate that Frank has deteriorated as a result of depression caused by emotional loss, although there is reason to suspect that his wife also led an unhealthy lifestyle which may have led to her death, as suggested during a conversation between Frank and Shane. Frank had humiliated Shane previously by vomiting on her teacher, Mrs. Boyd, during a science fair, in which he ate another student’s oyster experiment; Osmosis, patrolling the stomach at the time, saw a nasty germ that had come along with the swallowed oysters and pressed the “puke” button, spraying Mrs. Boyd with bile. The event was put on the front page of the local news, making Frank the town laughingstock. This event was responsible for Osmosis Jones’ being transferred to duty in the mouth as a punitive measure to keep him from causing any further trouble.

Osmosis Jones’ suspicions have frequently been dismissed by others, though ironically he is usually correct even when he lacks the tact or caution to take care of problems without making a mess. This is evidenced by Thrax: “They’re making this too easy. You know, in all the bodies I’ve been in, no one has ever gotten wise to me, and now for the first time an immunity cell has figured out everything, and they don’t believe him!” .

Frank attempted to mend matters, but failed. Throughout the film, Shane is ashamed of her father and attempts to reform him. Seeing him facing a terminal virus prompts an epiphany in both of them, with the result that Frank begins caring for his body, and Shane develops a sense of daughterly pride in her father.

REVIEW:

Ever see a commercial for a film or part of the actual picture and wonder what exactly they were thinking when they made it? That was my initial thought when I watched Osmosis Jones. To even further make one wonder, this was spun off into a Saturday morning cartoon, Ozzy & Drix. Saying all that, this wasn’t anywhere near as bad as it sounds.

Sure, it has its moments of cheese, but seriously, if you’re expecting this to be some sort of big time, dark drama, then you obviously need to get your head examined.

The main thing to remember here is that this is meant to be a family film. However, it was made by the Farrely Brothers, who are best known for their gross out films.

The picture is in two separate parts. The first is the live-action segments, while the other is the meant and potatoes of the picture, the animated segments.

The animation is grade A, and the characters are likable and well voiced. They are drawn, yes I said drawn, in the same manner that manner that many character from the late 90s o early 2000s were. I don’t really have much to say negatively about the animation part. Had this film been fully animated, it may have worked better, but as it is, they had to include the live action segments.

Everyone says that the live action parts kill the film and really tak away from it. After watching it, I am inclined to agree. Other than a couple scenes here and there, these live-action scenes don’t really do anything for the film, except find a few minutes that won’t be animated, so they can be cheaper. Normally, I would be praising Bill Murray for his role, but I have to scratch my head at this one. He’s playing a slovenly character that has no real redeeming qualities, other than his daughter. The mark of a truly good character is the connection with the audience. Murray doesn’t do anything but gross us out, so when he dies near the end. There is no reason to show sympathy or compassion. It’s not that he’s not worthy of it, but you just don’t feel it.

Every good film has a villain. Here we have Thrax, voiced by Laurence Fishburne. The guy is cool as the other side of the pillow. His plot to ruin Frank and set some sort of record is quite diabolical. Apparently, he’s supposed to be some sort of virus called the red death. It worked, but considering how he came in on an egg that Fran picked up off the ground, maybe it would have been better to use e coli or sal monella, or maybe some other well known virus, or at the very least have him working for one of them. Just my opinion.

Toungue-in-cheek jokes are the norm in this film. There are especially abundant in the city of Frank. Some may say it was a bit much, but not I. They really lighten the mood and add a bit of icing to the cake.

If you’re one of those people who doesn’t take care of themselves and/or has bad hygiene, then you should really watch this picture. Sure, its a family friendly cartoon, but the message is still there.

Osmosis Jones is not a film that everyone will enjoy, but is a good family film. They even toned it down to keep a PG rating, but be warned, there are some gross out parts. I mean, we are dealing with the workings of the human body here, so it is to be expected. Again, I say if this were just animated, its be an awesome flick, but as it stands, there are live action scenes that just suck the life out of the film. I still will recommend this to anyone, but only with the disclaimer that this could have been a much better film.

3 1/2 out of 5 stars

Space Jam

Posted in Comedy, Family, Movie Reviews with tags , , , , , , , , , , , , , , , , , , on March 17, 2010 by Mystery Man

PLOT:

As NBA superstar Michael Jordan retires from basketball to pursue a career in baseball, Mister Swackhammer, the proprietor of the extraterrestrial theme park “Moron Mountain”, is seeking new attractions for his failing park. He sends his minions, the “Nerdlucks”, to capture the Looney Tunes, who reside deep below the surface of the Earth. The Looney Tunes retaliate by challenging the Nerdlucks to a basketball game (seeing as that they aren’t very tall). To prepare for the game, the Nerdlucks return to Earth and steal the talent of top NBA stars Charles Barkley, Patrick Ewing, Muggsy Bogues, Larry Johnson and Shawn Bradley. The Nerdlucks use the stolen talent to become the “Monstars”, gigantic creatures that the Looney Tunes are unable to defeat by themselves. To aid them, the Looney Tunes summon a reluctant Michael and his wormy and rotund assistant Stan Podolak. Soon after, the game between the Looney Tunes and the Monstars begins, but the Looney Tunes appear to be no match for them even with Michael’s help as the Monstars completely dominate the entire first half. As halftime begins, Stan becomes suspicious on how the Monstars are able to play so well and spies on them inside their locker room. While he is ultimately caught (and heavily roughed up), he does discover that the Monstars stole the talents of the NBA players.

Meanwhile, Michael tries to raise the Looney Tunes’ spirits who are already accepting defeat. However Bugs grabs a water bottle and labels it “Michael’s Secret Stuff” in order to boost everyone’s confidence by “claiming” it is what helps Michael play basketball well. Everyone drinks from the bottle and with their spirits raised, the Looney Tunes make an amazing comeback against the Monstars and reduce the Monstar’s giant lead to only a few points.

At that point, Swackhammer yells at the Monstars for losing their lead and Michael decides to confront Swackhammer about the NBA players’ stolen talent. Michael proposes to raise the stakes; if the Looney Tunes win, the Monstars are to return the talent, but if the Monstars win, they can have Michael as the new attraction for Moron Mountain. Intrigued by this offer, Swackhammer demands the Monstars to play as dirty as possible. The Looney Tunes are then roughed up by the brutal playing style of the Monstars until only Michael, Bugs, Lola and Daffy are left standing leaving them short one player. Bill Murray, being friends with the producer of the film, is able to enter the Looney Tunes’ world and join their team, averting forfeiture.

By the climax of the game, the Tunes are down by one and it is up to Michael to score the final point for his team. Using his infamously extendable arm, Michael manages to make the basket and win the game. Swackhammer scolds the Monstars for losing the game; however’ with some motivation from Michael, the Monstars realize they do not have to tolerate his abusiveness. They stand up to him and send him to the Moon.

Despite everything that has happened between the Looney and Nerdlucks, the Looney Tunes allow the Nerdlucks to stay on Earth instead of returning to Moron Mountain. Afterwards, the Looney Tunes return Michael to Earth, just in time for his baseball game, where he returns the stolen talent to their respective owners. He is later prompted by his rivals to return to the NBA, mirroring his real-life comeback.

REVIEW:

A movie featuring the Looney tunes and some of the hottest basketball stars of the late 90s, including Michael Jordan. How could anything go wrong with this, right?

Well, aside from the cheesy plot of tiny aliens coming to Earth to force the Looney Tunes into slavery on their planet, only to be challenged to a basketball game,m which they have to steal talent from NBA stars and the Looney tunes have to abduct Michael Jordan, who was a baseball player at the time, to help, this really isn’t that bad. OK…so, the plot, as bad as it is, makes for quite an intersting story.

There are plenty of pluses to this film. We have the Looney Tunes, who are always good, although it did feel like they were trying so hard to get them all on the screen, that some got shafted *COUGH* Speedy Gonzales, Marvin the Martian, etc. *COUGH* Everytime I watch this, I wonder what possessed them to create a totally new female character. Don’t get me wrong, Lola Bunny is totally hot and all, but why? They could have just as easily given that basketball talent to some other character. For instance, Speedy or Marvin could have ended up as a basketball prodigy. I’m just saying.

I found it interesting that this story takes place during that odd time in Michael Jordan’s life between his initial retirement from basketball and the failed baseball months. In the back of my head, I have to wonder if this really happened…lol Seriously, though, it does make for a nice framing for the plot. I’ve always wondered why they used Michael, but not his family. His boys are now in college, I think on may be playing in March Madness, if I’m not mistaken…just FYI. Nothing against these actors, but it was just weird for me to have the real Michael Jordan, yet actors playing his family. It would have been one thing if he was playing a character of MJ, but he was literally playing himself, so why not use his real family.

AS good as Michal was on  the court, there is a reason he didn’t branch out into acting. I’m sorry to say that Michael cannot act. I don’t know if that has anything to do with this material, or if he just isn’t that good of an actor. Perhaps there are just high expectations since he was so good on the court, as with baseball, we just expect for him to be that good in everything.

Jordan isn’ t the only basketball star in here, though. Charles Barkely (much skinnier than what he is today), Muggsy Bogues, Shawn BRadley, and Larry Johnson make appearances as the players whose talent is stolen by the Nerdlucks. As they try to figure out what’s wrong with them, they have some of the best scenes in the live-action part of this film.

The Nerdlucks. These guys are just odd little cats. Tiny aliens who are pushed around by their boss on the sole reason that he’s bigger than them. I actually think they were better as the Monstars, though. It’s a shame we never learned their names, but then again, it’s never said that they are called Nerlucks, either.

This is another one of those films that is nothing more than just pure fun. If you expected something serious  from a film with the Looney Tunes in it, then you seriously need you head examined. For those of you that have been looking for a good family flick, Space Jam is just what you’ve been looking for. I’m not really sure why this isn’t rated G, but then again the MPAA probably thinks that since Lola is showing her midriff that is good enough reason for this to lose the G rating, but I digress. I totally expected to be disappointed when I heard what this was about, but I took the chance anyway and fully enjoyed myself, and I’m sure you will, too.

5 out of 5 stars

Ghostbusters 2

Posted in Action/Adventure, Comedy, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , , on June 2, 2009 by Mystery Man

PLOT:

Five years after the events of the first film, the Ghostbusters are out of business after being sued by the city for property damage incurred during the battle against Gozer. Ray Stantz and Winston Zeddemore have become entertainers at children’s parties, Egon Spengler works in a laboratory conducting various experiments, Peter Venkman hosts a pseudo-psychic television show, and Dana Barrett is working at an art museum restoring paintings and raising her infant son Oscar at a new apartment.

One day, Oscar’s carriage starts rolling down the street by itself and is nearly crushed by traffic. Ray, Egon, and Peter investigate. Meanwhile, Dana’s boss, Dr. Janosz Poha (Peter MacNicol), is restoring a painting of a seventeenth-century tyrant named Vigo the Carpathian when the real Vigo’s spirit (located inside the painting) orders Janosz to find a child that he (Vigo) might use as a physical form.When Ray is lowered underground, he discovers a river of pink slime beneath the streets. He obtains a sample; moments later, the Ghostbusters are arrested after Ray accidentally knocks most of the city’s electrical power out. During court, two ghosts appear out of the slime in response to the judge’s shouting and attack the court. However, the Ghostbusters manage to capture them using their old equipment and therefore resume their business. During a test of the slime, the Ghostbusters realize that the slime absorbs emotion and becomes malevolent or benevolent according to the emotions to which it is exposed. Meanwhile, the slime appears out of Dana’s bathtub and tries to grab her and Oscar; but she escapes. The next morning, the Ghostbusters investigate the painting of Vigo and begin to notice the presence of the spirit in it. The next night, Ray, Winston, and Egon discover that the river of slime leads directly to the museum.

After Dana enters the museum, the “malevolent” slime forms a shell around the building and the Ghostbusters are called to destroy it. They are unable to do so by their accustomed means; therefore they instead animate the Statue of Liberty by exposing it to “benevolent” slime and “ride” the statue to the museum, where they destroy part of the rooftop with its torch. When the Ghostbusters are in the museum, they spray Janosz with positively-charged slime, but then Vigo appears out of the painting and grabs Oscar. Outside, the citizens of New York, knowing the slime’s sensitivity to emotion, give the Ghostbusters an advantage by singing Auld Lang Syne, enabling the Ghostbusters to drive Vigo the Carpathian back into his portrait. In an effort to escape, he possesses Ray, but is destroyed entirely by the “benevolent” slime. Janosz then wakes up with a brand-new attitude, due to the positively-charged slime. Vigo’s portrait is then replaced by one showing the Ghostbusters and Oscar in forms that represent them as guardians to Oscar, concluding the film. During the credits, the city celebrates the Ghostbusters, and the mayor gives them the key to the city.

REVIEW:

Fans and critics alike have mixed feelings about this film. I fall into that gray area, as well. Most of my distaste for it comes from the fact that I am no fan of films that are made specifically to make money, and while it may or may not be the case, it feels as if that is the purpose of this picture.

The cast from the first Ghostbusters all return, but the years don’t seem to have been kind to them. One would think that after you save an entire city from destruction that you would be revered as a hero. Apparently that is not the case as the Ghostbusters are forced to take other jobs to make ends meet and pay off bills from the destruction they caused. For those of you cynics out there that just HAVE to have some realism in your movies, there you go.

As in the first film, there is a side “sub-villain” that wants to shut them down. This guy is the mayor’s aide. My opinion on this is the same as with the first, its unnecessary to even bring it in. The guy is obviously a douche, but other than serving as a roadblock that leads to a bit of tension and suspense before the film’s climax because they’re locked away in an asylum, this whole scenario could have been left on the cutting room floor.

There aren’t many ghosts in this one, which is quite the disappointment, especially when you consider the movie is called GHOSTbusters 2. I suppose, though, that Vigo is more than plenty to have to deal with. HE definitely makes Gozer and its pet dogs look like Stay Puft Marshmallow Man was it’s normal form.

Ernie Hudson and Annie Potts who were added to the ghostbuster staff as the original film went on have bigger roles in this one, especially Potts. Although Hudson does seem to be more comfortable here.

Bill Murray, Dan Akroyd, and Harold Ramis are true to form as Drs. Peter Venkman, Egon Spangler, and Ray Stanz, respectively. There hasn’t really been an change to their characters, which actually works. Believe it or not, sometimes its best to leave well enough alone, and that’s what they did with these characters.

I would be remiss if I didn’t bring up the rive of mood slime under the city. The sheer fact that the emotions of a city of people can cause that much back in 1989 makes you wonder what if this was real and happening today? That thing might be overflowing.

At least the mood slime was put to good use as it got the Statue of Liberty to move. While not as impressive as the Marshmallow Man was in the original, it took a real good song to get Lady Liberty to get up and go. Jackie Wilson should be proud.

As much as I want to say this was as good as its predecessor, it just isn’t. That’s not to say there is a night and day difference, it’s more of a personal preference. The original was more…er…original, while this one feels like the plot is forced and, as I said earlier, was made to make a few quick bucks. Aside from those factors, this is still a decent picture and worth watching.

3 1/2 out of 5 stars

Ghostbusters

Posted in Action/Adventure, Comedy, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , , , , , , , , , , , , , , , , on June 2, 2009 by Mystery Man

PLOT:

Investigating a disturbance at the New York Public Library, three misfit parapsychology researchers, Drs. Egon Spengler (Harold Ramis), Raymond “Ray” Stantz (Dan Aykroyd), and Peter Venkman (Bill Murray), for the first time witness concrete evidence of paranormal activity, including a ghost. They nevertheless are expelled from Columbia University after their research grants are terminated. To maintain their livelihood, they establish “Ghostbusters”, an organization described by Venkman as a “professional paranormal investigations and eliminations” service, using an old firehouse as their headquarters, a 1959 Cadillac Miller-Meteor Ambulance dubbed “Ecto-1” as transport, and one Janine Melnitz (Annie Potts) as a receptionist. Just as the fledgling business runs out of funds, they are hired by the staff of a hotel plagued by a ghost (named “Slimer” by Ray in The Real Ghostbusters). They capture this ghost successfully, using their nuclear-powered “proton packs” to force it into a small holding trap for later transfer to a containment grid in the firehouse. Following their first successful endeavor, the Ghostbusters suddenly find themselves overwhelmed by calls from prospective clients about hauntings, to the point that they hire a fourth member, Winston Zeddemore (Ernie Hudson). Zeddemore ultimately comes to believe that the increase of ghostly activity is building up towards a single grand-scale paranormal event that will result in the biblical “Judgment Day”, and is later proven to be correct.

Meanwhile, a woman named Dana Barrett (Sigourney Weaver), who lives in an apartment at 55 Central Park West, asks the team to investigate a bizarre occurrence in her kitchen. Venkman feels an immediate attraction to the woman, and sees in her request for help an opportunity to become romantically involved with her. He decides to take charge of the case and visits her apartment. He learns from Barrett that a demonic figure speaking from within her refrigerator called her by the name “Zuul”, which is discovered to be the name of a (fictional) demigod worshipped in 6000 BC by the Hittites, Mesopotamians, and Sumerians as a minion of Gozer, the shape-shifting god of destruction. Venkman then asks Dana to go on a date with him. On the night of the date, Barrett is abducted by monstrous beings and put into demonic possession by a dog-like beast (see Gytrash) in her own apartment; Venkman arrives to find her in a trance, determined to locate another possessed person. At the same time, accountant Louis Tully (Rick Moranis), Barrett’s neighbor, is chased down and possessed by a similar beast. He is caught by the police and brought to the Ghostbusters. Spengler recognizes that the beings possessing Barrett and Tully, Zuul (“Gatekeeper”) and Vinz Clortho (“Keymaster”) respectively, are seeking each other, and the team agrees to keep them apart to prevent an apocalypse from occurring.

As the ghost containment grid nears its maximum storage capacity, the Ghostbusters are visited by Walter Peck (William Atherton), a representative of the United States Environmental Protection Agency, who had previously questioned the business’ safety only to be turned away by Venkman. Peck has obtained a court order by which to shut the system down; unable to stop him, the team flees the firehouse as the grid collapses and hundreds of freed ghosts flood the city. In the chaos, the possessed Tully roams free and makes his way to 55 Central Park West, while Peck has the Ghostbusters arrested. As they wait in jail, Stantz determines that this building was constructed specifically to summon Gozer, who would then destroy the world. The mayor (David Margulies) orders the release of the Ghostbusters from jail, overriding Peck’s demands, and sends them to prevent the potential catastrophe.

Assisted by the police and Army, the Ghostbusters proceed to the top of 55 Central Park West, but are too late to prevent Barrett and Tully from meeting. Together they open an interdimensional portal, allowing Gozer to enter the human world, while the two are transformed into the doglike beasts seen earlier. When Gozer (Slavitza Jovan) emerges in a female humanoid form, the Ghostbusters briefly force her back into her dimension with their proton guns. Being led to believe that they are its prophesied adversaries, Gozer challenges them to choose a form for it to assume as it destroys the world. When Venkman orders his teammates to think of nothing, Stantz is unable to avoid thinking of the most innocent being he could imagine: the Stay Puft Marshmallow Man. A gigantic version of this mascot appears and begins to lay waste to the city. Seeing this, Spengler realizes that their only hope is to cross their weapons’ emitted energy streams, reversing the particle flow and destroying Gozer’s gate to its home dimension, despite the fact that the Ghostbusters themselves may be killed as a result. As the “Marshmallow Man” reaches the top of the building, the team executes this plan, causing the gate to explode and reducing the creature to torrents of melted marshmallow. The Ghostbusters survive and Venkman frees Tully and Barrett from their doglike forms, which have been carbonized. When they leave the building, the Ghostbusters are met by Janine, who had been waiting for them. As they leave the scene in the Ecto-1, the public cheers them and Venkman and Dana share a passionate kiss.

REVIEW:

I’m rather ashamed to admit this, but this film gave me nightmares the first time I saw it. Of course, I was only 5, but still. After watching it again tonight, I don’t even know what it was that frightened me so.

Ghostbusters ranks # 28 on AFI’s list of top 100 comedies. I don’t know what else is on there, but that is a respectable ranking for this film. Of course, knowing how some people are, they’d have preferred for this to be some sort of dark horror film with no levity whatsoever. I doubt that it would have had the lasting legacy it does had they have gone that route, though.

Since this film was made in the 80s, the effects aren’t the greatest, but not the worst, and the music plays a major part in the film. You know as soon as you saw that poster up there that you started singing Ray Parker, Jr.’s immortal hit song that doubled as the theme to the movie.

The ghosts, with the excetion of Slimer, seem to be projections on a screen, at least that’s how they look to me. Nothing really tangible to them, then again, they are ghosts. As far as Slimer goes, he seems to be, for lack fo a better term, fleshed out a bit more.

Harold Ramis, Bill Murray, Dan Akroyd, and Ernie Hudson play the Ghostbusters. The former 3 start the film working at a university and have doctorates, while Hudson is hired later in the film. Murray seems to be the voice and de facto leader of the group. not to mention the mouthpiece and self-proclaimed ladies man. Ramis is the brains of the operation, which is saying something, since these guys are all apparent near geniuses. Akroyd is best described as a balance of his colleagues. Hudson is brought in as the, as much as I hate to say this, token black guy and “normal” guy. He doesn’t have too much of a role here, but he gets more screen time in the sequel. His main scene is one where he warns Ray that it might be Judgement Day.

Sigourney Weaver is a nice change of pace for the eyes to look at, especially once she becomes Zuul. Rick Moranis’ career is all about playing the nerdy guy, so this role was right up his alley.

Gozer initially seemed like she’d have been a formidable adversary, but turns out to not be much of anything. Of course, that may be because she/it chose to morph into the Stay Puft Marshmallow Man, which aside from being giant wasn’t really intimidating. Still, it was fun to see this giant baby sailor marshmallow dude traipsing down New York City.

Such a shame they don’t make films like this anymore. The sheer fact that 25 years later it still stands as one of the greatest films is a testament to how great it is. This isn’t quite a family film, but everyone can enjoy it, but take it from me, little children may want to look away in parts.

5 out of 5 stars

City of Ember

Posted in Family, Movie Reviews, Sci-Fi/Fantasy with tags , , , , , on April 18, 2009 by Mystery Man

PLOT:

The movie introduction explains that the City of Ember is a fully-contained city built underground to house a human community for 200 years as a shelter from an unspecified disaster. A box has been provided which automatically opens after 200 years, and contains a tool and instructions for returning to the surface. Mayors of Ember keep the box a secret and only disclose its existence to their successors in office. When a mayor suddenly dies while still in office, the box is put in a closet in Lina’s house and unnoticed by anyone when it automatically opens as designed.

Some decades later Ember’s food supplies are becoming depleted and blackouts are increasingly frequent and longer-lasting, as the hydroelectric generator that powers the city has deteriorated. Much of the knowledge and technology from the city’s near-mythic Builders and earlier generations has been lost.

Two young friends, Lina Mayfleet (Saoirse Ronan) and Doon Harrow (Harry Treadaway) are graduating from school. Lina is assigned to work in the Pipeworks of the hydroelectric generator, but trades jobs with Doon, who does not like his assignment to work as messenger. Lina witnesses the city’s decay as she relays messages, and Doon learns that the Pipeworks are held together with increasing amounts of patchwork. Nobody knows in detail how any of the city’s systems work. After a major malfunction of the generator during the city’s annual celebration, Lina and Doon conclude that Ember is in danger of imminent collapse. With the city’s adult population either largely ignorant of their plight or cowed by the corrupt Mayor Cole (Bill Murray), Lina and Doon search for the clues left by the Builders showing the citizens of Ember how to save themselves.

Mayor Cole, understanding the gravity of the city’s situation, has been stockpiling food in a secret bunker to guarantee his own survival. After discovering the bunker, Lina attempts to report Cole’s hoarding but instead is brought to the mayor. He suspects that Lina, a descendant of the earlier mayor who died in office, may be in possession of lost secrets about Ember and orders her and Doon arrested. Lina jumped the table to steal the second card while the short blackout continues.

Indeed, Lina has the box in her home and has begun to understand its importance. The pair escapes and tries to find their way out of the city with the instructions left in the box by the Builders, and receive unexpected assistance from Doon’s elderly mentor Sul (Martin Landau). Meanwhile, Mayor Cole goes to his bunker and was killed by a giant star-nosed mole. Arriving at the surface they are initially disappointed that it is dark there as well, as described in Ember’s folklore, but when the sun rises they discover that light has returned to the skies and the planet has recovered. They also see through a hole the lights of Ember deep below the surface and realize they had lived in an underground city. Lina and Doon drop a message tied to a rock through the hole down to Ember telling the other citizens how to leave the city, where it is found by Loris Harrow (Tim Robbins), Doon’s father and one of the few adults aware of the city’s serious situation.

REVIEW:

As far as family films oriented action films go, this isn’t a bad choice, but other, honestly, it falls into the trap of having a better trailer than actual film.

I haven’t read the actual book that this was based on so I don’t know about the differences from the source material, bit I do know that with a film like this, there could have been numerous opportunities to utilize special effects. They could have even made this a 3-D film, if they felt the need. Yet, they chose to use effects sparingly and rely heavily on the story.  I respect them for that, but the problem is that the acting isn’t strong.

Veteran actors Bill Murray, Tim Robbins, and Martin Landau are all wasted, while the young actors just aren’t capable of carrying the film.

There really isn’t much to say about this film. You can all but guess what is going to happen every step of the way. On top of that, it starts off painfully slow, a trait that nearly bored me to tears. Still, I’m sure there is an audience out there for this film. If you fall into that audience, then more power to you, otherwise, I’d stay away.

2 1/2 out of 5 stars