PLOT (spoiler alert!!!):
Nick Charles (Powell), a retired detective, and his wife Nora (Loy) are attempting to settle down when he’s pulled back into service by a friend’s disappearance and possible involvement in a murder. The friend, Clyde Wynant (Ellis) (the eponymous “thin man”), has mysteriously vanished just after his former girlfriend, Julia Wolf, was found dead. Wynant quickly becomes the prime suspect, but his daughter Dorothy (O’Sullivan) can’t believe he did it. She convinces Nick to take the case much to the amusement of his socialite wife. The detective stumbles off to find clues, and manages to piece things together through intensive investigation.
The murderer is finally revealed in a classic dinner-party scene that features all of the suspects. A skeletonized body, found during the investigation, had been assumed to be that of a “fat man” due to its being found in clothing from a much heavier man. This clothing is revealed to be a diversion, and the identity of the body is finally revealed, on the basis of an old war wound to the leg, as that of a particular “thin man” instead— the missing Wynant. The murder has been disguised in a way to frame the dead Wynant, by people who have stolen a great deal of money from Wynant and killed him on the night he was last seen.
REVIEW:
In all film history, there is a series of film noires that stands out above all the other. The Thin Man is the first of 5 such films. It has been revered in many circles as one of the top crime films of all time, and with good reason. The million dollar question, though, is what did I think?
What did I like?
Classic device. The film ends with the classic dinner party reveal. You know, where all the suspects are gathered for a fancy dinner party and the detective reveals who the killer is. Yeah, we’ve all seen those on television before. I’m not 100% sure, but this may have been the first instance of the device being used on film.
Misdirection. Who is the thin man? The way the film moves along. it would have you believe that the star of the picture is the titular character. This is not true, though, as the thin man is actually someone else entirely. Now, why it is that all the other films in this series use him in the title, I can’t tell you.
Comedy. It seems to be that in this era, films were either strictly drama or comedy. The few that did manage the straddle that fine line were musicals. It is good to see a film mix genres from a time when doing so wasn’t exactly commonplace.
What didn’t I like?
Pacing. For some reason, no matter how much I tried, it was just hard for me to keep up with what was going on. I think this was more to do with some distractions outside, rather than an indictment of this film. Gotta love people who drive by with their stereos blaring (and rattling).
Trailer. The trailer for this film has a life-size figure of William Powell. While this was a brilliant advertising tactic, I found myself wondering why this wasn’t in the film, as I’m sure those who saw this film did the same.
The Thin Man provided me with some decent entertainment, but I can’t be sure whether I liked it or not. The fact is that this is a very well made film, as almost all flicks from yesteryear tend to be. With that said, I do highly recommend this, if for no other reason than it should be a film you see before you die.
3 1/2 out of 5 stars