PLOT (spoiler alert!!!):
The film opens with short-order cook Frank D’Arbo (Rainn Wilson) telling the audience of the only two good memories he’s had in a life of disappointment: marrying his beautiful wife Sarah (Liv Tyler), and an incident in which he directed a police officer to catch a purse snatcher. Frank immortalizes these two events in a pair of crayon drawings he hangs on his wall for inspiration.
Later on, Sarah, a recovering addict, leaves Frank for Jacques (Kevin Bacon), a charismatic strip club owner who gets her hooked on drugs. Frank sinks into depression, where he has a vision in which he is touched by the hand of God and meets the Holy Avenger (Nathan Fillion), a superhero from a public-access television show on the All-Jesus Network who tells Frank that God has chosen him for a very special purpose. Frank believes that God has chosen him to become a superhero and goes to a local comic book shop for inspiration. His claim that he is designing a new superhero meets with enthusiastic appreciation from the foul-mouthed store clerk, Libby (Ellen Page). Frank creates a superhero costume and assumes the identity of “The Crimson Bolt”. Armed primarily with a wrench, he begins to fight crime by delivering savage beatings to various rule breakers ranging from drug dealers and child molesters, to a man who cuts in line at the movies. The Crimson Bolt soon becomes a media sensation. Initially, the media views The Crimson Bolt as a violent psychopath, but he begins to gain public appreciation after the criminal backgrounds of many of his victims come to light. Frank later attempts to rescue Sarah, but Jacques’s thugs recognize him under the costume and shoot Frank in the leg while he flees.
A wounded Frank goes to Libby for help, as his home is no longer safe with Jacques’s thugs looking for him. Libby cajoles Frank into letting her become the Crimson Bolt’s “kid sidekick”, christening herself “Boltie” and designing a sexually suggestive costume. She proves to be even more unhinged than Frank, using her superhero guise to almost kill a man who may or may not have keyed her friend’s car. Frank decides to let her go, but changes his mind when Libby rescues him from some of Jacques’s thugs at a gas station. Libby soon becomes enamored with Frank, but her advances are turned down as Frank insists that he is still married. Deciding it is different when they are in their superhero identities, Libby rapes Frank while the two are in costume. Going in the bathroom to vomit, Frank encounters a vision of Sarah in the toilet and decides that now is the time to rescue her from Jacques.
Armed with guns, pipe bombs, and bulletproof vests, Frank and Libby sneak into Jacques’s ranch killing the first few guards they encounter. Eventually, they are both shot; Frank is struck in the chest, his bulletproof vest sparing him, but Libby is struck in the head and dies instantly. Devastated by her death, Frank goes into a rage, killing all of Jacques’s thugs. Inside, he has a final showdown with Jacques. Jacques shoots Frank and wounds him. Frank gains the upper hand, though, and stabs Jacques to death after a final monologue. Frank takes Sarah home, and she stays with him for a few months before leaving him again. This time, however, she manages to finally overcome her addiction and uses her experiences to help others with similar problems. She remarries and has children, but Frank is happy for her and decides that the reason why God chose him was so that he could rescue Sarah and help her get on with her life.
Frank, now with a pet bunny, looks on his wall of happy memories. Frank’s entire wall is covered with pictures of his experiences from his time spent with Libby to pictures of Sarah’s kids, who call him ‘Uncle Frank’. Frank smiles with a tear running down his cheek.
REVIEW:
Hancock, Defendor, Blankman, and of course, Kick-Ass…all films in which a nobody becomes a superhero. Well, Hancock has something that happens during the film that totally takes it out of this conversation, but before then, he fits in this list. I could also throw in Batman, Spider-Man, and the like, but regardless of their origin, they’re mainstream, and all of these are either original movies, or a lesser known comic.
Now, along comes Super, a film where probably the biggest loser of them all becomes a superhero. When I say loser, I mean the guy has just been left by his wife, is apparently near 40 and still flipping burgers, and then there is just the whole lack of a personality aspect of his character.
After watching some kind of religious superhero on television…not sure if this was actually on or in his head…he is touched by the finger, not the hand, but the finger, of God and decided to become a superhero. He calls himself, The Crimson Bolt.
Those of you that watched The Fairly OddParents may have picked up on the name similarity to a certain superhero on that show. Remember the Crimson Chin?
I honestly can’t remember where I first heard about this film, but the guys that reviewed it said that it was one of those really dark, serious films. This cannot be further from the truth. Just watch the opening credits and you can tell that it isn’t taking itself too serious.
Sure, it isn’t a spoof or anything like that. As a matter of fact, it may very well be more violent than Kick-Ass, which is really saying a lot. However, the violence here is meant to make a statement, I believe, as opposed to being used as a way to glorify beating people with pipe wrenches and whatnot.
I’m so glad this flick doesn’t take itself seriously and does have comedic moments. We have enough dark, serious superhero movies out there. We need more than embrace the lighter side of things, as well.
The pacing of this film is great. It never really gets bogged down with to many subplots. Everything gets the chance to develop and come to a nice resolution, mush like a great symphony.
However, there are issues here and there. First off, we have some heavy hitters in the cast, such as the exceedingly gorgeous Liv Tyler, (who I think they tried to uglify for this role), Kevin Bacon, an extra annoying Ellen Page, and a couple of cameo scenes by a ridiculously maned Nathan Fillion.
I can’t help but wonder what drew them to this independent project, unless they owed the director a favor, or just really wanted to be in an over the top role, which is I’m sure how Fillion got cast. I just don’t see anyone lining up to be in a movie with Rainn Wilson, especially a super hero picture.
Speaking of Ellen Page, yes her character was annoying, especially when she became the “kid sidekick”, but in a pivotal scene near the end, the audience does actually feel for her.
While I’m on the subject of the “kid sidekick”, I have to question how it is that her costume looked so much better than the Crimson Bolt’s. Her outfit looked like it was professionally done, while his looked like it was stitched together at the last minute.
I realize that chances are a girl is going to be more adapt at sewing and whatnot (not all are, btw), but if she was gong to be that good, you’d think she could have made him a new costume.
Kevin Bacon is apparently the villain here, but it is never really clear what it is he does. It seems as if he’s some sort of drug smuggler, but I could be wrong. On top of this, there is the whole thing about him “kidnapping” Liv Tyler and then the random rape scene that precedes/is going on during the climax.
Super is not the kind of picture that will make you wish for more of these kind of superheroes, but it is chocked full of great action nad one-liners that can entertain any and everyone. I must warn those of you that are offended by culture references to the Almighty might not like the scene. Neither will those that can’t handle violence, but for everyone else this is almost a must-see picture. Why not check it out?
4 out of 5 stars